Mary Irvin Wright
THE GHOST DANCE—LARGER CIRCLE
The first clue to the explanation came from the statement of his own experience in the trance, given by Paul Boynton, a particularly bright Carlisle student, who acted as my interpreter. His brother had died some time before, and as Paul was anxious to see and talk with him, which the new doctrine taught was possible, he attended the next Ghost dance, and putting his hands upon the head of Sitting Bull, according to the regular formula, asked him to help him see his dead brother. Paul is of an inquiring disposition, and, besides his natural longing to meet his brother again, was actuated, as he himself said, by a desire to try “every Indian trick.” He then told how Sitting Bull had hypnotized him with the eagle feather and the motion of his hands, until he fell unconscious and did really see his brother, but awoke just as he was about to speak to him, probably because one of the dancers had accidentally brushed against him as he lay on the ground. He embodied his experience in a song which was afterward sung in the dance. From his account it seemed almost certain that the secret was hypnotism. The explanation might have occurred to me sooner but for the fact that my previous Indian informants, after the manner of some other witnesses, had told only about their trance visions, forgetting to state how the visions were brought about.
This was in winter and the ground was covered deeply with snow, which stopped the dancing for several weeks. In the meantime I improved the opportunity by visiting the tipis every night to learn the songs and talk about the new religion. When the snow melted, the dances were renewed, and as by this time I had gained the confidence of the Indians I was invited to be present and thereafter on numerous occasions was able to watch the whole process by which the trances were produced. From the outside hardly anything can be seen of what goes on within the circle, but being a part of the circle myself I was able to see all that occurred inside, and by fixing attention on one subject at a time I was able to note all the stages of the phenomenon from the time the subject first attracted the notice of the medicine-man, through the staggering, the rigidity, the unconsciousness, and back again to wakefulness. On two occasions my partner in the dance, each time a woman, came under the influence and I was thus enabled to note the very first nervous tremor of her hand and mark it as it increased in violence until she broke away and staggered toward the medicine-man within the circle.
Young women are usually the first to be affected, then older women, and lastly men. Sometimes, however, a man proves as sensitive as the average woman. In particular I have seen one young Arapaho become rigid in the trance night after night. He was a Carlisle student, speaking good English and employed as clerk in a store. He afterward took part in the sun dance, dancing three days and nights without food, drink, or sleep. He is of a quiet, religious disposition, and if of white parentage would perhaps have become a minister, but being an Indian, the same tendency leads him into the Ghost dance and the sun dance. The fact that he could endure the terrible ordeal of the sun dance would go to show that his physical organization is not frail, as is frequently the case with hypnotic or trance subjects. So far as personal observation goes, the hypnotic subjects are usually as strong and healthy as the average of their tribe. It seems to be a question more of temperament than of bodily condition or physique. After having observed the Ghost dance among the southern tribes at intervals during a period of about four years, it is apparent that the hypnotic tendency is growing, although the original religious excitement is dying out. The trances are now more numerous among the same number of dancers. Some begin to tremble and stagger almost at the beginning of the dance, without any effort on the part of the medicine-man, while formerly it was usually late in the night before the trances began, although the medicine-men were constantly at work to produce such result. In many if not in most cases the medicine-men themselves have been in trances produced in the same fashion, and must thus be considered sensitives as well as those hypnotized by them.
Not every leader in the Ghost dance is able to bring about the hypnotic sleep, but anyone may try who feels so inspired. Excepting the seven chosen ones who start the songs there is no priesthood in the dance, the authority of such men as Sitting Bull and Black Coyote being due to the voluntary recognition of their superior ability or interest in the matter. Any man or woman who has been in a trance, and has thus derived inspiration from the other world, is at liberty to go within the circle and endeavor to bring others to the trance. Even when the result is unsatisfactory there is no interference with the performer, it being held that he is but the passive instrument of a higher power and therefore in no way responsible. A marked instance of this is the case of Cedar Tree, an Arapaho policeman, who took much interest in the dance, attending nearly every performance in his neighborhood, consecrating the ground and working within the circle to hypnotize the dancers. He was in an advanced stage of consumption, nervous and excitable to an extreme degree, and perhaps it was for this reason that those who came under his influence in the trance constantly complained that he led them on the “devil’s road” instead of the “straight road;” that he made them see monstrous and horrible shapes, but never the friends whom they wished to see. On this account they all dreaded to see him at work within the circle, but no one commanded him to desist as it was held that he was controlled by a stronger power and was to be pitied rather than blamed for his ill success. A similar idea exists in Europe in connection with persons reputed to possess the evil eye. Cedar Tree himself deplored the result of his efforts and expressed the hope that by earnest prayer he might finally be able to overcome the evil influence.
PL. CXIV
Mary Irvin Wright