"Does not the young stranger you spoke of know something of her, that he prowls about this neighborhood?" asked the guest.

"It may be. I had not thought it, but it may well be! Hist—!"

The Dodola passed by, returning to her own cottage. As she did so her bright black eyes glanced coquettishly at the stranger from beneath her disarranged chaplet of flowers and dishevelled hair. She soon returned, having assumed her garments as a peasant maid, but with evident effort to make this simple attire set off the great natural beauty of face and form, of which she was fully conscious. Her forehead was too low; but Pygmalion could not have chiselled a brow and temples upon which glossy black ringlets clustered more bewitchingly. Her eyes flashed too cold a fire light to give one the impression of great amiability in their possessor; but the long lashes which drooped before them, partially veiled their stare so as to give the illusion of coyness, if not of maidenly modesty. Her mouth was perhaps sensuously curved; but was one of those marvellously plastic ones which can tell by the slightest arching or compressing of the lips as much of purpose or feeling as most people can tell in words:—dangerous lips to the possessor, if she be guileless and unsuspicious, for they reveal too much of her soul to others who have no right to know its secrets; dangerous lips to others if she would deceive, for they can lie, consummately, wickedly, without uttering a word. Her complexion was scarcely brunette; rather that indescribable fairness in which the whiteness of alabaster is tinged with the blood of perfect health, slightly bronzed by constant exposure to the sunshine and air—a complexion seldom seen except in Syria, the Greek Islands, or Wales. Her form was faultless,—just at that stage of development when the grace and litheness of childhood are beginning to be lost in the statelier mysteries of womanly beauty; that transition state between two ideals of loveliness, which, from the days of Phidias, has lured, but always eluded, the artist's skill to reproduce.

The girl's face flushed with the consciousness of being gazed at approvingly by the courtly stranger. But the pretty toss of her head showed that the blush was due as much to the conceit of her beauty as to bashfulness. As she talked with the other maidens, she glanced furtively toward the door of the konak, where Amesa sat. The young voivode foresaw that it would not be difficult to entice the girl herself to be the chief agent in any plan he might have for her abduction.

He needed, however, to make more certain of her identity with the object of his search. He could discern no trace of Mara De Streeses in her face; much less in her manner. Since Drakul had suggested it, he imagined a resemblance to De Streeses himself, whose bearing was haughty and his temperament fiery.

The evening brought the young man of whom the stargeshina had spoken. His resemblance to the description given him of Constantine left no doubt in Amesa's mind of his being the mysterious custodian of the heiress to his estates. The young Servian he supposed would at once recognize him as Amesa; for, as a prominent officer in the army, his face would be well known to all who had been in Castriot's camps, even if the gossip of the villagers did not at once inform him of his presence. It were best then, thought Amesa, to boldly confront him; win him, if possible, to his service; if not, destroy him.

The young stranger was at once on frolicksome terms with the village girls and lads; and Amesa thought he observed that through it all the fellow kept a sharp, if not a suspicious, eye upon him. Lest he should escape, the voivode invited him to walk beyond the houses of the village. When out of sight and hearing he suddenly turned upon the young man, and, laying a hand upon his shoulder, exclaimed,

"You are known, man!"

Upon the instant the stranger was transformed from the sauntering peasant into a gladiator, with feet firmly planted, the left hand raised as a shield, and the right grasping a yataghan which had been concealed upon his person. Amesa, though the aggressor, was thrown upon the defensive, and was compelled to retreat in order to gain time for the grip of his weapon.

The two men stood glaring into each other's eyes as there each to read his antagonist's movement before his hand began to execute it.