CHAPTER IV
SECONDARY ITALIAN PAINTERS OF THE CENTURY: FRA ANGELICO, PERUGINO, FRA BARTOLOMMEO, BOTTICELLI, BELLINI, TITIAN, CORREGGIO, TINTORETTO, VERONESE AND OTHERS
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A century rich in painters.
Fra Angelico the mystic.
Perugino the teacher of Raphael;
at the Sistine Chapel;
pictures mistaken for Raphael's.
Fra Bartolommeo's greatest works.
Botticelli's mythology and psychology;
Madonnas;
illustrations of Dante.
Bellini's portraits;
Madonnas.
Titian's wonderful color;
religious pictures;
portraits;
mythological scenes.
Piero dei Franceschi.
Luca Signorelli.
Melozzo da Forli.
Correggio a middle-term between the various Italian schools;
"Most skilful artist since the ancient Greeks."
Tintoretto master of drawing and world artist.
"The composition of Michelangelo and the coloring of Titian."
Veronese's magnificent large pictures.
CHAPTER V
PAINTING OUTSIDE OF ITALY
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The Netherlands:
The brothers Van Eyck forerunners;
Roger van der Weyden;
Memling's paintings at the Hospital of St. John, Bruges;
Dirk Bouts;
Quentin Matsys;
Lucas van Leyden;
Gerard David;
Justus of Ghent;
Jan van Mabuse;
Bernard van Orley;
Blondeel.
Nuremberg rival of Bruges;
Dürer;
the Holbeins.
France:
The Clouets;
Cousin;
Fouquet
Spain:
Navarrete;
Juan de Borgona;
Luis de Vargas;
Pablo de Cespedes.
Women painters in Spain
CHAPTER VI
SCULPTURE IN ITALY
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Ghiberti's doors for the Baptistery at Florence.
Donatello.
The great equestrian statues of Gatamelata and Colleoni.
Donatello's St. George,
St. Francis,
Bambino Gesu,
St. John the Baptist
Donatello's personality.
His paralysis.
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Luca della Robbia, sculptor, worker in terra-cotta.
Andrea del Verrocchio, goldsmith, painter, sculptor:
"The Incredulity of St. Thomas,"
"The Colleoni."
Benvenuto Cellini, sculptor, goldsmith, writer.
John of Bologna:
Neptune,
Mercury.
The sculpture in the Certosa at Pavia.
Decadence in sculpture