TRIBAL MEDICINES OF OTHER INDIANS
Nearly every important tribe, excepting perhaps those aboriginal skeptics, the Comanche, has or did have a tribal "medicine" equivalent to the taíme, around which centers the tribal mythology and ceremonial with which the prosperity and fate of the tribe is bound up. With the Cheyenne this is a bundle of sacred arrows, now in the keeping of one of the southern bands near Cantonment, Oklahoma. With the Arapaho it consists of a pipe, a turtle, and an ear of corn, all of stone, wrapped in skins, and kept by the hereditary priest with the northern branch of the tribe in Wyoming. Among the Omaha it was a large shell, now preserved in the Peabody Museum at Cambridge, Massachusetts. With the Creeks it is a set of graven metal tablets, possibly relics of De Soto's disastrous expedition through the gulf states, religiously guarded by the priest of the Wind clan of the nation in Indian Territory.
THE SUN DANCE
The great tribal ceremony of the Kiowa was the k`adó, or sun dance, which was commonly celebrated annually when the down appeared on the cottonwoods, i. e., about the middle of June. In their calendar system the summers are counted by k`adós, the winters being designated as "cold seasons." On this occasion the whole tribe encamped in a circle, each band in its appropriate place, with the k`adó or medicine lodge in the center. Within the medicine lodge the taíme was exposed during the continuance of the ceremony, which lasted four days, although the preliminary buffalo hunt and other necessary arrangements occupied much more time. Space forbids a detailed account of the ceremony, which was common to most of the prairie tribes, and has been described with more or less accuracy by various writers. The Kiowa sun dance resembled that of the Dakota, Cheyenne, and other tribes in its general features—the search for the buffalo, the arrangement of the camp circle, the procession of the women to cut down the tree for the center pole of the medicine lodge, the sham battle for possession of the pole, the building of the medicine lodge, and the four days' dance without eating, drinking, or sleeping. It differed radically, however, in the entire absence of those voluntary self tortures which have made the sun dance among other tribes a synonym for savage horrors. With the Kiowa even the accidental shedding of blood on such an occasion was considered an evil omen, and was the signal for abandoning the dance; voluntary laceration by way of sacrifice was practiced at other times, but not at the k'ado. Among the Kiowa the center pole must always be cut down by a captive woman. On account of the dread in which the taíme is held, by reason of the many taboos connected with it, they have also a captive, taken from Mexico when a boy and given to the taíme for this special purpose, to unwrap it and set it in place at the ceremonial exposure, so that should any regulation be inadvertently violated, the punishment would fall upon the captive and not upon the tribe. It is hardly necessary to state that this Mexican captive has as perfect faith in the taíme as the priestly keeper himself.
BUREAU OF AMERICAN ETHNOLOGY— SEVENTEENTH ANNUAL REPORT PL. LXIX
THE TAIME.
In the Sett'an calendar the summer is always designated by a rude figure of the medicine lodge. On the Anko calendar the distinction is made by the decorated center-pole of the lodge. Medicine-lodge creek, where the famous treaty was negotiated, derives its name from several medicine lodges formerly standing on its banks near the southern Kansas line, this being a favorite spot for the sun dance with both the Kiowa and Cheyenne. The following description of the medicine lodge is from Battey's account of the Kiowa sun dance witnessed by him in 1873, to which account the reader is referred (Battey, 15):
The medicine house is situated nearly in the center of the encampment, is circular in form, and about 60 feet in diameter, having its entrance toward the east. It is built by erecting a forked post, 20 feet high, perhaps, for a central support; around this, and at nearly equal distances, are 17 other forked posts, forming the circumference of the building. These are from 12 to 15 feet in height, and all of cottonwood. Small cottonwood trees are tied on the outside of these, in a horizontal position, with ropes of rawhide, having limbs and leaves on them. Outside of these small cottonwood trees are placed in an upright position, thus forming a wall of green trees and leaves several feet in thickness, in the midst of which many hundred spectators afterwards found a cool retreat, where they could observe what was going on without making themselves conspicuous. Long cottonwood poles extend from each of the posts in the circumference to the central post, and then limbs of the same are laid across these, forming a shady roof one-third of the way to the center.
The central post is ornamented near the ground with the robes of buffalo calves, their heads up, as if in the act of climbing it. Each of the branches above the fork is ornamented in a similar manner, with the addition of shawls, calico, scarfs, etc., and covered at the top with black muslin. Attached to the fork is a bundle of cottonwood and willow limbs, firmly bound together and covered with a buffalo robe, with head and horns, so as to form a rude image of a buffalo, to which were hung strips of new calico, muslin, strouding, both blue and scarlet, feathers, shawls, etc., of various lengths and qualities. The longer and more showy articles were placed near the ends. This image was so placed as to face the east. The lodges of the encampment are arranged in circles around the medicine house, having their entrances toward it, the nearest circle being some 10 rods distant....
The ground inside the inclosure had been carefully cleared of grass, sticks, and roots, and covered several inches deep with clean white sand. A screen had been constructed on the side opposite the entrance by sticking small cottonwoods and cedars deep into the ground, so as to preserve them fresh as long as possible. A space was left, 2 or 3 feet wide, between it and the inclosing wall, in which the dancers prepared themselves for the dance, and in front of which was the medicine. This consisted of an image lying on the ground, but so concealed from view in the screen as to render its form indistinguishable; above it was a large fan made of eagle quills, with the quill part lengthened out nearly a foot by inserting a stick into it and securing it there. These were held in a spread form by means of a willow rod or wire bent in a circular form; above this was a mass of feathers, concealing an image, on each side of which were several shields highly decorated with feathers and paint. Various other paraphernalia of heathen worship were suspended in the screen, among these shields or over them, impossible for me to describe so as to be comprehended. A mound had also been thrown up around the central post of the building, 2 feet high and perhaps 5 feet in diameter.
BUREAU OF AMERICAN ETHNOLOGY— SEVENTEENTH ANNUAL REPORT PL. LXX