BUREAU OF AMERICAN ETHNOLOGY NINETEENTH ANNUAL REPORT PL. XI

SWIMMER (AʻYÛÑ′INĬ)

IV—STORIES AND STORY TELLERS

Cherokee myths may be roughly classified as sacred myths, animal stories, local legends, and historical traditions. To the first class belong the genesis stories, dealing with the creation of the world, the nature of the heavenly bodies and elemental forces, the origin of life and death, the spirit world and the invisible beings, the ancient monsters, and the hero-gods. It is almost certain that most of the myths of this class are but disjointed fragments of an original complete genesis and migration legend, which is now lost. With nearly every tribe that has been studied we find such a sacred legend, preserved by the priests of the tradition, who alone are privileged to recite and explain it, and dealing with the origin and wanderings of the people from the beginning of the world to the final settlement of the tribe in its home territory. Among the best examples of such genesis traditions are those recorded in the Walam Olum of the Delawares and Matthews’ Navaho Origin Legend. Others may be found in Cusick’s History of the Six Nations, Gatschet’s Creek Migration Legend, and the author’s Jicarilla Genesis.[1] The Cheyenne, Arapaho, and other plains tribes are known to have similar genesis myths.

The former existence of such a national legend among the Cherokee is confirmed by Haywood, writing in 1823, who states on information obtained from a principal man in the tribe that they had once a long oration, then nearly forgotten, which recounted the history of their wanderings from the time when they had been first placed upon the earth by some superior power from above. Up to about the middle of the last century this tradition was still recited at the annual Green-corn dance.[2] Unlike most Indians the Cherokee are not conservative, and even before the Revolution had so far lost their primitive customs from contact with the whites that Adair, in 1775, calls them a nest of apostate hornets who for more than thirty years had been fast degenerating.[3] Whatever it may have been, their national legend is now lost forever. The secret organizations that must have existed formerly among the priesthood have also disappeared, and each man now works independently according to his individual gifts and knowledge.

The sacred myths were not for every one, but only those might hear who observed the proper form and ceremony. When John Ax and other old men were boys, now some eighty years ago, the myth-keepers and priests were accustomed to meet together at night in the âsĭ, or low-built log sleeping house, to recite the traditions and discuss their secret knowledge. At times those who desired instruction from an adept in the sacred lore of the tribe met him by appointment in the âsĭ, where they sat up all night talking, with only the light of a small fire burning in the middle of the floor. At daybreak the whole party went down to the running stream, where the pupils or hearers of the myths stripped themselves, and were scratched upon their naked skin with a bone-tooth comb in the hands of the priest, after which they waded out, facing the rising sun, and dipped seven times under the water, while the priest recited prayers upon the bank. This purificatory rite, observed more than a century ago by Adair, is also a part of the ceremonial of the ballplay, the Green-corn dance, and, in fact, every important ritual performance. Before beginning one of the stories of the sacred class the informant would sometimes suggest jokingly that the author first submit to being scratched and “go to water.”

As a special privilege a boy was sometimes admitted to the âsĭ on such occasions, to tend the fire, and thus had the opportunity to listen to the stories and learn something of the secret rites. In this way John Ax gained much of his knowledge, although he does not claim to be an adept. As he describes it, the fire intended to heat the room—for the nights are cold in the Cherokee mountains—was built upon the ground in the center of the small house, which was not high enough to permit a standing position, while the occupants sat in a circle around it. In front of the fire was placed a large flat rock, and near it a pile of pine knots or splints. When the fire had burned down to a bed of coals, the boy lighted one or two of the pine knots and laid them upon the rock, where they blazed with a bright light until nearly consumed, when others were laid upon them, and so on until daybreak.