We have [already] examined the meaning of the word Desire. We have seen that it is applied to pleasurable sensations; to exemption from painful sensations; and to the causes of them. We have also seen, and to the present purpose this is a point of great importance, that when the word desire is applied, to the cause of a sensation, or of an exemption from a sensation, it is employed in a figurative, or metaphorical, not in a direct sense. Few of our actions can be called pleasurable sensations; or exemption from painful; in propriety of language perhaps none. Our actions are causes of those two classes of events; and on that account are called, but only in a metaphorical sense, objects of desire.
In a voluntary action, then, we recognise two Ideas; first, the idea of the sensation or exemption, which two, for shortness, we shall call by one name, Pleasure; secondly, the idea of an action of our own as the cause of the pleasure. It is also easy to see how the Idea of a pleasure should excite the Idea of the action which is the cause of it; and how, when the Idea exists, the action should follow.
352 We have seen, that the idea of a pleasure, as effect, associated with the Idea of an act of our own, as its cause, is one of the cases of motive. In the preceding paragraph it seems also to be one of the cases of will. It may then be asked, if the will is, or is not, anything different from the motive?
The course pursued by the mind in devising and executing a train of means for the accomplishment of an end, has been often described. The End; that is, the advantage or pleasure desired; is the first thing in the contemplation of the mind; the step nearest to the end in the process of attainment, is the second; the step immediately preceding that is the third; and so on, to the step at which the process of execution must begin. Thus, suppose the pleasure of living in a handsome house is the end; the apartments, and furniture, and accommodations of such a mansion is the nearest step; the one immediately preceding that is the building and furnishing it; the one preceding that, the employing an architect and upholsterer; the one preceding that, the finding the money. Such is the order in which the mind proceeds from the primary conception of the End through the requisite series of means. The order of execution is directly the reverse. It begins where the other ends, and ends where the other begins. If the person we have supposed proceeds to the execution of his plan, his first step is, to find the money, his next to provide the architect, and so on from step to step, till he places himself in the pleasurable situation he originally contemplated.
There is this double operation in what we may call the formation and execution of motives. The first association starts from the pleasure. The idea of the 353 pleasure is associated with its immediate cause, that cause with its cause, and so on, till it reaches that act of ours which is the opposite end of the train. The process may stop here, and in that case the motive does not excite to action. If it excites to action, the process is exactly reversed. In the first process of association, the pleasure was the first link in the chain, the action the last; in the second process, the action is the first, the pleasure the last. When the first process only is performed, the association is called MOTIVE. When the second is performed it is called WILL.
A difficulty, however, presents itself. The first process terminates in an Idea of the action. The second process commences with an idea of the action. The Idea of the action is thus excited twice. But the first time it is not followed by the action; the second time it is. How is this to be reconciled with the supposed constancy of connexion between the muscular action and the Idea which produces it? The difficulty is solved by observing, that the phrase, “Idea of the action,” has two meanings. There are two Ideas, very different from one another, to both of which we give the name, “Idea of the action.” Of these Ideas, one is the outward appearance of the action, and is always a very obvious Idea. The other is the copy of those internal sensations which originally called the muscles into action, to which, from habit of not attending to them, we have lost the power of attending. This last is by no means an obvious Idea. And the mind passes from it so quickly, intent upon the action which is its result, that it is almost always swallowed up in the mass of association. It constitutes, in fact, one of the most remarkable 354 instances of that class of links in a chain, which, how important soever to the existence of the chain, are passed over so rapidly, that the existence of them is hardly ever recognised.
This last Idea alone, is that upon which the contraction of the muscle is consequent. In the process of association which we call the motive, as described above, the first of the two above-mentioned ideas of the action, that of its outward appearance, is the idea excited. If the association stops there, the motive is inoperative; if the association does not stop there, but the idea of the outward appearance of the action, calls up that other, the idea of the internal feelings of the action, the motive is then operative, and we are said TO WILL.
If we are asked, how an Idea, as that of the outward appearance of an act, should at one time excite an idea, as that of the internal feelings of the act, at another time not excite it, we can only refer to the laws of association, as far as they have been ascertained. We know there are certain cases of association, so strong, that the one Idea never exists without calling up the other. We know there are other cases in which an Idea sometimes does, and sometimes does not, call up such or such an Idea. Sometimes it is easy to trace the cause of this variety; sometimes difficult.[63]
[63] This analysis of the power of the Will over muscular action is substantially that of Hartley, though more clearly and forcibly stated, and more amply illustrated. In the field of mental philosophy this is the point at which Hartley approached nearest to the most advanced thoughts of his successors, and left least for them to do beyond the task of commentators and defenders.
The doctrine of Hartley on the Will may be summed up in the following propositions. 1. All our voluntary movements were originally automatic: meaning by automatic, involuntary, and excited directly by sensations. 2. When a sensation has the power of exciting a given muscular action, the idea of that sensation, if sufficiently vivid, will excite it likewise. 3. The idea of the sensation which excites an automatic action of the muscles, persists during the action, and becomes associated with it by contiguity, in such a manner as to be itself, in its turn, excited by any vividly recalled idea of the muscular act. 4. The following is what takes place in voluntary motion. The idea of the end we desire, excites by association the idea of the muscular act which would procure it for us. The idea of this muscular act excites, by association, the idea of the sensation which originally excited the same muscular action automatically. And lastly, the idea of this sensation excites the action, as the sensation itself would have done. 5. These associations being formed gradually, and progressively strengthened by repetition, this gives us the explanation of the gradual and slow process whereby we gain what is called command of our muscles; i.e. the process by which the actions, originally produced automatically by sensations, come to be produced, and at last, to be easily and rapidly produced, by the ideas of the different pleasurable ends to which those muscular actions are the means. 6. In this chain of association, as is so often the case in chains of association, the links which are no otherwise interesting to us than by introducing other links, gradually drop out of consciousness, being, after many repetitions, either forgotten as soon as felt, or altogether thrown out; the latter being the supposition which Hartley apparently favours. The link that consists in the idea of the internal sensations which excited the muscular action when it was still automatic, being the least interesting part of the whole series, is probably the first which we cease to be aware of. When the succession of the ideas has become, by frequent repetition, extremely prompt, rapid, and certain, another link tends to disappear, namely, the ideas of the muscular feelings that accompany the act. A practised player, for example, on a keyed instrument, becomes less and less conscious of the motions of his fingers, until there at last remains nothing in his consciousness to shew that the muscular acts do not arise without any intermediate links, from the purpose, i.e. the idea in his mind, which made him begin playing. At this stage the muscular motion, which, from automatic, had become voluntary, has become, from voluntary, what, in Hartley’s phraseology, is called secondarily automatic; and it seems to be his opinion that the ideas which have disappeared from consciousness, or at all events from memory, have not been (as maintained by Stewart) called up, and immediately afterwards forgotten, but have ceased to be called up; being, as it were, leapt over by the rapidity with which the succeeding links rush into consciousness.