Mezzotints in modern music / - James Huneker

D’Abelli, [241].
Damrosch, Walter, [87], [132].
Dante, [95], [114], [137], [151].
Darjomisky, Alexander, [83].
Daudet, [151].
Delaborde, [275], [279].
De Lenz, [214], [215].
— Beethoven’s Sonatas, [16].
— Chopin’s remark to, [176].
De Meyer, Leopold, [241].
Deppe, [241], [243].
De Quincey, [120], [205].
Diemer, Louis, [134].
D’Indy, [275].
Divine Comedy, [148].
Doehler, Theodore, [193], [241].
— Concert studies, [261].
Donizetti, [228].
Don Quixote, [148].
Dostoïewsky, [84].
Dreyschock, [193], [241], [242].
— Campanella, [263].
Dubois, [279].
Dubois, Mme., [215].
Du Maurier, [163].
Dupont, [241].
— Toccata in B, [263].
Düsseldorf, [17].
Duvernoy, Alphonse, [275], [279].
Dvorák, [1], [5], [83], [96].
— On Tschaïkowsky, [95].
— On Tschaïkowsky’s themes, [121].

Edward, Herder’s ballad, [32].
Eggeling, [240], [254].
Eldorado (Poe), [206], [208].
Ehlert, Louis, [33], [37], [210].
— On Brahms, [11], [79]-[80].
— On Brahms’ D minor concerto, [54].
— On Brahms’ Waltzer, [45].
— On Wagner, [295].
Ehrlich, [240], [258].
— “Touch and Technic,” [255].
Elsner, [196].
Emerson, remark on Whitman, [11].
Empedocles, [148].
Erard piano, [224].
Essipoff, Annette, [118].
Étude Heroique, [50].
Études, composers of, [240].
Eulalie (Poe), [206].

Faelten, [241].
Fairmount Park, [201].
Fauré, Gabriel, [279].
Faust, [148].
Fétis, [240], [242], [252].
Feuerbach, [291].
Field, [195].
Fielding, [78].
Finck, Henry T., [33], [162], [213], [222].
— Antagonist of Brahms, [22].
Fissot, Henry, [274].
Flaubert, [11], [160], [162].
Floersheim, Otto, opinion of score of Zarathustra, [153].
Fontana, [194].
Foote, Arthur, [241].
Fortinbras, [125], [127].
Francesca da Rimini, [93], [114].
Franchomme, [215].
Franz, Robert, [129], [232], [239].
— Accompaniments to Handel, [191].
Fuller-Maitland, [29], [68], [71].

Gaboriau, [207].
Gavard, Mlle., [215].
Gautier, Théophile, [148].
Genesis, [158].
Genius of Christianity (Châteaubriand), [231].
Germer, Heinrich, [240], [246].
— “Rhythmical Problems,” [255].
Gewandhaus, [52].
Geyer, Ludwig, [285]-[286].
Giorgione, the School of, [219].
Giotto, [6].
Glazounow, [83].
Glinka, [83].
— Life for the Czar, [83].
— Ruslan, [83].
Godowsky, Leopold, paraphrase of Chopin’s studies, [271].
— G sharp minor study (Chopin), [277].
Goethe, [94], [95], [203].
— Remark to Eckermann, [231].
Gogol, [84], [93].
Goldschmidt, Jenny Lind, [215].
Golinelli, [241].
— Studies, [12], [262].
Gottschalk, L. M., [262].
— Tremolo, [251].
Gounod, [107], [120], [124], [157].
— Roméo et Juliette, [124].
Graham, [201].
Grieg, [31], [83], [200], [221], [250], [260].
— Scandinavian triolen of, [260].
— Ballade in G minor, [260].
— Concerto, [260].
— Sonatas, op. 7 and op. 8, [260].
Gutmann, Adolph, [215].

