It was late. The singing died away; the lights in the village went out one by one. The passage in the Ahu Ahu reef is a bad place by daylight—the chances were that no canoes would risk it till dawn. Tari struck a match for an instant and lay down on the mat beside his wife. In the little flare of light I saw her sleeping in the unconscious manner of a child.
I know their story—a pretty one, in pleasant contrast to the usual ignoble and transitory loves of white and brown. Apakura is the daughter of the principal family of this island—her mother and father for many years the warm friend of Tari. He had petted the child from the time she was three; she was always on the beach to meet the canoe that brought him ashore, and he, for his part, never forgot the small gifts for which she waited with sparkling eyes. On his rambles about the island the little girl followed Tari with the devotion of a dog; many a time, clambering along the base of the cliffs at dawn, his first knowledge of her presence came with the shrill cry of, "Tiaké mai, Tari!" and he waited while his small follower managed some difficult pile of coral in the rear. Their friendship had only Tari's two or three visits a year to feed on, but neither forgot, and in the course of time, as the child learned to read and write, a correspondence began—very serious on her side, pleased and amused on his. When he went away to the war she was eleven—a slim, dark-eyed child; when he returned she was sixteen, and a woman, though he did not know it.
On this occasion, in the evening, when the rest of the family had gone to bed, he sat talking with Apakura's mother—or, rather, listening while the old woman told one of her stories of life on Ahu Ahu, equally fascinating and long drawn out. It is not difficult to reconstruct the scene in imagination—Tari comfortable in bare feet and a pareu, half reclining against the wall as he smoked his pipe in absent-minded puffs; the woman cross-legged on the floor, leaning forward in earnest speech—her voice rising, falling, and dying to a whisper in the extraordinary manner of the Polynesian teller of tales; her hands from time to time falling simultaneously with a loud slap to her knees, in emphasis of some point in the narrative. The story ended, little by little the mother led the conversation to the subject of her daughter. Tari began to praise the girl.
"What do you think of her," asked the old woman, "now that you have been away these five years?"
"There is no other girl like her," said Tari.
"Since that is so, take her with you; we shall be pleased, all of us—I in particular, who look on you as a son. She is a good girl; she can sew, she can cook, and the young men say that she is beautiful."
"You propose that I take her as a wife?" exclaimed the astonished Tari, to whom, in truth, the idea had not occurred.
"Yes. Why not? You need a wife, now that the little affair of Tukonini has blown over."
"But think, mamma—I am forty and the child is sixteen; it is not fitting."
"Young wives are best if they are faithful; Apakura will never look at another man."