"Such is the honor your patronage has brought me," replied Trypho, making another salâm, that ended by nearly tripping the king into a dyeing vat.
"But how goes the cloth?" asked Hiram, laughing.
"It is nearly completed," said the workman, leading the way to an inner room. "Come in, and judge for yourself. I need not keep the secret of my art from one who knows it already."
At a leaden sink a half-grown boy was drawing the snail-like murex from its shell. Cutting off its head, he dexterously detached from its body the long sac of yellow liquid, which, on exposure, changed first to green, and, passing through the intermediate shades, to a bright purple. At a bench near by a workman crushed with a wooden hammer the smaller shell of the insect since called buccinum, which, together with the body of the animal, was thrown into a vat, mixed with salt, the whole mass heated, and reduced to a liquid state by an injection of steam. The gritty substance from the shell was then carefully skimmed from the surface, leaving a lighter purplish liquid than that obtained from the murex.
"They tell me, Trypho, that you can mix these two dyes at sight, so as to produce the rare tint for which your cloths are so famous. Have you no written formula, and do you never measure out the proportions?"
"No, sire," replied the man, "I never learned the proportions by weight or by measure. If I knew them myself I might tell somebody; then my secret would be gone. So I never told myself how I do it. I think of a tint, and pour the dyes together, and they always come out the tint I think of. How do I do it? Just as my old legs carry me where I think of going, without counting my steps, or watching which way my toes turn."
The fellow was garrulous, and, seeing that he had the king's attention, went on:—
"I got this secret where I got my blood—from my father; and he from his, and he from his. For, you see, we have been in this trade for thousands of years. You know that story the priests tell about the discovery of the art of dyeing? Well, it is true, because it was to one of my grandfathers that the great god Melkarth came when his dog ate off the head of a shell-fish, and colored his jaws with such beautiful tints that the nymph Tyrus refused to marry the god until he gave her a gown of the same color. It was my ancestor, the first Trypho, who helped the great Melkarth get his bride; and to no one else than to Trypho, the last, should the noble King Hiram come for a gown for his beautiful queen: whom may Tyrus bless! Come now, and see if the cloth I have prepared for your lady be not as lovely as was that of Tyrus herself. No woman could refuse a lover who wooed with such a garment in his hands as I have made."
Trypho led the way to another room, where cloths were hung before a window, by manipulating the screens of which the artisan adjusted the light that gave the required tone to the color.
"Truly a divine art!" cried Trypho, in his enthusiastic appreciation of his own work. "For see, I must use the beams of Baal, the sun-god, to bring it to perfection. It must be a divine art that uses Divinity."