The reader may learn from Astor's career how money is accumulated. Whether he can learn from it how money ought to be employed when it is obtained, he must judge for himself. In founding the Astor Library, John Jacob Astor did at least one magnificent deed, for which thousands unborn will honor his memory. That single act would atone for many errors.
In the hall of the Astor Library, on the sides of two of the pillars supporting its lofty roof of glass, are two little shelves, each holding a single work, never taken down and seldom perused, but nevertheless well worthy the attention of those who are curious in the subject of which they treat, namely, the human face divine. They are two marble busts, facing each other; one of the founder of the Library, the other of its first President, Washington Irving. A finer study in physiognomy than these two busts present can nowhere be found; for never were two men more unlike than Astor and Irving, and never were character and personal history more legibly recorded than in these portraits in marble. The countenance of the author is round, full, and handsome, the hair inclining to curl, and the chin to double. It is the face of a happy and genial man, formed to shine at the fireside and to beam from the head of a table. It is an open, candid, liberal, hospitable countenance, indicating far more power to please than to compel, but displaying in the position and carriage of the head much of that dignity which we are accustomed to call Roman. The face of the millionaire, on the contrary, is all strength; every line in it tells of concentration and power. The hair is straight and long; the forehead neither lofty nor ample, but powerfully developed in the perceptive and executive organs; the eyes deeper set in the head than those of Daniel Webster, and overhung with immense bushy eyebrows; the nose large, long, and strongly arched, the veritable nose of a man-compeller; the mouth, chin, and jaws all denoting firmness and force; the chest, that seat and throne of physical power, is broad and deep, and the back of the neck has something of the muscular fulness which we observe in the prize-fighter and the bull; the head behind the ears showing enough of propelling power, but almost totally wanting in the passional propensities which waste the force of the faculties, and divert the man from his principal object. As the spectator stands midway between the two busts, at some distance from both, Irving has the larger and the kinglier air, and the face of Astor seems small and set. It is only when you get close to the bust of Astor, observing the strength of each feature and its perfect proportion to the rest,—force everywhere, superfluity nowhere,—that you recognize the monarch of the counting-room; the brain which nothing could confuse or disconcert; the purpose that nothing could divert or defeat; the man who could with ease and pleasure grasp and control the multitudinous concerns of a business that embraced the habited and unhabited globe,—that employed ships in every sea, and men in every clime, and brought in to the coffers of the merchant the revenue of a king. That speechless bust tells us how it was that this man, from suffering in his father's poverty-stricken house the habitual pang of hunger, arrived at the greatest fortune, perhaps, ever accumulated in a single lifetime; you perceive that whatever thing this strong and compact man set himself to do, he would be certain to achieve unless stopped by something as powerful as a law of nature.
The monument of these two gifted men is the airy and graceful interior of which their busts are the only ornament. Astor founded the Library, but it was probably his regard for Irving that induced him to appropriate part of his wealth for a purpose not in harmony with his own humor. Irving is known to us all, as only wits and poets are ever known. But of the singular being who possessed so remarkable a genius for accumulation, of which this Library is one of the results, little has been imparted to the public, and of that little the greater part is fabulous.
A hundred years ago, in the poor little village of Waldorf, in the duchy of Baden, lived a jovial, good-for-nothing butcher, named Jacob Astor, who felt himself much more at home in the beer-house than at the fireside of his own house in the principal street of the village. At the best, the butcher of Waldorf must have been a poor man; for, at that day, the inhabitants of a German village enjoyed the luxury of fresh meat only on great days, such as those of confirmation, baptism, weddings, and Christmas.
The village itself was remote and insignificant, and though situated in the valley of the Rhine, the native home of the vine, a region of proverbial fertility, the immediate vicinity of Waldorf was not a rich or very populous country. The home of Jacob Astor, therefore, seldom knew any medium between excessive abundance and extreme scarcity, and he was not the man to make the superfluity of to-day provide for the need of to-morrow; which was the more unfortunate as the periods of abundance were few and far between, and the times of scarcity extended over the greater part of the year. It was the custom then in Germany for every farmer to provide a fatted pig, calf, or bullock, against the time of harvest; and as that joyful season approached, the village butcher went the round of the neighborhood, stopping a day or two at each house to kill the animals and convert their flesh into bacon, sausages, or salt beef. During this happy time, Jacob Astor, a merry dog, always welcome where pleasure and hilarity were going forward, had enough to drink, and his family had enough to eat. But the merry time lasted only six weeks. Then set in the season of scarcity, which was only relieved when there was a festival of the church, a wedding, a christening, or a birthday in some family of the village rich enough to provide an animal for Jacob's knife. The wife of this idle and improvident butcher was such a wife as such men usually contrive to pick up,—industrious, saving, and capable; the mainstay of his house. Often she remonstrated with her wasteful and beer-loving husband; the domestic sky was often overcast, and the children were glad to fly from the noise and dust of the tempest.
