God's Country—And the Woman

by James Oliver Curwood

"I've got it!" he exclaimed. "I need a shave! We'll use the prune water."

From the rubber bag he fished out his razor, a nubbin of soap, and a towel. For fifteen minutes after that he sat cross-legged on the sand, with the mirror on a rock, and worked. When he had finished he inspected himself closely.

"You're not half bad," he concluded, and he spoke seriously now. "Four years ago when you started up here you were thirty—and you looked forty. Now you're thirty-four, and if it wasn't for the snow lines in your eyes I'd say you were a day or two younger. That's pretty good."

He had washed his face and was drying it with the towel when a sound made him look over beyond the rocks. It was the crackling sound made by a dead stick stepped upon, or a sapling broken down. Either meant the bear.

Dropping the towel, he unbuttoned the flap to the holster of his revolver, took a peep to see how long he could leave the water before it would boil, and stepped cautiously in the direction of the sound. A dozen paces beyond the bulwark of rocks he came upon a fairly well-worn moose trail; surveying its direction from the top of a boulder, he made up his mind that the bear was dining on mountain-ash berries where he saw one of the huge crimson splashes of the fruit a hundred yards away.

He went on quietly. Under the big ash tree there was no sign of a feast, recent or old. He proceeded, the trail turning almost at right angles from the ash tree, as if about to bury itself in the deeper forest. His exploratory instinct led him on for another hundred yards, when the trail swung once more to the left. He heard the swift trickling run of water among rocks, and again a sound. But his mind did not associate the sound which he heard this time with the one made by the bear. It was not the breaking of a stick or the snapping of brush. It was more a part of the musical water-sound itself, a strange key struck once to interrupt the monotone of a rushing stream.

Over a gray hog-back of limestone Philip climbed to look down into a little valley of smooth-washed boulders and age-crumbled rock through which the stream picked its way. He descended to the white margin of sand and turned sharply to the right, where a little pool had formed at the base of a huge rock. And there he stopped, his heart in his throat, every fibre in his body charged with a sudden electrical thrill at what he beheld. For a moment he was powerless to move. He stood—and stared.

At the edge of the pool twenty steps from him was kneeling a woman. Her back was toward him, and in that moment she was as motionless as the rock that towered over her. Along with the rippling drone of the stream, without reason on his part—without time for thought-there leaped through his amazed brain the words of Jasper, the factor, and he knew that he was looking upon the miracle that makes "God's Country"—a white woman!

The sun shone down upon her bare head. Over her slightly bent shoulders swept a glory of unbound hair that rippled to the sand. Black tresses, even velvety as the crow's wing, might have meant Cree or half-breed. But this at which he stared—all that he saw of her—was the brown and gold of the autumnal tintings that had painted pictures for him that day.

Slowly she raised her head, as if something had given her warning of a presence behind, and as she hesitated in that birdlike, listening poise a breath of wind from the little valley stirred her hair in a shimmering veil that caught a hundred fires of the sun. And then, as he crushed back his first impulse to cry out, to speak to her, she rose erect beside the pool, her back still to him, and hidden to the hips in her glorious hair.