The details of the result were horrible. The Albatross broke up two thousand metres from the ground, one wing falling within the French lines. Drew knew what it meant to be wounded and falling out of control. But his Spad held together. He had a chance for his life. Supposing the German to have been merely wounded—An airman's joy in victory is a short-lived one.

Nevertheless, a curious change takes place in his attitude toward his work, as the months pass. I can best describe it in terms of Drew's experience and my own. We came to the front feeling deeply sorry for ourselves, and for all airmen of whatever nationality, whose lives were to be snuffed out in their promising beginnings. I used to play “The Minstrel Boy to the War Has Gone” on a tin flute, and Drew wrote poetry. While we were waiting for our first machine, he composed “The Airman's Rendezvous,” written in the manner of Alan Seeger's poem.

“And I in the wide fields of air
Must keep with him my rendezvous.
It may be I shall meet him there
When clouds, like sheep, move slowly through
The pathless meadows of the sky
And their cool shadows go beneath,—
I have a rendezvous with Death
Some summer noon of white and blue.”

There is more of it, in the same manner, all of which he read me in a husky voice. I, too, was ready to weep at our untimely fate. The strange thing is that his prophecy came so very near being true. He had the first draft of the poem in his breast-pocket when wounded, and has kept the gory relic to remind him—not that he needs reminding—of the airy manner in which he canceled what ought to have been a bona-fide appointment.

I do not mean to reflect in any way upon Alan Seeger's beautiful poem. Who can doubt that it is a sincere, as well as a perfect, expression of a mood common to all young soldiers? Drew was just as sincere in writing his verses, and I put all the feeling I could into my tin-whistle interpretation of “The Minstrel Boy.” What I want to make clear is, that a soldier's moods of self-pity are fleeting ones, and if he lives, he outgrows them.

Imagination is an especial curse to an airman, particularly if it takes a gloomy or morbid turn. We used to write “To whom it may concern” letters before going out on patrol, in which we left directions for the notification of our relatives and the disposal of our personal effects in case of death. Then we would climb into our machines thinking, “This may be our last sortie. We may be dead in an hour, in half an hour, in twenty minutes.” We planned splendidly spectacular ways in which we were to be brought down, always omitting one, however, the most horrible as well as the most common,—in flames. Thank Fortune, we have outgrown this second and belated period of adolescence and can now take a healthy interest in our work.

Now, an inevitable part of the daily routine is to be shelled, persistently, methodically, and often accurately shelled. Our interest in this may, I suppose, be called healthy, inasmuch as it would be decidedly unhealthy to become indifferent to the activities of the German anti-aircraft gunners. It would be far-fetched to say that any airman ever looks forward zestfully to the business of being shot at with one hundred and fives; and seventy-fives, if they are well placed, are unpleasant enough. After one hundred hours of it, we have learned to assume that attitude of contemptuous toleration which is the manner common to all pilotes de chasse. We know that the chances of a direct hit are almost negligible, and that we have all the blue dome of the heavens in which to maneuver.

Furthermore, we have learned many little tricks by means of which we can keep the gunners guessing. By way of illustration, we are patrolling, let us say, at thirty-five hundred metres, crossing and recrossing the lines, following the patrol leader, who has his motor throttled down so that we may keep well in formation. The guns may be silent for the moment, but we know well enough what the gunners are doing. We know exactly where some of the batteries are, and the approximate location of all of them along the sector; and we know, from earlier experience, when we come within range of each individual battery. Presently one of them begins firing in bursts of four shells. If their first estimate of our range has been an accurate one, if they place them uncomfortably close, so that we can hear, all too well, above the roar of our motors, the rending Gr-r-rOW, Gr-r-rOW, of the shells as they explode, we sail calmly—to all outward appearances—on, maneuvering very little. The gunners, seeing that we are not disturbed, will alter their ranges, four times out of five, which is exactly what we want them to do.

The next bursts will be hundreds of metres below or above us, whereupon we show signs of great uneasiness, and the gunners, thinking they have our altitude, begin to fire like demons. We employ our well-earned immunity in preparing for the next series of batteries, or in thinking of the cost to Germany, at one hundred francs a shot, of all this futile shelling. Drew, in particular, loves this cost-accounting business, and I must admit that much pleasure may be had in it, after patrol. They rarely fire less than fifty shells at us during a two-hour patrol. Making a low general average, the number is nearer one hundred and fifty. On our present front, where aerial activity is fairly brisk and the sector is a large one, three or four hundred shells are wasted upon us often before we have been out an hour.

We have memories of all the good batteries from Flanders to the Vosges Mountains. Battery after battery, we make their acquaintance along the entire sector, wherever we go. Many of them, of course, are mobile, so that we never lose the sport of searching for them. Only a few days ago we located one of this kind which came into action in the open by the side of a road. First we saw the flashes and then the shell-bursts in the same cadence. We tipped up and fired at him in bursts of twenty to thirty rounds, which is the only way airmen have of passing the time of day with their friends, the enemy anti-aircraft gunners, who ignore the art of camouflage.