"I am never alone," replied Nicholas in a ringing voice; "for I dwell hard by the gate-way of life and death, through which a multitude is always passing."
"Not so loud, I beseech you," said the visitor, stretching forth his thin, white hands with eager deprecation. "I would not, for the world, have any one discover that I have been here."
"Are you, then, a personage of such importance to the world?" said Nicholas, smiling, for the stranger's appearance argued no worldly consideration whatsoever. The suit of black, which his frail figure seemed to shrink away from with very sensitiveness, was glossy and pathetic with more than one covert patch. His shoes were dust-covered and worn. His long hair went round his head in a swirl, and he bore himself with an air of damaged, apologetic, self-appreciation.
"I am a poet," he murmured with a flush of pain, dropping his large mournful eyes beneath the scrutiny of one who might be an unsympathetic listener. "I am a poet, and I have come to speak with you privately of my—of the—of a monument. I am afraid I shall be forgotten. It is a terrible thought."
"Can you not trust your poems to keep you remembered?" asked Nicholas, with more kindliness.
"I could if they were as widely read as they should be." He appeared emboldened by his hearer's gentleness. "But, to confess the truth, I have not been accepted by my age. That, indeed, should give me no pain, since I have not written for it, but for the great future to which alone I look for my fame."
"Then why not look to it for your monument also?"
"Ah, sir!" he cried, "there are so many poets in the world that I might be entirely overlooked by posterity, did there not descend to it some sign that I was held in honor by my own generation."
"Have you never noticed," he continued, with more earnestness, "that when strangers visit a cemetery they pay no attention to the thousands of little head-stones that lie scattered close to the ground, but hunt out the highest monuments, to learn in whose honor they were erected? Have you never heard them exclaim: 'Yonder is a great monument! A great man must be buried there. Let us go and find out who he was and what he did to be so celebrated.' Oh, sir, you and I know that this is a poor way of reasoning, since the greatest monuments are not always set over the greatest men. Still the custom has wrought its good effects, and splendid memorials do serve to make known in years to come those whom they commemorate, by inciting posterity to search for their actions or revive their thoughts. I warrant you the mere bust of Homer—"
"You are not mentioning yourself in the same breath with Homer, I hope," said Nicholas, with great good-humor.