Time

The pendulum of the clock has already swung

and it has now swung

and now

and so on

The time elapses

M times

M + n times

M + 2n times

P swings

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Tempera-
  ture

The water in the kettle is at

it is now at

and now

and so on

the kettle
boils

T° + t°

T° + 2t°

100°

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The volume of mercury in the thermometer is

it is now

and now

and so on

It is

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V

V + v

V + 2v

W

What we call time here is only a series of simultaneously occurring events. The standard events are the positions of the hands of the clock on the clock face, that is, lengths of arc recording the number of swings of the pendulum that have occurred since the beginning of the operation of the boiling of the kettle. When this began, the hands of the clock were at, say, 4.30, and the temperature of the water was then, say, 17° C.; and, when it ended, the hands of the clock were at 4.35 and the temperature of the water was 100° C. It is only the simultaneities of these events that we have recorded and not the interval of duration that they mark. It does not matter how many times we might have looked at the hands of the clock and the thermometer, we should still have observed only simultaneities.

But we had to wait for the kettle to boil, and the temperature 100° was attained after the temperature 90°, and so on. What does this mean? While we were waiting, the water seemed to take an intolerably long time to boil. But the maid was reading one of Mr Charles Garvice’s novels, and “before she knew where she was” the kettle boiled over. There was a certain interval of duration experienced by her, and another, but different, interval of duration experienced by us. In each case there was a stream of consciousness. We felt fatigue, thirst, a lack of satisfaction, wandering attention, and irritation—all that was our duration. But the maid was identifying herself with Lady Mary, who had sprained an ankle and was being helped along by the new, young gamekeeper, and that was her duration.

There need not be any succession of events in the conceptual representation of a physical process. There is, for instance, no succession in such a conception as is represented by the following diagram—a conception well worth analysis:—

Fig. 7.

The figure represents a tracing made by a muscle-nerve preparation. A living muscle taken from an animal has been attached to a light lever, the end of which makes a scratch on a piece of smoked paper. The paper is fastened on a revolving cylinder and so long as the muscle is motionless the end of the lever marks a horizontal line on the paper. But if the muscle is stimulated so that it contracts and then relaxes again the lever is pulled up and is then lowered, and so its point makes a curve on the paper. The nerve going to the muscle can be stimulated electrically and the moment of the stimulation can be recorded by another lever, which makes a mark on the paper below the trace made by the lever which is attached to the muscle. Two such shocks have been applied to the nerve and they have elicited two contractions of the muscle and these two contractions have fused together.

In the actual experiment the operators could see that the muscle moved, and they could feel that a certain interval of their own duration coincided with the interval between the first and second depressions of the key that made the electric shocks. But the extent of motion of the muscle was too small, and the depressions of the key succeeded each other too rapidly to be easily observed, and therefore all these events were made to record themselves on the myogram. The series of little notches at the base of the figure represent the movements of the time-lever, that is, they are scratches made on the paper by a little lever which moves up and down at a rate fixed beforehand. Now when this time lever had made ten notches on the paper the first shock was applied to the nerve, and at the eleventh the muscle began to contract. At the seventeenth notch the second shock was applied and the muscle continued to contract. At the twenty-fifth notch the muscle ceased to contract and began to relax, and at the forty-second notch the muscle had ceased to contract. Everything now becomes clear and easy to represent mentally; the time-lever makes 100 notches on the paper in a second, so that there was an interval of 0.07 seconds between the two stimuli, and these two stimuli produced a compound contraction of the muscle lasting for 0.1 second. This is what the experimenters might have perceived, had human unaided senses been sufficiently acute. But they are not, and so the crude perception of the results of the experiment is replaced by a conception of the train of events involved in the operation. Duration and succession disappear and the myogram represents only a series of simultaneous events of this nature; the first stimulus occurs simultaneously with the tenth movement of the time-lever; the second stimulus with the seventeenth, and so on. In seeing the experiment the operators had to wait for one phase to be completed before they could observe another one, but in reasoning about it all the phases are spread out and are present in the conception at once. The duration was in the operators but not in the experiment: it was experienced, but it disappears when the results of the experiment are conceptualised.

A succession of events is in ourselves and not in the events observed. If a point is said to move along the locus OD through the positions A, B, C, it is we that have the feeling of succession, and the whole trajectory, or locus, or path of the point corresponds with a portion of our duration. The operation of boiling the kettle corresponds with a portion of our duration, which in its turn corresponds with that part of our duration which was marked by the positions of the hands of the clock. Thus we perceive a simultaneity in these two trains of events, and this enables us to assign a certain period of astronomical time to the operation of raising the temperature of the water, in the conditions of the experiment, from 17° C. to 100° C. But there is nothing absolute in this interval of astronomical time: what is absolute is that certain successions of events always correspond with other successions of events. A certain number of swings of a seconds-pendulum always corresponds with a certain rise in temperature of a definite mass of water which is in thermal contact with an indefinitely large reservoir of heat at a certain temperature, and, no matter how often we repeat this experience, the same simultaneity is always to be observed. Thus what the physicist considers is not intervals of his own duration but series of correspondences—that is, correspondences of certain standard events with the events which he is studying.