THE CULTURE OF THE IMAGINATION.
In the preface to the first number of Household Words Dickens said that one of the objects he had in view in publishing the magazine was to aid in the development of the imagination of children.
From the time of Barnaby Rudge his unconscious recognition of the right of the child to have his imagination made freer and stronger can be felt in his writings. His conscious recognition of the absolute necessity of child freedom included the ideal of the culture of the imagination.
He reached his educational meridian in Hard Times, and the pedagogy of this book was devoted almost entirely to child freedom and the imagination; to revealing the fatal error of Mr. Gradgrind’s philosophy, which taught that fact storing was the true way to form a child’s mind and character, entirely ignoring the fact that feeling and imagination are the strongest elements of intellectual power and clearness.
In Bleak House, which immediately preceded Hard Times, he gave a very able description of the effects of the neglect of the development of the imagination for several generations in the characteristics of the Smallweed family.
The Smallweeds had strengthened themselves in their practical character, discarded all amusements, discountenanced all storybooks, fairy tales, fictions, and fables, and banished all levities whatsoever. Hence the gratifying fact that it has had no child born to it, and that the complete little men and women it has produced have been observed to bear a likeness to old monkeys with something depressing on their minds.
Mr. Smallweed’s grandfather is in a helpless condition as to his lower, and nearly so as to his upper limbs; but his mind is unimpaired. It holds, as well as it ever held, the first four rules of arithmetic, and a certain small collection of the hardest facts. In respect of ideality, reverence, wonder, and other such phrenological attributes, it is no worse off than it used to be. Everything that Mr. Smallweed’s grandfather ever put away in his mind was a grub at first, and is a grub at last. In all his life he has never bred a single butterfly.
This alone is a treatise of great suggestiveness on the need of the development of the imagination and the means by which it should be developed.
Hard Times was evidently intended to show the weakness of the Herbartian psychology. Dickens believed in the distinctive soul as the real selfhood of each child, and as the only true reality in his nature, the dominating influence in his life and character. He did not believe that knowledge formed the soul, but that the soul transformed knowledge. He did not believe that knowledge gave form, colour, and tone to the soul, but that the soul gave new form, colour, and tone to knowledge. He ridiculed the idea that the educator by using great care in the selection of his knowledge could produce a man of such a character as he desired; that ten pounds of yellow knowledge and ten pounds of blue knowledge judiciously mixed in a boy would certainly produce twenty pounds of green manhood.
He believed that in every child there is an element “defying all the calculations ever made by man, and no more known to his arithmetic than his Creator is.” He did not agree with the psychology of which Mr. Gradgrind was the impersonation. Mr. Gradgrind believed that he could reduce human nature in all its complexities to statistics, and that “with his rule, and a pair of scales, and the multiplication table, he could weigh and measure any parcel of human nature, and tell you exactly what it comes to.”