There was a Miss Podsnap. And this young rocking-horse was being trained in her mother’s art of prancing in a stately manner without ever getting on. But the high parental action was not yet imparted to her, and in truth she was but an undersized damsel, with high shoulders, low spirits, chilled elbows, and a rasped surface of nose, who seemed to take occasional frosty peeps out of childhood into womanhood, and to shrink back again, overcome by her mother’s headdress and her father from head to foot—crushed by the mere dead weight of Podsnappery.
Georgiana explained the reason of her shyness to Mrs. Lammle, for, strange as it may seem, considering her heredity, Georgiana was shy. Podsnappery as environment is always much stronger than Podsnappery as heredity.
“What I mean is,” pursued Georgiana, “that ma being so endowed with awfulness, and pa being so endowed with awfulness, and there being so much awfulness everywhere—I mean, at least, everywhere where I am—perhaps it makes me who am so deficient in awfulness, and frightened at it—I say it very badly—I don’t know whether you can understand what I mean?”
Thoughtful people need no explanation regarding the influence of Podsnappery on children.
The time will come when in normal schools character analysis will be the supreme qualification of those who are to decide who may and who may not teach. When that time comes, as come it must, no Podsnaps will be allowed to teach.
It was no wonder that—
Whenever Georgiana could escape from the thraldom of Podsnappery; could throw off the bedclothes of the custard-coloured phaeton, and get up; could shrink out of the range of her mother’s rocking, and (so to speak) rescue her poor little frosty toes from being rocked over; she repaired to her friend, Mrs. Alfred Lammle.
Dickens fired another thunderbolt, in Our Mutual Friend, to set the world thinking about its method of teaching children, by his brief description of Pleasant Riderhood, the daughter of Rogue Riderhood.
Show her a christening, and she saw a little heathen personage having a quite superfluous name bestowed upon it, inasmuch as it would be commonly addressed by some abusive epithet; which little personage was not in the least wanted by anybody, and would be shoved and banged out of everybody’s way, until it should grow big enough to shove and bang. Show her a live father, and she saw but a duplicate of her own father, who from her infancy had been taken with fits and starts of discharging his duty to her, which duty was always incorporated in the form of a fist or a leather strap, and being discharged hurt her.
In Little Dorrit Dickens gives one of his most striking verbal descriptions of the effects of coercion in Arthur Clennam’s account of his own early training. He said to Mr. Meagles, when the kind old gentleman spoke of working with a will: