Quite a number of smaller instances may be cited in which what appears only as an incident or an illustration in the story is in reality a historical fact. It is the case that the Turcoman freebooters did on more than one occasion push their alamans or raids as far even as Ispahan. The tribe by whom Hajji Baba is taken captive in the opening chapters is seemingly rather the Yomuts beyond Atrek River than the Tekke Turcomans of Akhal Tekke. I have myself ridden over the road between Abbasabad and Shahrud, where they were in the habit of swooping down upon the defenceless and terror-stricken caravans; and the description of the panic which they created among vastly superior numbers of Persians is in nowise exaggerated. The pillar of skulls which Aga Mohammed Shah is represented as having erected in chapter vii. was actually raised by that truculent eunuch at Bam in Persian Beluchistan, and was there noticed by an English traveller, Sir Henry Pottinger, in 1810. I have seen the story of the unhappy Zeenab and her fate described a review of "Hajji Baba" as more characteristic of the seraglio at Stamboul than of the harem at Tehran. This is an ignorant remark; for this form of execution was more than once inflicted during the reign of Fath Ali Shah. At Shiraz there still exists a deep well in the mountain above city, down which, until recently, women convicted of adultery were hurled; and when I was at Bokhara in 1888 there had, in the preceding year, been more than one case of execution by being thrown from the summit of the Minari-Kalan or Great Minaret. It is an interesting but now well-nigh forgotten fact that the Christian dervish who is represented in chapter lix. as publicly disputing with the mollahs in a medresseh at Ispahan, and as writing a refutation of the Mohammedan creed, was no other than the famous Henry Martyn, who created a prodigious sensation by the fearlessness of his polemics while at Shiraz, and who subsequently died at Tokat, in Asiatic Turkey, in 1812. The incidental mention of the great diamond or 'Mountain of Light' that was worn by Fath Ali Shah in one of his bazubands or armlets, though historically inaccurate, is also of interest to English readers; since the jewel alluded to is the Daria-i-Nur or Sea of Light, the sister-stone to the Koh-i-Nur or Mountain of Light, which, in the previous century, had been carried from Persia to Afghanistan, and in this century passed through the hands of Runjit Singh, the Lion of the Punjab, into the regalia of the British crown. The 'Sea of Light' is still at Tehran.
In two respects the Persia of "Hajji Baba" differs notably from the Persia of to-day. The national, and still more the court dress, as depicted by him, have been considerably modified. The Kashmir shawls and turbans, and the red-cloth gaiters, which were de rigueur at the court of Fath Ali Shah, are now only seen at the salams or official levees of Nasr-ed-Din Shah. Nor does the young dandy of modern Tehran wear the lofty black sheepskin kolah or hat, indented at the top and stuck on sideways, as described by Morier. A lower and less pretentious variety of the same head-gear adorns the brow of the fin de siècle Iranian gallant. Secondly, the Tehran of "Hajji Baba" has been transmogrified almost out of existence; and, in particular, the fortified Ark or Palace of the earlier Kajars, with its watch-towers and the open porch over the gates in which the king sat to see reviews, and the lofty octagonal tower from which Zeenab was thrown, have been entirely obliterated in the more spacious architectural reconstruction of the reigning Shah.
Unchanged, however, are those customs by which now, as then, the royal coffers require to be replenished or the royal purse relieved by the application of a judicious spur to the backward generosity of the subjects of the King of Kings. Still, as described in "Hajji Baba," is the visit of the Sovereign to any of his officials the recognised intimation that a large money equivalent is expected for the unsolicited honour. Still must the presents of the king be repaid by gifts of more than corresponding value to the bearers of the royal favour. Still is the sending of the royal khalat or dress of office adopted as an ingenious method of discharging the arrears of wages due to the royal ministers or servants. In chapter xxxiii. the sub-lieutenant to the chief executioner gives an admirable account, as true now as when penned, of the methods by which salaries are capable of being recruited in Persia; and the speech of the grand vizier in chapter lxxviii., on political morality as interpreted in that country, would, I am confident, have been enthusiastically re-echoed by every subsequent incumbent of that high office.
The art, however, in which Morier especially excels is of introducing, so to speak by a side wind, as a subordinate incident in the narrative, or as a spontaneous comment on the lips of the various dramatis personae, informing and luminous knowledge upon the local charactistics of places, or the social customs of peoples. For instance, he takes advantage of being at Meshed to bring in the passion-play of Hussein, as annually enacted by the Shiah Mohammedans in the month of Moharrem; of mentioning Herat to introduce the bad-i-sad-o-bist-ruz or famous 'wind of 120 days'; of conducting his hero to Kum, to describe the curious prescription of bast or sanctuary that still adheres to that sacred spot; and of his arrival at Bagdad, to inflict upon him the familiar pest of the Bagdad pimple. His description of camp-life among the Turcomans is only surpassed in fidelity by his corresponding picture of the vagrant existence of the border Cûrds; nor is there anywhere to be found a more dramatic realisation of the incidents of a nomad encampment, the arrangement and meals and etiquette, the striking of the tents, and the straggling march of the tribes with their flocks and herds, than in the narrative of the child-hood of the Cûrdish slave Zeenab.