This roistering village butcher and his worthy, much-enduring wife were the parents of our millionaire. They had four sons: George Peter Astor, born in 1752; Henry Astor, born in 1754; John Melchior Astor, born in 1759; and John Jacob Astor, born July 17, 1763. Each of these sons made haste to fly from the privations and contentions of their home as soon as they were old enough; and, what is more remarkable, each of them had a cast of character precisely the opposite of their thriftless father. They were all saving, industrious, temperate, and enterprising, and all of them became prosperous men at an early period of their career. They were all duly instructed in their father's trade; each in turn carried about the streets of Waldorf the basket of meat, and accompanied the father in his harvest slaughtering tours. Jovial Jacob, we are told, gloried in being a butcher, but three of his sons, much to his disgust, manifested a repugnance to it, which was one of the causes of their flight from the parental nest. The eldest, who was the first to go, made his way to London, where an uncle was established in business as a maker of musical instruments. Astor and Broadwood was the name of the firm, a house that still exists under the title of Broadwood and Co., one of the most noted makers of pianos in England. In his uncle's manufactory George Astor served an apprenticeship, and became at length a partner in the firm. Henry Astor went next. He alone of his father's sons took to his father's trade. It used to be thrown in his teeth, when he was a thriving butcher in the city of New York, that he had come over to America as a private in the Hessian army. This may only have been the groundless taunt of an envious rival. It is certain, however, that he was a butcher in New York when it was a British post during the revolutionary war, and, remaining after the evacuation, made a large fortune in his business. The third son, John Melchior Astor, found employment in Germany, and arrived, at length, at the profitable post of steward to a nobleman's estate.
Abandoned thus by his three brothers, John Jacob Astor had to endure for some years a most cheerless and miserable lot. He lost his mother, too, from whom he had derived all that was good in his character and most of the happiness of his childhood. A step-mother replaced her, "who loved not Jacob," nor John Jacob. The father, still devoted to pleasure, quarrelled so bitterly with his new wife, that his son was often glad to escape to the house of a schoolfellow (living in 1854), where he would pass the night in a garret or outhouse, thankfully accepting for his supper a crust of dry bread, and returning the next morning to assist in the slaughter-house or carry out the meat. It was not often that he had enough to eat; his clothes were of the poorest description; and, as to money, he absolutely had none of it. The unhappiness of his home and the misconduct of his father made him ashamed to join in the sports of the village boys; and he passed much of his leisure alone, brooding over the unhappiness of his lot. The family increased, but not its income. It is recorded of him that he tended his little sisters with care and fondness, and sought in all ways to lessen the dislike and ill-humor of his step-mother.
It is not hardship, however, that enervates a lad. It is indulgence and luxury that do that. He grew a stout, healthy, tough, and patient boy, diligent and skilful in the discharge of his duty, often supplying the place of his father absent in merry-making. If, in later life, he overvalued money, it should not be forgotten that few men have had a harder experience of the want of money at the age when character is forming.
The bitterest lot has its alleviations. Sometimes a letter would reach him from over the sea, telling of the good fortune of a brother in a distant land. In his old age he used to boast that in his boyhood he walked forty-five miles in one day for the sole purpose of getting a letter that had arrived from England or America. The Astors have always been noted for the strength of their family affection. Our millionaire forgot much that he ought to have remembered, but he was not remiss in fulfilling the obligations of kindred.
It appears, too, that he was fortunate in having a better schoolmaster than could generally be found at that day in a village school of Germany. Valentine Jeune was his name, a French Protestant, whose parents had fled from their country during the reign of Louis XIV. He was an active and sympathetic teacher, and bestowed unusual pains upon the boy, partly because he pitied his unhappy situation, and partly because of his aptitude to learn. Nevertheless, the school routine of those days was extremely limited. To read and write, to cipher as far as the Rule of Three, to learn the Catechism by heart, and to sing the Church Hymns "so that the windows should rattle,"—these were the sole accomplishments of even the best pupils of Valentine Jeune. Baden was then under the rule of a Catholic family. It was a saying in Waldorf that no man could be appointed a swineherd who was not a Catholic, and that if a mayoralty were vacant the swineherd must have the place if there were no other Catholic in the town. Hence it was that the line which separated the Protestant minority from the Catholic majority was sharply defined, and the Protestant children were the more thoroughly indoctrinated. Rev. John Philip Steiner, the Protestant pastor of Waldorf, a learned and faithful minister, was as punctilious in requiring from the children the thorough learning of the Catechism as a German sergeant was in exacting all the niceties of the parade. Young Astor became, therefore, a very decided Protestant; he lived and died a member of the Church in which he was born.