"DERRY—DERRY—"
He evaded her and pointed to the big chair in front of the fireplace. "Sit down, Mary Josephine."
She obeyed him. Her face was whiter than he had thought a living face could be, And then, from the beginning to the end, he told her everything. Mary Josephine made no sound, and in the big chair she seemed to crumple smaller and smaller as he confessed the great lie to her, from the hour Conniston and he had traded identities in the little cabin on the Barren. Until he died he knew she would haunt him as he saw her there for the last time—her dead-white face, her great eyes, her voiceless lips, her two little hands clutched at her breast as she listened to the story of the great lie and his love for her.
Even when he had done, she did not move or speak. He went into his room, closed the door, and turned on the lights. Quickly he put into his pack what he needed. And when he was ready, he wrote on a piece of paper:
"A thousand times I repeat, 'I love you.' Forgive me if you can. If you cannot forgive, you may tell McDowell, and the Law will find me up at the place of our dreams—the river's end.
—John Keith."
This last message he left on the table for Mary Josephine.
For a moment he listened at the door. Outside there was no movement, no sound. Quietly, then, he raised the window through which Kao had come into his room.
A moment later he stood under the light of the brilliant stars. Faintly there came to him the sounds of the city, the sound of life, of gayety, of laughter and of happiness, rising to him now from out of the valley.
He faced the north. Down the side of the hill and over the valley lay the forests. And through the starlight he strode back to them once more, back to their cloisters and their heritage, the heritage of the hunted and the outcast.