XII
Ulick was shown into a room filled with carbon photographs by a coloured butler in sober livery. It was an ante-chamber on the first floor of a large, old-fashioned house on a side-street off the Avenue somewhere in the thirties; he forgot just where. When he entered the atelier, huge in size, he was greeted by a half dozen men he knew; some he had chummed with in Paris; one, Robbie Sanderson—the Bullrush, he was nicknamed—had been an intimate of Oswald Invern's. He, too, was a painter. The host, Ned Haldane, called the Zephyr, because he was so fat and light on his feet, welcomed the newcomer, as did big Stanley the sculptor and popular man-around-town. It was a group congenial to Ulick. All were graduated from the Parisian art treadmill; men who took a liberal view of life, men without puritan morals and with charming manners.
"We are not all here yet," proclaimed the Zephyr, "but I hope soon will be. We are only to be a dozen." "A baker's dozen," corrected Stanley, "for there's Jim the butler." "Oh, no, my boy, Jim isn't to do any butlering in this room tonight. He'll be busy in the cork-room with the fizz. Besides he is a respectable married man and we musn't make him forget his dusky spouse." The Zephyr laughed. "Are you going to give us another pony-ballet tonight? What's the lark, Ned?" asked Robbie Sanderson. "Never you mind, lad, be patient and just stick to the cocktails. What—you won't drink anything?" pursued Haldane when Ulick refused. He seemed puzzled, as if he were about to blurt out, "Then what the devil did you come for?" but he smiled and bowed. He liked the looks of the young aristocrat sponsored by Edgar Saltus and of whom he had heard so much from friends in Paris. The bell rang. A message from Saltus begging off. Illness the excuse. "I bet he's working on the chapter of a novel—he's not sick," laughed Haldane. Ulick's face was long. The Bullrush clapped him on the back and reassured him by whispering, "Don't worry, Ulick. There will be lots of fun. You won't be lonely. Girls!" The painter significantly winked. Again the bell rang—furiously. The Zephyr went out and received noisy salutes. Evidently belated guests. Ulick, now thoroughly bored, looked around him.
The studio was not particularly inviting; it was almost bare. No pictures, a few easy divans, the floor covered with rugs of fabulous weave—he recognized that—and nothing in the middle of the room, no tables, no preparatory symptoms of a banquet, much less a saturnalia. Tapestries adorned the walls. The doors were draped. He was disappointed at the absence of Saltus and annoyed with himself for coming. He did not join the men clustered about the buffet. He felt isolated and was mentally casting about what excuse would serve him to escape, when the room was invaded by the gang. There were introductions—not many. The crowd belonged to one family, the Seven Arts. And they were at home. Drinks speedily disappeared down parched gullets. There was a punch bowl, and early as was the hour the air was heavy with cigarette smoke. Haldane clapped his hands. Silence. Jim and his fat wife entered carrying a small table. Then another, and another, till six were placed around the room, close to the walls. Each table was set for two persons. Flowers, silver, napery and porcelain. Hurrah! came from a dozen throats. As usual Ned Haldane had royally spread himself. Anticipation floated in the air. After a minute's conference with the butler the master of ceremonies bade him good night. "And now get out Jim, and don't show your shiny face till noon tomorrow." Jim grinned and withdrew. He knew the ropes. Haldane cried: "Gentlemen, please be seated. The comedy is about to begin." Then he blew a silver whistle.
