VI.
MANUEL JOSÈ QUINTANA.
Connecting the present age of modern Spanish poetry with that of the past generation, by a happily protracted existence, as well as by the style and tone of his writings, the venerable subject of this memoir still survives, to close a life of active usefulness in a healthy and honoured old age.
Quintana was born at Madrid, the 11th April, 1772, of a respectable family of Estremadura. He received his primary education in classical learning at Cordova, whence he proceeded to Salamanca, and graduated there in canon and civil law. In this university he had the advantage of studying under Melendez Valdes, by whom he was soon favourably noticed, and was made known to the illustrious Jovellanos, by whose counsels also he had the good fortune to be assisted. Thus his natural disposition for the study of elegant literature was encouraged, both by precept and example, under two such able directors, to take a higher course than the mere study of law, for which profession he was destined.
Having been admitted an Advocate of the Supreme Court, he has held various appointments, as fiscal of the tribunal of commerce, and censor of theatres; afterwards chief clerk of the Secretary-General to the Central Junta of Government, secretary of decrees and interpretation of languages, member of the censorship to the Cortes, and of the commission for the formation of a new plan of education. In the last, he was charged with the duty of drawing up a report of all the works on the subject presented to the government, which was, in 1835, approved of by the Cortes.
In the two former of these employments he was interrupted by the French invasion, when he took an active part against the invaders. Receiving afterwards the other offices mentioned, he wrote many of the proclamations and other addresses which were put forth on the part of the national government, during the struggle for independence. Throughout those eventful times, he was in the most advanced rank of the party that advocated constitutional rights, so that when Ferdinand VII. returned to the possession of absolute power, in 1814, he was, amongst the proscribed, made a prisoner, and confined in the castle of Pamplona.
There he was kept six years, without being allowed to communicate with his friends, or make use of his pen. On the constitutional government becoming re-established, he was released, and restored to his offices as secretary for the interpretation of languages, and member of the board of censors. In 1821, the directorship-general of public education having been formed, he was made president, until 1823, when the constitution was again set aside, and he was again deprived of his employments.
Hereupon Quintana retired to Estremadura to his family, and lived there till the end of 1828, when he was permitted to return to Madrid, to continue his labours and literary studies. The following year he was named member of the board for the museum of natural sciences, and in 1833 was re-established in his former employment, as secretary for interpretations for which his knowledge of the French, English and other languages rendered him qualified, and also reappointed president of the council of public instruction. He was shortly after appointed preceptor to her present Majesty, Queen Isabel II., and although ever maintaining strong liberal principles, has been since, under the administration of Narvaez, named a senator of the kingdom.
Quintana first appeared as an author in 1795, when he published a small volume of poems, among which was an Ode to the Sea, considered one of his best compositions. The greater part, however, of them were of unequal merit, and those have been omitted in subsequent editions: the next one was published in 1802, and it has been reprinted with additions several times. The best and most complete edition of his poetical works was published at Madrid, in 1820, in two volumes, entitled, ‘Poems, including the patriotic odes and tragedies, the Duke of Viseo, and Pelayo.’ Of this edition five or six surreptitious reprints have been made at Bordeaux and elsewhere, the laws regarding copyright having only lately been made accordant with justice in Spain as regards authors, though they do not yet extend them protection against piratical republications from abroad.
The tragedy of the ‘Duke of Viseo,’ imitated from the English, the ‘Castle Spectre’ of Lewis, was brought forward in 1801, and that of ‘Pelayo’ in 1805. The latter, on a favourite subject of their ancient history, was received with much favour by his countrymen, as were also many of his patriotic odes and poems, written in a spirit accordant with the national feeling. Most of these were at the time inserted in two periodical works he had under his direction; the first, ‘Variedades de Ciencias, Literatura y Artes,’ and the second, the ‘Seminario Patriotico,’ which was of a political character, and established to promote, and sustain the spirit of independence, against the French invasion.