And Mona tried. In her heart, which was sometimes a woman's heart in a child's breast, she knew that Peter was grieving and fighting to hide his grief. The tragedy in her own life, and a sorrow which had been deeper and more pitiless than Peter's, made her understand and feel what even Adette in her young motherhood might not have sensed so clearly.

It seemed only yesterday to Mona that her mother had laughed and played with her under the big, white sails of the ship, with her father watching them, and only yesterday that the terrible thing had happened in the sea. No one, not even Pierre Gourdon, knew how vividly those hours and days came back to her at times. The forest and the wild things shared her secret, but no others. Over the two graves in the little cemetery at Five Fingers she had said quietly to Peter that morning, "My father and mother, Peter"—and that was all.

Something in her voice held Peter from asking for the story of that frightful hour in the maelstroms of the Pit, where Pierre Gourdon had saved her and her father and mother had died. But he felt it. It crept into him and became a part of him, and even Pierre Gourdon would have found it difficult to explain what was born in their hearts in those moments when Peter looked at the big stone into which had been roughly cut the words, "Paul and Mona Guyon, Died Sept. 27, 1900"—and then said gently to the girl who stood fighting bravely at his side, "I'm sorry, Mona." For to Pierre they were children.

But there was something in Peter's soul that was struggling beyond childhood as he returned to Simon's cabin. Three days, and this day most of all, had shown him his first dim vision of the bridge which spans the illusive way between boy and man. He had lost his father. But his father was not dead, while Mona's was gone forever. Out of the chaos in his mind these facts kept repeating themselves, and with them came ever more insistently the desire to do something for Mona. And one possible achievement loomed big—the whipping of Aleck Curry!

Thought of it made his blood tingle. He did not ask himself what it was that Aleck had done to incur Mona's displeasure. It was sufficient for him to know that she was praying for calamity to fall upon his head. She wanted the crows to pull his hair out. She had prayed for that last night—when she had prayed for his father. And she was sure that God answered prayer.

But it was his own feud with Aleck that fired both his chivalry and his hatred—memory of that moment in which the tug master's son had thrust Mona's head back brutally in the edge of the forest, with his big, coarse hands fastened in her hair. In his first encounter with Aleck he had saved Mona but had failed to avenge the outrage. He was sure he could do it now.

Simon took him among the men after dinner and he became acquainted with them all. They went back into the cuttings, and it was three o'clock before Peter found himself alone. Then, instead of going back to Mona, he circled in the edge of the timber until he came to the end of the finger of evergreens that reached almost to the inlet. His heart gave a jump when he saw Aleck on the tug shooting at the flying gulls with a slung-shot. Peter had made up his mind to challenge his enemy calmly and without excitement, as his father would undoubtedly have challenged a man in a similar situation. But his plan changed suddenly. He picked up a stone and hurled it with such accuracy that Aleck, seeing the missile, dodged. Then he jumped ashore.

Peter waited for him. He was not afraid, but his heart was beating fast. Aleck seemed to have grown considerably overnight, Peter thought. He was almost as big as Jame Clamart, and his face was red with an exultant passion as he advanced, stuffing the slung-shot into one of his pockets. There was no doubt this was just the opportunity Aleck was looking for, and Peter retreated with caution into the balsams and cedars.