They went on through the desolate gloom of afternoon, which in late winter is, above the sixtieth, all but night. Ahead of them there seemed to rise billow upon billow of snow-mountains, which dwarfed themselves into drifted dunes when they approached, and the heaven above them, and the horizon on all sides of them were shut out from their vision by a white mist which was intangible and without substance and yet which rose like a wall before their eyes. It was one chaos of white mingling with another chaos of white, a chaos of white earth smothered and torn by the Arctic wind under a chaos of white sky; and through it all, saplings that one might have twisted and broken over his knee were magnified into giants at a distance of half a hundred paces, and men and dog looked like huge specters moving with bowed heads through a world that was no longer a world of life, but of dead and silent things. And up out of this, after a time, rose DeBar's voice, chanting in tones filled with the savagery of the North, a wild song that was half breed and half French, which the forest men sing in their joy when coming very near to home.
They went on, hour after hour, until day gloom thickened into night, and night drifted upward to give place to gray dawn, plodding steadily north, resting now and then, fighting each mile of the way to the Red Porcupine against the stinging lashes of the Arctic wind. And through it all it was DeBar's voice that rose in encouragement to the dog limping behind him and to the man limping behind the dog—now in song, now in the wild shouting of the sledge-driver, his face thin and gaunt in its starved whiteness, but his eyes alive with a strange fire. And it was DeBar who lifted his mittened hands to the leaden chaos of sky when they came to the frozen streak that was the Red Porcupine, and said, in a voice through which there ran a strange thrill of something deep and mighty, “God in Heaven be praised, this is the end!”
He started into a trot now, and the dog trotted behind him, and behind the dog trotted Philip, wondering, as he had wondered a dozen times before that night, if DeBar were going mad. Five hundred yards down the stream DeBar stopped in his tracks, stared for a moment into the breaking gloom of the shore, and turned to Philip. He spoke in a voice low and trembling, as if overcome for the moment by some strong emotion.
“See—see there!” he whispered. “I've hit it, Philip Steele, and what does it mean? I've come over seventy miles of barren, through night an' storm, an' I've hit Pierre Thoreau's cabin as fair as a shot! Oh, man, man, I couldn't do it once in ten thousand times!” He gripped Philip's arm, and his voice rose in excited triumph. “I tell 'ee, it means that—that God—'r something—must be with me!”
“With us,” said Philip, staring hard.
“With me,” replied DeBar so fiercely that the other started involuntarily. “It's a miracle, an omen, and it means that I'm going to win!” His fingers gripped deeper, and he said more gently, “Phil, I've grown to like you, and if you believe in God as we believe in Him up here—if you believe He tells things in the stars, the winds and things like this, if you're afraid of death—take some grub and go back! I mean it, Phil, for if you stay, an' fight, there is going to be but one end. I will kill you!”
Chapter XII. The Fight—And A Strange Visitor
At DeBar's words the blood leaped swiftly through Philip's veins, and he laughed as he flung the outlaw's hand from his arm.
“I'm not afraid of death,” he cried angrily. “Don't take me for a child, William DeBar. How long since you found this God of yours?”