Forgetful of his surroundings, long he stood and gazed. Whether it may have been the thought of the stolen quarter that brought him to himself, at length he drew a deep breath, and looked quickly around with a frightened air. From across the room he saw Mr. Leuba watching him gravely, as it seemed to his guilty conscience, with fearful sternness. A burning flush dyed his face, and he shrank back, concealing himself among the crowd. The next moment, without ever having seen or so much as thought of anything else in the museum, he slipped out into the street.
There the eyes of everybody seemed turned upon him. Where should he go? Not home. Not to Mr. Leuba's music-store. No; he could never look into Mr. Leuba's face again. And Tom? He could hear Tom crying out, wherever he should meet him, "You stole a quarter from father."
In utter terror and shame, he hurried away out to the southern end of the town, where there was an abandoned rope-walk.
It was a neglected place, damp and unhealthy. In the farthest corner of it he lay down and hid himself in a clump of iron-weeds. Slowly the moments dragged themselves along. Of what was he thinking? Of his mother? Of the parson? Of the violin that would now never be his? Of that wonderful sorrowful face which he had seen in the painting? The few noises of the little town grew very faint, the droning of the bumblebee on the purple tufts of the weed overhead very loud, and louder still the beating of his heart against the green grass as he lay on his side, with his head on his blue cap and his cheek in his hand. And then he fell asleep.
When he awoke he started up bewildered. The sun had set, and the heavy dews of twilight were falling. A chill ran through him; and then the recollection of what had happened came over him with a feeling of desolation. When it was quite dark he left his hiding-place and started back up-town.
He could reach home in several ways, but a certain fear drew him into the street which led past the music-store. If he could only see Mr. Leuba, he felt sure that he could tell by the expression of his face whether he had missed the quarter. At some distance off he saw by the light of the windows Mr. Leuba standing in front of his shop talking to a group of men. Noiselessly he drew near, noiselessly he was passing without the courage to look up.
"Stop, David. Come in here a moment. I want to talk to you."
As Mr. Leuba spoke, he apologized to the gentlemen for leaving, and turned back into the rear of the shop. Faint, and trembling so that he could scarcely stand, his face of a deadly whiteness, the boy followed.
"David," said Mr. Leuba—in his whole life he had never spoken so kindly; perhaps his heart had been touched by some belated feeling, as he had studied the boy's face before the picture in the museum, and certainly it had been singularly opened by his good-fortune—"David," he said, "I promised when I got rich enough I'd give Tom a new violin, and give you his old one. Well, I gave him a new one to-day; so here's yours," and going to a corner of the room, he took up the box, brought it back, and would have laid it on the boy's arm, only there was no arm extended to receive it.
"Take it! It's yours!"