Back to God's Country and Other Stories

by James Oliver Curwood

In a hole he had dug for himself in the drifted snow under a huge scarp of ice a hundred yards from the igloo cabin lay Wapi. His bed was red with the stain of blood, and a trail of blood led from the cabin to the place where he had hidden himself. Not many hours ago, when by God's sun it should have been day, he had turned at last on a teasing, snarling, back-biting little kiskanuk of a dog and had killed it. And Blake and Uppy had beaten him until he was almost dead.

It was not of the beating that Wapi was thinking as he lay in his wallow. He was thinking of the fur-clad figure that had come between Blake's club and his body, of the moment when for the first time in his life he had seen the face of a white woman. She had stopped Blake's club. He had heard her voice. She had bent over him, and she would have put her hand on him if his master had not dragged her back with a cry of warning. She had gone into the cabin then, and he had dragged himself away.

Since then a new and thrilling flame had burned in him. For a time his senses had been dazed by his punishment, but now every instinct in him was like a living wire. Slowly he pulled himself from his retreat and sat down on his haunches. His gray muzzle was pointed to the sky. The same stars were there, burning in cold, white points of flame as they had burned week after week in the maddening monotony of the long nights near the pole. They were like a million pitiless eyes, never blinking, always watching, things of life and fire, and yet dead. And at those eyes, the little white foxes yapped so incessantly that the sound of it drove men mad. They were yapping now. They were never still. And with their yapping came the droning, hissing monotone of the aurora, like the song of a vast piece of mechanism in the still farther north. Toward this Wapi turned his bruised and beaten head. Out there, just beyond the ghostly pale of vision, was the ship. Fifty times he had slunk out and around it, cautiously as the foxes themselves. He had caught its smells and its sounds; he had come near enough to hear the voices of men, and those voices were like the voice of Blake, his master. Therefore, he had never gone nearer.

There was a change in him now. His big pads fell noiselessly as he slunk back to the cabin and sniffed for a scent in the snow. He found it. It was the trail of the white woman. His blood tingled again, as it had tingled when her face bent over him and her hand reached out, and in his soul there rose up the ghost of Tao to whip him on. He followed the woman's footprints slowly, stopping now and then to listen, and each moment the spirit in him grew more insistent, and he whined up at the stars. At last he saw the ship, a wraithlike thing in its piled-up bed of ice, and he stopped. This was his dead-line. He had never gone nearer. But tonight—if any one period could be called night—he went on.

It was the hour of sleep, and there was no sound aboard. The foxes, never tiring of their infuriating sport, were yapping at the ship. They barked faster and louder when they caught the scent of Wapi, and as he approached, they drifted farther away. The scent of the woman's trail led up the wide bridge of ice, and Wapi followed this as he would have followed a road, until he found himself all at once on the deck of the Flying Moon. For a space he was startled. His long fangs bared themselves at the shadows cast by the stars. Then he saw ahead of him a narrow ribbon of yellow light. Toward this Wapi sniffed out, step by step, the footprints of the woman. When he stopped again, his muzzle was at the narrow crack through which came the glimmer of light.

It was the door of a deck-house veneered like an igloo with snow and ice to protect it from cold and wind. It was, perhaps, half an inch ajar, and through that aperture Wapi drank the warm, sweet perfume of the woman. With it he caught also the smell of a man. But in him the woman scent submerged all else. Overwhelmed by it, he stood trembling, not daring to move, every inch of him thrilled by a vast and mysterious yearning. He was no longer Wapi, the Walrus; Wapi, the Killer. Tao was there. And it may be that the spirit of Shan Tung was there. For after forty years the change had come, and Wapi, as he stood at the woman's door, was just dog,—a white man's dog—again the dog of the Vancouver kennel—the dog of a white man's world.

He thrust open the door with his nose. He slunk in, so silently that he was not heard. The cabin was lighted. In a bed lay a white-faced, hollow-cheeked man—awake. On a low stool at his side sat a woman. The light of the lamp hanging from above warmed with gold fires the thick and radiant mass of her hair. She was leaning over the sick man. One slim, white hand was stroking his face gently, and she was speaking to him in a voice so sweet and soft that it stirred like wonderful music in Wapi's warped and beaten soul. And then, with a great sigh, he flopped down, an abject slave, on the edge of her dress.

With a startled cry the woman turned. For a moment she stared at the great beast wide-eyed, then there came slowly into her face recognition and understanding. "Why, it's the dog Blake whipped so terribly," she gasped. "Peter, it's—it's Wapi!" For the first time Wapi felt the caress of a woman's hand, soft, gentle, pitying, and out of him there came a wimpering sound that was almost a sob.

"It's the dog—he whipped," she repeated, and, then, if Wapi could have understood, he would have noted the tense pallor of her lovely face and the look of a great fear that was away back in the staring blue depths of her eyes.

From his pillow Peter Keith had seen the look of fear and the paleness of her cheeks, but he was a long way from guessing the truth. Yet he thought he knew. For days—yes, for weeks—there had been that growing fear in her eyes. He had seen her mighty fight to hide it from him. And he thought he understood.