"And that is the reason for Jeanne's surprise?" he said. "She wishes to pave a way for me. I begin to understand!"

"It is true that you might not have received that welcome which you are certain to receive now from the master of Fort o' God," replied Pierre, frankly. "So we will go in quietly, and make no disturbance, while your way is being paved, as you call it."

He walked ahead, with Philip following so closely that he could have touched him. He made out more distinctly now the lines of the huge black edifice from which the lights shone. It was a massive structure of logs, two stories high, a half of it almost completely hidden in the impenetrable shadow of a great wall of rock. Philip's eyes traveled up this wall, and he was convinced that he stood under the rock upon whose towering crest he had seen the last reflection of the evening sun. About him there were no signs of life or of other habitation. Pierre moved swiftly. They passed under a small lighted window that was a foot above Philip's head, and turned around the corner of the building. Here all was blackness.

Pierre went straight to a door, and uttered at low word of satisfaction when he found that it was not barred. He opened it, and reached out a guiding hand to Philip's arm. Philip entered, and the door closed softly behind him. He felt the flow of warm air in his face, and his moccasined feet trod upon something soft and velvety. Faintly, as though coming from a great distance, he heard a voice singing. It was a woman's voice, but he knew that it was not Jeanne's.

In spite of himself his heart was beating excitedly. The mystery of Fort o' God was about him, warm and subtle, like a strange spirit, sending through him the thrill of anticipation, a hundred fancies, little fears. Pierre advanced, still guiding him; then he stopped, and chuckled softly in the darkness. The distant voice had stopped singing, and there came in place of it the loud barking of a dog, an unintelligible sound of a voice, and then quiet. Jeanne had sprung her surprise.

Pierre led the way to another room.

"This is to be your room, M'sieur," he explained. "Make yourself comfortable. I have no doubt that the master of Fort o' God will wish to see you very soon."

He struck a match as he spoke, and lighted a lamp. A moment more and he was gone.

Philip looked about him. He was in a room fully twenty feet square, furnished in a manner that drew from him an audible gasp of astonishment. At one end of the room was a massive mahogany bed, screened by heavy curtains which were looped back by silken cords. Near the bed was an old-fashioned mahogany dresser, with a diamond-shaped mirror, and in front of it a straight-backed chair adorned with the grotesque carving of an ancient and long-dead fashion. About him, everywhere, were the evidences of luxury and of age. The big lamp, which gave a brilliant light, was of hammered brass; the base of its square pedestal was partly hidden in the rumples of a heavy damask spread which covered the table on which it rested. The table itself was old, spindle-legged, glowing with the mellow luster endowed by many passing generations—a relic of the days when the originator of its fashion became the favorite of a capricious and beautiful queen. Soft rugs were upon the floor; from the walls, papered and hung with odd bits of tapestry, strange faces looked down upon Philip from out of heavy gilded frames; faces grim, pale, shadowed; men with plaited ruffles and curls; women with powdered hair, who gazed down upon him haughtily, as if they wondered at his intrusion.

One picture was turned with its face to the wall.