THE NUMBER OF STUDENTS AND DISCIPLINE. [58]
Largest universities of all time. More students to the population than at any time since. Discussion as to the numbers in attendance. Comparative average ages of students. How such numbers were supported. Working their way through college. Some reasons for false impressions, as to university attendance. M. Compayré's paragraph on education in the Middle Ages. Supposed ignorance. The monks at the universities. How many students clerical. College abuses and discipline. The "nations," the under-graduate committee on discipline. Teaching practical democracy.
CHAPTER V
POST-GRADUATE WORK AT THE UNIVERSITIES. [78]
Medieval universities and additions to knowledge. Original work done, their best apology. Extensive writings of professors. Enthusiasm of students who copied their books. Post-graduate work in theology and in philosophy. Period of the scholastics. Graduates in law and collections and digests. Post-graduate work in medicine most important. Teaching by case histories. The significance of dropsy, suture of divided nerves, healing by first intention. William of Salicet and his pupil Lanfranc. The danger of the separation of surgery from medicine. Red light and smallpox. Mondaville and Arnold of Villanova. The republication of old texts. The supposed bull forbidding anatomy. The supposed bull forbidding chemistry. The encouragement of science in the medieval universities.
CHAPTER VI
THE BOOK OF THE ARTS AND POPULAR EDUCATION. [96]
The Gothic Cathedrals, the stone books of medieval arts. St. Hugh of Lincoln. Wealth of meaning in the Cathedrals. Their power to please. Gothic architecture everywhere, but no slavish imitation. English, French, German, and Italian Gothic. Spanish Gothic. Gothic ideas in modern architecture. Beauty of details. Sculpture. Gothic Statuary, not stiff, nor ugly. Most affinity with Greek sculpture (Reinach). The Angel Choir at Lincoln. {xix} The marvellous stained glass of the period,—Lincoln, York, Chartres, Bourges. Storied windows and their teachings. Beauty and utility in the arts. Magnificent needlework, the Cope of Ascoli. The Cathedral as an educator. The Great Stone Book, which he who ran must read. Symbolism of the Cathedrals. The great abbeys, the monasteries, municipal and domestic architecture of the century. Furniture and decorations. Ruskin on Giotto's tower.