It is to be noted that Morier represents her as a Yezeedi or devil-worshipper (though it is more than doubtful whether the Yezeedis could ever with justice be so described), and attributes her origin to one of the incestuous nocturnal orgies that were said to be practised by that people, and that gave rise to the epithet Chiragh Sunderun, or Lamp Extinguishers. It is to be observed, however, that in such a case Zeenab would have known her parentage on the maternal rather than on the paternal side; whereas Morier, by a curious error, represents her as knowing her father, but being in ignorance of the identity of her mother.
In different chapters of "Hajji Baba" we are further initiated into the domestic life and habits of the Persians. We learn that it is considered a mark of respect for a man to keep his hands and feet hidden beneath the folds of his dress. In two places we have mention of the profoundly Persian device of conforming with the letter, while trifling with the spirit of the religious law, by neatly ripping open a seam as a substitute for rending the fabric of a garment in token of woe. We are reminded of the prohibition from exacting interest that is imposed upon the true believer, and of the still common custom of divination by extracting a fall from the pages of Hafiz or Saadi. We may gain a good deal of information about the culinary methods of Turcomans, Persians, and Cûrds; the operations of the hammam or bath are disclosed to us, and we are surreptitously introduced along with the hero to the mysteries the Persian harem or anderûn, and its petty existence, inane frivolity, open jealousy, and clandestine intrigue. The death and funeral of the old barber provide an opportunity for a valuable account of Persian customs upon those occasions.
Similarly the story of Yûsûf and Mariam is utilised to furnish an equally interesting description of the Armenian ritual in cases of betrothal and marriage. Incidentally the return of the poet Asker from his captivity among the Turcomans acquaints us with the curious habit of bringing back a person supposed to be dead, not by the door, but through the roof; and when Hajji Baba, from the terrace of the doctor's house, listens to 'the distant din of the king's band, the crash of the drums, and the swell of the trumpets, announcing sunset,' he is alluding to a custom that has prevailed for centuries in all the Mohammedan courts of Central Asia and India, that is supposed to be a relic of extinct sun-worship, and that is still observed in seats of royal or princely rule, alike at Tehran, Ispahan and Kabul.
Mention should not be omitted, in passing, of the perfect familiarity of the author both with cultured and colloquial Persian and with the Persian classics. An Oriental metaphor, however hyperbolical, slips as easily from his lips as though it had always rested there. Quotations from Hafiz and Saadi play as large and as apposite a part in his dialogue as they do to this day in the conversation of any well-educated Asiatic who has been brought up in countries where Persian is the language of literature and fashion. No one who has not been in the East can fully appreciate the talent for self-detachment and for successful assimilation of an alien mode of thought and expression which such an exercise demands.
Nor, though this is beside the main purpose of the work, should we shut our eyes to the side-lights which are thrown upon foreign nations; and which, while they lend additional testimony to the insight of the writer, are invaluable as showing the point of view from which European institutions and customs were then and are still for the most part regarded by the Asiatic Mussulman. How amusing is the description, placed in chapter xix., in the mouth of the Chief Physician, of the main external differences between Persians and Europeans, and in the ensuing chapter, of the contemporary costume, regarded by the Persians as so improper, of the English doctor who came in the train of Sir Harford Jones. In those days the only Feringhis known to the Persians were the English, the Russians, and the French; and it no doubt was a matter of genuine surprise to the Persian ambassador to find when he arrived at Constantinople that the Franks consisted of many nations with as many kings. The Persians were particularly concerned to find out the truth about 'the infidel Boonapoort,' whose career they much admired from its supposed resemblance to that of their own hero Nadir Shah. Nor is there less humour in Hajji Baba's attempt to make progress in the study of their language by writing down the words that he heard most frequently in the conversation of the French envoys, viz. sacré, Paris, and l'Empereur. That the Persian Court was thoroughly alive to the jealous and interested struggle of the two Powers, England and France, to acquire political ascendency at Tehran, is sufficiently evident from the history of the period, but is admirably illustrated by the diplomatic argument placed in chapter lxxvi in the mouth of Fath Ali Shah. Finally, can a pupil of Party Government, and much more a member of the House of Commons, read without a delicious emotion this description of the system under which is conducted the government of the greatest empire in the world?—
'Then they have certain houses full of madmen, who meet half the year
round for the purpose of quarrelling. If one set says white, the other
cries black; and they throw more words away in settling a common
question than would suffice one of our muftis during a whole reign.
In short, nothing can be settled in the state, be it only whether a
rebellious Aga is to have his head cut off and his property
confiscated, or some such trifle, until these people have wrangled.'