Folding-doors opened and there slowly defiled through them a band of beautiful girls, bearing silver platters. These girls were quite naked save for a scarf which depended from their shoulders, wound under their breasts and traversed their thighs. Blonde and brunette; all the intermediate flesh-tints. There were a dozen and not one was more than twenty. Their hair was filleted and their feet in sandals. A dazzling vision from some old Greek processional cult, thought Ulick as he clapped his palms in company with his companions. "My God, I'm hungry," roared Robbie, and the laughter was deafening. "Listen to the gourmand," commented the Zephyr. "Here I've gathered the finest choir of virgins he ever saw and the beggar yells for food. What guts you boast, Rob." The silver platters held hors d'oeuvres of quality. No sakuzka at a Russian dinner could show so many exotic delicacies. With these appetizers were tiny glasses of aperitives. The virgins vanished, only to reenter with fresh dishes. No soup was served. Oysters and shell fish. Birds. Salads. One half the band carried bottles. Champagne of the dryest sort. Ulick was hungry enough to forget that he was being waited upon by a plump blonde nude angel and ate as unconcernedly as if she were a plain waitress, clothed and from the hills of New Hampshire. Parisian training hath its uses. The candles in sconces at the side were grateful to the eyes, the rich yet subdued tones of the tapestry and Persian rugs evoked a harmonious atmosphere. To the memory of Ulick, furnished with images of European picture-galleries, there came Venetian episodes, festal suppers, and the mellow debaucheries of Tintoretto's days and the days of the Doges. Sensualist as he was he experienced a slight sensation of satiety.
They had reached the cognac and were now smoking, gabbling. His table companion was the Bullrush who already felt his wine. He saluted the virgins by their names, and when he forgot them he invented new ones; sometimes his inventions weren't tasteful. One girl, fatter than the others, he called rumpsteak and patted her when she passed. But it was a well-trained orchestra; not by the movement of an eye-brow did she notice his rudeness. After a brief interlude, during which every one bawled or guzzled, there was heard the premonitary tinkling of little bells. The twelve virgins emerged in Indian file; they had changed their scanty costume; they no longer wore sashes. Instead, sleigh-bells were fastened to their ankles, and to the insistent clicking of castanets they danced the Dance of the Seven Devils. This spawn of Satan, these devil's daughters, had been drilled in the technique of the ballet infernal. Monotone of castanets and tufted footfalls framed rhythmic obscenities. At times Ulick gasped, and he had been in Oriental brothels where sex is become a delirium. The Ctéis was appropriately worshipped. They sprawled and postured, they reared their polished posteriors in porcine rhythms, as if to invite their brethren, who ringed them with applause, urging them to audaciously lascivious acts. The air was charged with cigarettes, the acrid smell of wine and odor di femina. Ulick's head began to ache.
Suddenly from languourous weavings, from legs and arms in unholy embrace, the current changed to crazy gallopings. The dancing mania seized the men, all except the Zephyr, who leaned against a wall and coolly regarded the spectacle, surely not a novel one to him. Ulick was caught by the plump blonde and furiously whirled. She was an enticing houri with gold-coloured eyes and scarlet lips—rouged. Her breath was extra-dry. He turned his head away as she repeatedly kissed him. But the heated curves of her finely modelled torso made him a helpless prisoner. Sweetness exhaled from her. Young, pretty, absolutely depraved, she had fancied the handsome youth who sat so still and haughty, coldly refusing her libations and unconsciously frowning when Robbie Sanderson pinched her cheeks. She drank with the others each time they went out to the service-room, and she found her tongue as the night wore on in frenzied intoxication. The men were in their shirtsleeves. Everyone sang. The heat and noise were terrific. And all this pagan revelry in a drab, respectable quarter of New York! No matter, Ulick breathlessly exclaimed, it's a relief from the accursed hypocricy of puritanical Yankeedom. Again the whistle sounded. A lull followed. The girls, their smooth bodies glistening with moisture, slipped away. A fresh attack was made on the wine stacked in ice-pails.
