According to the original Act of Congress, the buildings then completed were dedicated on Columbus Day, October 21, 1892, with prayer, music, and an oration by Chauncey M. Depew, and during that week a number of State buildings were also dedicated. The exposition was formally opened with exceedingly brilliant ceremonies on May 1, 1893, and was closed with an entire lack of formality on October 30, following, in consequence of the assassination of Carter Harrison, mayor of Chicago, two days before. Up to November 12, the receipts from all sources aggregated $33,290,065, and the expenditures, $31,117,353. The total number of paid admissions, excluding those prior to the opening and after the closing, was 21,477,218, and of all, 27,529,400; smallest single-day number, 10,791; largest, on “Chicago Day,” 729,203. In all there were 65,422 exhibitors, and medals were awarded to 23,757 of them, the jury examining and reporting on more than 250,000 separate exhibits.
Present space will only permit the briefest summarizing of this greatest of all international expositions hitherto held,—matchless in extent, in completeness of composition, in grandeur of setting. A pleasing evidence of the influence the undertaking was expected to yield is found in the remarkably large number of international congresses that were held during its progress. This feature alone called for 1245 separate sessions, at which there were 5974 speakers and a special attendance of more than 700,000 persons, chiefly adults. Almost every conceivable branch of human thought and effort had its individual congress. Particularly noticeable among these formal gatherings was the Parliament of Religions, in which Christian, Protestant, Catholic, Jew, and Buddhist expounded their doctrinal beliefs and narrated the story of their sectarian progress and hopes.
The Cotton States’ and International Exposition, opened in Atlanta on September 18, 1895, had its origin in two purposes: the first, to give the industrial conditions of the Southern States a more adequate display than they had at Chicago, owing to the constitutional inability of their Legislatures to appropriate public money for such a purpose; the second, to promote larger trade relations between the South and the Latin-American republics and with Europe. It was set on foot by private enterprise, and received its largest official aid from the city council of Atlanta, which appropriated $75,000.
Piedmont Park, a tract of 189 acres, two miles from the centre of the city, and memorable because traversed by the rifle-pits over which General Sherman threw shells into the city thirty-one years before, was selected as the site. In a natural dip of the ground an artificial lake was constructed, covering thirteen acres, and around it the principal buildings were erected. Not only the Southern, but many of the Northern and Western States aided the enterprise with special buildings and exhibits.
Of the thirteen large buildings, that of the United States Government occupied the most conspicuous site. The Administration Building was a reproduction of portions of Blarney Castle, the Tower of London, Warwick Castle, the Rheinstein in Germany, and St. Michael’s, on the coast of Brittany. On a considerable elevation was the Auditorium, a four-story building with a dome surmounted by a statue of Music. The largest building was that devoted to Manufactures and Liberal Arts, and the most original of all in design was the one set apart for Minerals and Forestry, which was constructed entirely of wood from the different Southern States in its natural condition, with the bark on. The Fine Arts and the Woman’s Buildings were the showiest, and the Negro Building was made attractive by specimens of the industry of negroes in fourteen States. The exposition was closed December 31, and cost about $2,000,000.
The international exposition at Nashville, open from May 1 to October 30, 1897, was a commemoration of the one-hundredth anniversary of the admission of Tennessee into the Union, and had for its special attraction a reproduction of a number of notable buildings of antiquity. The original plan provided for an exposition in 1896, the true centennial year, but the projectors encountered unusual opposition in their efforts to procure the necessary funds, and it was not till early in 1897 that the incorporators were able to begin the creation of the Centennial City.
GRAND COURT, OMAHA EXHIBITION, 1898.
(Night view.)
West Side Park, a former race-course in the suburbs of Nashville, with many natural attractions in running water and forest growths, was selected as the site, and Centennial City was made for the brief time of the exposition a full-fledged municipality, with a mayor, board of aldermen, and a combined police and fire department. The reproduction of notable buildings showed on a reduced scale the Parthenon, the Pyramid of Cheops, the Alamo of Texas, the Blue Grotto of Capri, a glimpse of the Rialto of Venice, and, in the beautiful main entrance, a type of early Egyptian architecture. A flagstaff 250 feet high, cotton and tobacco fields, Venetian gondolas, Vanity Fair, a typical Chinese farm, an abundance of statues of classical and mythological subjects, waterfall and old-time wheel at work, Lake Katherine, Ellen Island, the umbrella fountain, and a large field for athletic sports, were among the pleasurable features. The State made a strong showing of its industrial development and of its riches yet in reserve.