"Then why not look to it for your monument also?"

"Ah, sir!" he cried, "there are so many poets in the world that I might be entirely overlooked by posterity, did there not descend to it some sign that I was held in honour by my own generation."

"Have you never noticed," he continued, with more earnestness, "that when strangers visit a cemetery they pay no attention to the thousands of little head-stones that lie scattered close to the ground, but hunt out the highest monuments, to learn in whose honour they were erected? Have you never heard them exclaim: 'Yonder is a great monument! A great man must be buried there. Let us go and find out who he was and what he did to be so celebrated.' O sir, you and I know that this is a poor way of reasoning, since the greatest monuments are not always set over the greatest men. Still the custom has wrought its good effects, and splendid memorials do serve to make known in years to come those whom they commemorate, by inciting posterity to search for their actions or revive their thoughts. I warrant you the mere bust of Homer——"

"You are not mentioning yourself in the same breath with Homer, I hope," said Nicholas, with great good-humour.

"My poems are as dear to me as Homer's were to him," replied the poet, his eyes filling.

"What if you are forgotten? Is it not enough for the poet to have lived for the sake of beauty?"

"No!" he cried passionately. "What you say is a miserable error. For the very proof of the poet's vocation is in creating the beautiful. But how know he has created it? By his own mind? Alas, the poet's mind tells him only what is beautiful to him! It is by fame that he knows it—fame, the gratitude of men for the beauty he has revealed to them! What is so sweet, then, as the knowledge that fame has come to him already, or surely awaits him after he is dead?"

"We labour under some confusion of ideas, I fear," said Nicholas, "and, besides, are losing time. What kind of mon——"

"That I leave to you," interrupted the poet. "Only, I should like my monument to be beautiful. Ah, if you but knew how all through this poor life of mine I have loved the beautiful! Never, never have I drawn near it in any visible form without almost holding my breath as though I were looking deep, deep into God's opened eyes. But it was of the epitaph I wished to speak."

Hereupon, with a deeper flush, he drew from a large inside breast-pocket, that seemed to have been made for the purpose, a worn duodecimo volume, and fell to turning the much-fingered pages.