"What's up?" asked a jolly, white-bearded old reprobate, a great swell, whose granddaughter had "come out" that winter at a débutante's ball of exceeding splendour. Haldane smiled. "Wait!" he begged. However, no one seemed to care. The intermezzo proved a breathing-spell. Ulick debated whether he would be committing an offense against good manners if he deserted. He could pretend to go into the ante-room—but there was a hush. A trestle was borne in by the twelve virgins. Upon it was a monstrous pie, a fabulous confection, the crust ermine-white, like the souls of the votive maidens, icy as their virtue, and surmounted by an iridescent plumage of flowers. The pagan priestesses, who with difficulty carried this offering to Ceres—or was it Bacchus!—had once more changed their costumes; each wore a dainty liberty cap in tricolor. They sang, and their voices were heavy with wine, passion and incipient catarrh. At a signal they placed their burden upon the middle rug, then encircled it. Someone clapped hands. The top of the pie was thrown off, birds, doves, canaries and nightingales, flew out in every direction seeking shelter and piteously piping to the flappings of their wings. A shining child of exquisite beauty arose in the centre of the pie and made graceful weaving motions. She, too, was newly-born. Her breasts were lilliputian, tender, rose-colored. Her evasive hips proclaimed precocious puberty and Jason himself would not have become inflamed over further search for the toison d'or. As a picture she is admirable, thought Ulick; as a spectacle decidedly suggestive. He was wrong. There was not the slightest evocation of evil in the posed gestures of this pretty maid; the evil lay in the lewd imaginings of the men, blasé from indulgence, brain-sick with wine, their nerves taut from morbid imaginings. The Zephyr went to the sacrificial pastry and lifted the pink darling to the floor, then cradling her in his arms he disappeared behind the arras to the choral accompaniment of his jeering guests. The storm burst. A tornado of twirling flesh, the atmosphere punctured by shrieks of laughter, and growlings of wild-men. It became too much for Ulick and he begged his girl to desist. She had sunk on the floor and imploringly grasped his hand. Kneeling, he told her to dress and he would go home with her. For some reason his proposition pleased. She went to the retiring-room, he to get his own things. Their presence was not missed on the carnal battlefield.
"What's the difference?" he asked himself in disgust as he found his top-coat and sat down to wait for the girl, "what's the difference between this crowd, cultured, artistic men and pretty sluts, and the ugly howling fanatics up in New England?" Inevitably the image of Easter arose in his slightly smoky brain. What tremendous minutes they had been when he held her close to him in the mystic blackness; held and possessed her. The present was but the mimique of a monkey-cage. No enchantment of the senses beyond optical titillation. Without strong drink such carnivals of turpitude appal. He almost regretted the champagne. He hadn't long to wait. The girl appeared, slightly tipsy, but very appealing in her innocence—for her youth made her innocent, notwithstanding her frivolity. He recognized her with difficulty, so genteel her externals. A picture-hat shaded her baby face. She was in evening dress, ivory-coloured silk cut low revealing a young bosom. Charming, said Ulick, and how much more provocative her charm when properly clothed. "Oh, Ulick, you are such a dear to wait so long. Let's go home. I love you already." Drunk or sober, she spoke with the accent of truth. As they went out, the door opened by the discreet butler, his features as impassive as an undertaker's, big, red-haired Stanley spied them and joyously shouted after them: "Good-bye, Ulick. You've picked a winner! Dora is a darling. Look out for the newspaper buzzards. There's a bunch of them at the corner. They will try to flash-light you!" As the street door closed behind them, a night-hawk drove to the curb. Ulick bundled Dora in and asked her the address. Up on Lexington Avenue somewhere in the nineties. A tall apartment house. The driver nodded, and turned his horse's head eastward. Footsteps were heard. Ulick peeped through the back glass. "It's the newspaper men and some policemen. I hope they won't pull the place." "Never fear! the Zephyr knows how to butter their bun!" replied Dora, snuggling close to him. "No cops will ever enter that house, but I suppose the newspapers will print the shocking news. They never got in yet, but they will tell what happened just the same. In their minds." And then she promptly fell asleep, her head on his shoulder. She smelt of champagne. Another wasted night, he sighed, as the ramshackle cab rattled through the empty avenue, gray dawn thrusting its cold nozzle into the dreary city-scape. He, too, began to doze....