Haberbier, [241], [248].
— Études Poésies, [244].
— Studies, [254].
Hadow, on Brahms, [53]-[54], [67].
Hale, Philip, [118], [233].
— Verse after Pushkin, [81].
Halka (Moniuszko), [134].
Halle, Sir Charles, [215].
Hamlet, [93].
Handel, [46], [48].
— Additional accompaniments to, [191].
Hanslick, Eduard, [30].
— Adoration of Brahms, [9].
— Designation of Kundry, [291].
— Hatred of Wagner, [9].
Hans Sachs, [289].
Hasert, [241].
Haslinger, [252].
Haunted Palace (Poe), [206].
Hedda Gabler, [296].
Heine, [10], [23], [118], [129], [185], [203].
— Remark about Dreyschock, [263].
Helen, lines to (Poe), [196], [197].
Hell, Breughel, [152].
Heller, [240], [244], [254].
Henderson, [233].
Henselt, [214], [241], [248], [249], [251], [257], [258], [259], [264], [265], [273], [274], [283].
— Op. 2 and op. 5, [244], [258].
— Refinement of, [257].
Works:
— Bird Study, [256], [259], [283].
— Études, [256], [259].
— Studies for the piano, [281]-[283].
Hercules, [142].
Herder, [32], [71].
Herz, Henri, [241], [242].
— Variations of, [231].
Herz-Parisian School, [224].
Heyman, Carl, [241].
— Elfenspiel, [262].
Hiller, Ferdinand, [214], [215], [241].
Hipkins, J. A., [215].
Hoffmann, [152], [185].
Hogarth, [122].
Hueffer, Franz, [213].
Hugo, Victor, [288].
Hummel, [194], [195], [249], [252], [268], [274], [283].
Hummel, Cadences, [100].
Hungarian folk-music, [232].
Huss, Henry Holden, [139].
Hyde, E. Francis, regarding Tschaïkowsky, [105]-[106].

Ibsen, Henrik, [7], [11], [238], [296].
Iliad, [148].
Isolde, [295].
Isolde’s Liebestod, [164].

Jadassohn, [240].
— Canon, [254].
— Preludes and fugues, [254].
James, Henry, [205].
Jensen, [240].
— Études, [255].
Job, Book of, [148].
Joseffy, [112], [226], [230], [233], [241], [249], [277], [278], [281].
— “At the Spring,” Étude, [262].
— Transcription of Chopin’s G flat Étude, [269].
Juliet, [296].
Jurgenson Catalogue, [132].

Kalkbrenner, [193], [241], [242], [250], [252].
— And Chopin, [192].
— Fantasies of, [231].
— Une Pensée de Bellini, [194].
Karasowski, [210], [216], [221].
Keats, [203].
Keller, Robert, [30].
Kelley, Edgar, [22].
Kessler, J. C., [241], [251], [259].
— Bridge between Clementi and Chopin, [254].
— Schumann’s opinion of, [252].
— Study, [277].
— Twenty-four studies, op. 24, [252]-[254].
Ketten, [241].
Kipling, Rudyard, [50].
Kleczynski, Jean, [213], [222].
Klengel, [240].
Klindworth, Karl, [115], [198], [212].
Knox, John, [82].
Köhler, [241].
Kölner Dom, [153].
Koran, [148].
Krauss, [241].
Krehbiel, Henry E., [233], [286].
— On re-scoring Chopin concertos, [186], [192].
— Regarding Muscovite, [82].
Kreisler, [152].
Kreutzer violin caprice in E, [277].
— Étude, [277].
Kullak, Theodore, [183], [212], [240], [253], [275], [279].
— Art of Touch, [253].
— On Chopin’s F major Étude, [261].
— Octave school, [244], [271].
Kundry, [238], [291].
Kwiatkowski, T., [215].

