Vignola (1507 to 1573) occupies the place in Rome that Palladio holds in Vicenza towards the end of Columbus' Century. A charming example of his construction is the Villa of Pope Julius near Rome, the façade of which is certainly his and which, without being ambitious, represents his power to express simplicity and dignity even in a summer house.

His great work is the Palace of Caprarola, built some thirty miles outside of Rome for the Cardinal Alessandro Farnese. The building is all the more interesting because it has furnished ideas for some of the larger public buildings of our time and contains more than a suggestion for some recent architectural plans of somewhat startling character for New York City.

[{123}]

PALLADIO, BARBARANO PALACE (VICENZA)

[{124}]

The plan of the Palace of Caprarola is a pentagon enclosing a circular court, each of the five sides measures 130 feet and the court is 65 feet in diameter, while the three stories are each about 30 feet in height. It is usually considered one of the finest palaces in Italy. In spite of the difficulty of the task and the singularly unfavorable nature of pentagonal form for architectural effect externally and commodious arrangements internally, the architect succeeded admirably. As the picture of it shows very well, the approach was managed beautifully and the effect of castellation very well secured.

The story of architecture, secular as well as religious, outside of Italy is quite as interesting as that in Italy itself at this time. Everywhere throughout Europe beautiful buildings were erected in charming taste and with fine effectiveness. This is particularly true as regards the municipal buildings of various kinds, the town halls, the hospitals, the asylums for foundling children, and all the other structures due to civic munificence at this time. Just as in regard to painting and sculpture, the Netherlands was the seat of some extremely beautiful artistic work of great originality and perfection of detail during this period. There is scarcely an important town of Belgium, and even a number of those that have become quite unimportant in our time, which does not present some architectural monument of cardinal importance in the history of architecture. While Italy is much better known, Belgium deserves, and in recent years has very properly received, devoted attention from students and amateurs in all the arts, and not least has its architecture come into its due meed of praise and appreciation.

HOTEL DE VILLE, LOUVAIN