"I'll keep my promise, but I hope I won't find the key," said Elizabeth, as her dance grew wilder with the rising whirlwind of expectation. "But why shouldn't papa and mamma have one more Christmas as they wish it! Of course we can't care as much for old times as they do; but be reasonable, Harold!"

"I can't be reasonable that way. Haven't they always told us never to pretend? Haven't they always taught us not to have secrets? Haven't they always said that a house with a secret in it wasn't a good home for children? Why can't Christmas be as open as all out of doors? Isn't that what they call being American—to be as open as all out of doors? It's the little immigrants who have secrets in them."

At that moment there was a sound of feet, muffled with yarn stockings, stamping triumphantly on the porch.

"Oh, there they are!" cried Elizabeth, darting out of the room to receive her guests. More slowly the gray-toned little figure with the white hair falling over his hawk eyes and with the profile of white flint followed her.

And three great spirits there were that walked with the lad that day—as with thousands of other lads like him: the spirit of his race, the spirit of his land, and the spirit of his house.

The real darkness of the Middle Ages was the spiritual night that settled upon children as they began to play about their homes and to ask the meanings of them—why they were built as they were—and the meaning of other things they saw in them and around them. The architects of those centuries designed their noblest buildings often with an eye to many of the worst passions of human nature. Toiling masons slowly put into mortar and stone exact arrangements for the violent and the vile: they built not for the good in human character, but against evil—not for a heaven on earth, but against a hell on earth. When the owners took possession, they had placed between themselves and the surrounding world the strongest possible proofs of a hostile and vicious attitude. Even within their homes they had fortified one intimate part against another intimate part until it was as though the ventricles of the human heart had walled themselves in distrust away from the auricles.

The mental and moral gloom of such homes hung destructively, appallingly over children. The very architecture taught them their first bad lessons. Lifted in their nurse's or mother's arms, they peered from parapet down upon drawbridge and moat—at danger. At the entrances they saw massive doors built to shut out death, perhaps battle-hacked, blood-stained. From these they learned violence and the habit of killing. Trap-doors taught them treachery. Sliding-panels in walls taught them cunning, flight, and cowardice, eaves-dropping. Underground dungeons taught them revenge, cruelty, persecution to the death: they might look down into one and see lying there some victim of slow starvation or slow torture. Nearly every leading vicious trait born in them seized upon the house itself for development, and began to clamber up its walls as naturally as castle ivy.

Little children of the Dark Ages!—does any one now ever try to enter into their terrors and troubles and warped souls? Can any one conceivably nowadays look out upon human life or up to the heavens through their vision!

When the Anglo-Saxon, heaven's blue in his eyes, sunlight in his hair, the conquest of the future in his brain, the peopling of the future in his loins, breasted fresh waters and reached the distant shore, he had come to a great land where he could build for the best that was in him. The story of the black slave fleeing across a Western river from a slave state into a free state, thrilling millions in this country, is as nothing to the story of the White Slave of the Ages who escaped across an ocean into a world where he became a free man. The cabins of this New World became the nurseries of a new kind of childhood on the earth. There is no possibility of measuring the effect upon a child and upon the man he is to be even of a door that has no lock and of windows that have no shutters. It was while sleeping behind such undefended doors and windows that the gaunt mated lions and lionesses on the Western frontiers of this Republic bred in chaste passion their lean cubs. Out of such a cabin without a bolt and with its mere latchstring there walked forth a new type of American man, the Nation's man, who as a child had trusted the open door in his father's house, and as a man trusted the door of humanity: nor had within himself secret nor secrecy, nor trick nor guile, nor double-dealing nor cruelty, nor vindictiveness nor revenge—the naked American, unpollutable iron of its strength and honor, Child of the New Childhood, Man of the New Manhood, with the great silence in him that is in the Great.

The birthplace of Harold and Elizabeth was one of the thousands and thousands of plain American homes in Kentucky and elsewhere that are the breeding-grounds and fortresses of the Republic's impregnable virtue. The house had never taught them a bad lesson; it had never offered them an architectural trait to which their own coarser human traits could attach themselves. It had never uttered a suggestion that there is anything wrong in the human nature dwelling within it or human nature approaching it from without. It was built against one enemy—the climate. And whenever the climate began war on the house, the children had a chance to see how well prepared for war it was: the climate always retreated, whipped in the end.