"There might be, but I know not whose it would be."
"If she you love should die, would not hers be so?"
"Until I love, and she I love is dead, I cannot know," said Nicholas, smiling.
"What builds the most monuments?" she asked quickly, as though to retreat from her levity.
"Pride builds many—splendid ones. Gratitude builds some, forgiveness some, and pity some. But faith builds more than these, though often poor, humble ones; and love!—love builds more than all things else together."
"And what, of all things that monuments are built in memory of, is most loved and soonest forgotten?" she asked, with intensity.
"Nay, I cannot tell that."
"Is it not a beautiful woman? This, you say, is the monument of a poet. After the poet grows old, men love him for the songs he sang; they love the old soldier for the battles he fought, and the preacher for his remembered prayers. But a woman! Who loves her for the beauty she once possessed, or rather regards her not with the more distaste? Is there in history a figure so lonely and despised as that of the woman, who, once the most beautiful in the world, crept back into her native land a withered hag? Or, if a woman die while she is yet beautiful, how long is she remembered? Her beauty is like heat and light—powerful only for those who feel and see it."
But Nicholas had scarcely heard her. His eyes had become riveted upon her hand, which rested on the marble, as white as though grown out of it under the labours of his chisel.
"My lady," he said, with the deepest respect, "will you permit me to look at your hand? I have carved many a one in marble, and studied many a one in life; but never have I seen anything so beautiful as yours."