Lalo, [275].
Lamb, Charles, [98].
Lavallée, [240].
Lebert and Stark, [240], [242].
Le Couppey, [241].
Leipsic, [194], [285], [286].
Lemberg, [251].
Lenau, Faust, [238].
Leopardi, [203].
Lermontov, [93].
Leschetizky, [241].
Liadow, [43], [83].
Liszt, [12], [17], [21], [40], [83], [93], [102], [109], [113], [135], [139], [142], [146], [147], [149], [152], [155], [158], [165], [169], [182], [189], [194], [195], [208], [214], [216], [217], [226], [227], [228], [229], [230], [231], [233], [234], [239], [241], [243], [247], [252], [258], [265], [266], [270], [274], [275], [283], [290].
— Abbé, The, [238].
— Brahms, praise of, [24].
— Cadenza, [110]-[111].
— Chorale, [234]-[235].
— Chopin, book on, [221].
— Improvements in pianos, [224].
— Influence on piano playing, [268].
— Musical temptations of, [235].
— Mysticism of, [238].
— Pianistic qualities, [233].
— Pupils, [227].
— Transcription of songs, [232].
Works:
— Ab-Irato, [232], [267].
— Années de Pèlerinage, [232], [237].
— Apparitions, [233].
— Au Bords d’une Source, [267].
— Au Lac de Wallenstadt, [267].
— Ballades, [233].
— Chasse Neige, [267].
— Concerto in E flat, [234].
— Concerto Patetico, [233].
— Elegies, [233].
— Études, [232], [239], [244], [266], [267].
— Faust Symphony, [155].
— Feux-Follets, [267].
— Gnomenreigen, [239], [267].
— Harmonies Poétiques, [233].
— Harmonies du Soir, [267].
— Impromptu F sharp, [232].
— Legendes, [233].
— Mazourka in B minor, [233].
— Mephisto Valse, [238].
— nocturnes, [232].
— Paganini Studies, [267].
— Paysage, [267].
— Polonaises, [239].
— Rhapsodies, [51], [231]-[232].
— Ricordanza, [267].
— Sonata in B minor, [233]-[237].
— Sonnets after Petrarch, [232].
— Symphonic Poem, [95].
— Valse Impromptu, [232].
— Valse Oubliée, [232].
— Waldesrauschen, [239], [267].
Litolff, [241], [275].
Loeschorn, [240].
Lombroso, [283].
Löw, [240].
Lydian mode, [39].
Lyschinski, Dr. and Mrs., [215].

MacDowell, Edward, [16], [241].
— Studies, [271].
Madame Bovary, [166].
Maeterlinck, [67], [207], [238].
Mallarmé, [162], [207].
Mangan, James C., [208].
Marmontel, [240], [275].
Mason, William, [240], [245], [246], [254].
— Étude Romanza, [254].
— “Touch and Technique,” [245], [246].
Mater Lachrymarum, [205].
Mater Suspiriorum, [205].
Mater Tenebrarum, [205].
Mathias, George, [41], [192], [193], [194], [195], [274], [279].
Matthews, [245].
Maupassant, Guy de, [204].
Mayer, Charles, [241].
Mendelssohn, [29], [30], [59], [102], [104], [115], [135], [174], [176], [214], [216], [240], [257], [268], [277], [283].
Mendelssohn, scherzo, [261].
— Song without Words, in A minor, [57].
Metropolitan Opera House, [116], [149].
Meyer, Leopold de, [193].
Meyerbeer, [162], [285].
Michel Angelo, [137], [146], [247], [265].
Mikuli, [212].
Minnelied, [25].
Moïse fantasy, Chopin’s imitation of, [193].
Mona Lisa, [166].
Monuiszko, [134].
Moore, George, [216].
Moscheles, [214], [241], [242], [248], [249], [251]-[254], [259], [264], [283], [294].
— Concerto in G minor, [249].
— Hommages, [249].
— Op. 70 and op. 95, [244].
Moscow, [90].
Moscow Gazette, [82].
Moszkowski, [102], [241], [269]-[270].
— Barcarolle, [102].
— Edition of Moscheles, [250].
— Moment Musicale, [29].
— Studies, [263].
Moussorgsky, [83].
Mouvement Perpétuel (from Weber’s sonata), [130], [269].
Mozart, [12], [20], [55], [125], [139], [148], [149], [217], [227], [246], [266].
— Ave Verum, [120].
— Escape from the Seraglio, [125].
Mozarteana (Tschaïkowsky), op. 61, [120].
Müller, A. E., [240].
Murder in the Rue Morgue, The (Poe), [207].
Music, ageing of, [210].
— Limits of, [142], [144].
— Object of, [144].
— Walter Pater on, [219], [220].
Musset, Alfred de, [203].
— And George Sand, [160].