Tobacco—Tobacco, as is well known, is of American origin and is sacred among nearly all our tribes, having an important place in almost every deliberative or religious ceremony. The tobacco of commerce (Nicotiana tabacum) was introduced from the West Indies. The original tobacco of the Cherokee and other eastern tribes was the “wild tobacco” (Nicotiana rustica), which they distinguish now as tsâl-agayûñ′li, “old tobacco.” By the Iroquois the same species is called the “real tobacco.”
Dagûlʻkû geese—The dagûlʻkû is the American white-fronted goose (Anser albifrons gambeli). It is said to have been of bluish-white color, and to have been common in the low country toward the coast, but very rare in the mountains. About the end of September it goes south, and can be heard at night flying far overhead and crying dugalŭ! dugalŭ! dugalŭ! Swimmer had heard them passing over, but had never seen one.
[7.] The journey to the sunrise (p. [255]): This story, obtained from John Ax, with additional details by Swimmer and Wafford, has parallels in many tribes. Swimmer did not know the burial incident, but said—evidently a more recent interpolation—that when they came near the sunrise they found there a race of black men at work. It is somewhat remarkable that the story has nothing to say of the travelers reaching the ocean, as the Cherokee were well aware of its proximity.
What the Sun is like—According to the Payne manuscript, already quoted, the Cherokee anciently believed that the world, the first man and woman, and the sun and moon were all created by a number of beneficent beings who came down for the purpose from an upper world, to which they afterward returned, leaving the sun and moon as their deputies to finish and rule the world thus created. “Hence whenever the believers in this system offer a prayer to their creator, they mean by the creator rather the Sun and Moon. As to which of these two was supreme, there seems to have been a wide difference of opinion. In some of their ancient prayers, they speak of the Sun as male, and consider, of course, the Moon as female. In others, however, they invoke the Moon as male and the Sun as female; because, as they say, the Moon is vigilant and travels by night. But both Sun and Moon, as we have before said, are adored as the creator.... The expression, ‘Sun, my creator,’ occurs frequently in their ancient prayers. Indeed, the Sun was generally considered the superior in their devotions” (quoted in Squier, Serpent Symbol, p. 68). Haywood, in 1823, says: “The sun they call the day moon or female, and the night moon the male” (Nat. and Aborig. Hist. Tenn., p. 266). According to Swimmer, there is also a tradition that the Sun was of cannibal habit, and in human form was once seen killing and devouring human beings. Sun and Moon are sister and brother. See [number 8], “The Moon and the Thunders.”
The Indians of Thompson river, British Columbia, say of the sun that formerly “He was a man and a cannibal, killing people on his travels every day.... He hung up the people whom he had killed during his day’s travel when he reached home, taking down the bodies of those whom he had hung up the night before and eating them.” He was finally induced to abandon his cannibal habit (Teit, Thompson River Traditions, p. 53).
In the same grave—This reminds us of the adventure in the voyage of Sinbad the Sailor, as narrated in the Arabian Nights. The sacrifice of the wife at her husband’s funeral was an ancient custom in the Orient and in portions of Africa, and still survives in the Hindu suttee. It may once have had a counterpart in America, but so far as known to the author the nearest approach to it was found in the region of the lower Columbia and adjacent northwest coast, where a slave was frequently buried alive with the corpse.
Vault of solid rock—The sky vault which is constantly rising and falling at the horizon and crushes those who try to go beyond occurs in the mythologies of the Iroquois of New York, the Omaha and the Sioux of the plains, the Tillamook of Oregon, and other widely separated tribes. The Iroquois concept is given by Hewitt, “Rising and Falling of the Sky,” in Iroquois Legends, in the American Anthropologist for October, 1892. In the Omaha story of “The Chief’s Son and the Thunders” (Dorsey, Contributions to North American Ethnology, VI, 1890), a party of travelers in search of adventures “came to the end of the sky, and the end of the sky was going down into the ground.” They tried to jump across, and all succeeded excepting one, who failed to clear the distance, and “the end of the sky carried him away under the ground.” The others go on behind the other world and return the same way. In the Tillamook myth six men go traveling and reach “the lightning door, which opened and closed with great rapidity and force.” They get through safely, but one is caught on the return and has his back cut in half by the descending sky (Boas, Traditions of the Tillamook Indians, in Journal of American Folk-Lore, Jan., 1898). See also [number 1], “How the World was Made” and [number 3], “Kana′tĭ and Selu.”
[8.] The Moon and the Thunders (p. [256]): The story of the sun and the moon, as here given, was obtained first from Swimmer and afterward from other informants. It is noted by Hagar, in his manuscript Stellar Legends of the Cherokee, one narrator making the girl blacken her brother’s face with seven (charred?) corn cobs (cf. John Ax’s version of [number 5] in notes). Exactly the same myth is found with the native tribes of Greenland, Panama, Brazil, and Northern India. Among the Khasias of the Himalaya mountains “the changes of the moon are accounted for by the theory that this orb, who is a man, monthly falls in love with his wife’s mother, who throws ashes in his face. The sun is female.” On some northern branches of the Amazon “the moon is represented as a maiden who fell in love with her brother and visited him at night, but who was finally betrayed by his passing his blackened hand over her face.” With the Greenland Eskimo the Sun and Moon are sister and brother, and were playing in the dark, “when Malina, being teased in a shameful manner by her brother Anninga, smeared her hands with the soot of the lamp and rubbed them over the face and hands of her persecutor, that she might recognize him by daylight. Hence arise the spots in the moon (see Timothy Harley, Moon Lore, London, 1885, and the story “The Sun and the Moon,” in Henry Rink’s Tales and Traditions of the Eskimo, London, 1875). In British Columbia the same incident occurs in the story of a girl and her lover, who was a dog transformed to the likeness of a man (Teit, Thompson River Traditions, p. 62). A very similar myth occurs among the Cheyenne, in which the chief personages are human, but the offspring of the connection become the Pleiades (A. L. Kroeber, Cheyenne Tales, in Journal of American Folk-Lore, July, 1900). In nearly all mythologies the Sun and Moon are sister and brother, the Moon being generally masculine, while the Sun is feminine (cf. German, Der Mond, Die Sonne).
The myth connecting the moon with the ballplay is from Haywood (Natural and Aboriginal History of Tennessee, p. 285), apparently on the authority of Charles Hicks, a mixed-blood chief.
Eclipse—Of the myth of the eclipse monster, which may be frightened away by all sorts of horrible noises, it is enough to say that it is universal (see Harley, Moon Lore). The Cherokee name for the phenomenon is nûñdă′ walâ′sĭ u′giskă′, “the frog is swallowing the sun or moon.” Says Adair (History of the American Indians p. 65): “The first lunar eclipse I saw after I lived with the Indians was among the Cherokee, An. 1736, and during the continuance of it their conduct appeared very surprizing to one who had not seen the like before. They all ran wild, this way and that way, like lunatics, firing their guns, whooping and hallooing, beating of kettles, ringing horse bells, and making the most horrid noises that human beings possibly could. This was the effect of their natural philosophy and done to assist the suffering moon.”