SOME GREAT CHURCHES AND CATHEDRALS.
EARLY BASILICA CHURCH ARCHITECTURE.
The basilicas of Pagan Rome were long rectangular buildings, divided along their whole length sometimes by two, not seldom by four, lines of columns, and serving as halls or courts of justice. The Christians of the fourth and fifth centuries often obtained from favouring emperors leave to turn these basilicas into churches. It was thought that this gave a pattern to early churches. The roof was gradually raised proportionately and the arms thrown out wider to accommodate an increased congregation, thereby assuming a cruciform outline. St. Peter’s at Rome, before Michael Angelo’s design, was a basilica, also St. Paul’s without the walls, and the church of Maria Maggiore: these and the church of St. Apollinaris at Ravenna were the grandest of this class of churches. Justinian, the Emperor, reared many basilicas, and his masterpiece was St. Sophia’s church at Constantinople, which was imitated in the church of St. Vitalis at Ravenna. The period is uncertain when the central dome or cupola came to be added. In the eleventh century a new era of church-building began, called the Romanesque, and lasted about two centuries in Italy and Norman England. Then came the Gothic, though the Goths had nothing to do with the invention: the pointed arch is the characteristic, and it was first noticed in Sicily, and then spread rapidly in Germany, Northern France, and England. In Italy the Renaissance was equally making its way, with its rich marbles, mosaics, and gold and silver decorations.
EARLY CHRISTIAN ARCHITECTURE.
Lord Lindsay, in his “Christian Art,” says that the buildings required for the religious ceremonies of the Church in the fourth century were of three descriptions: (1) baptisteries for the performance of the initiatory rite of Christianity; (2) churches for the united worship of the initiated and the celebration of the mystery of the Lord’s Supper; (3) sepulchral chapels for the commemorative prayers offered up for the welfare of the departed who sleep in Christ. For the first of these, the public baths; for the second, the basilicas or courts of justice; for the third, the subterranean cells of the Catacombs, presented ready models. The basilicas were models of everything that could be desired. Their plan was an oblong area, divided by pillars into a nave and two aisles, the nave being sometimes open to the sky, sometimes roofed in, the aisles always so protected, the whole bounded by a transverse aisle or transept, raised by several steps and terminating at the extremity opposite the door of the building in a semicircular niche or tribune where the judge sat. Nothing could be easier than to accommodate an edifice like this to the demands of Christian worship. Two basilicas, the Laterana and Vaticana at Rome, were actually converted by Constantine into churches. The basilica retained its form unchanged for ages.
THE COPTIC CHURCH.
The name of Coptic Church is given to the Church among the descendants of the ancient Egyptians, so called from Coptos, a city in Upper Egypt. This Church traces its origin to St. Mark, and had Origen, St. Antony, St. Athanasius, St. Cyril, and others as its early champions. The Coptic Church was almost identified with other Churches up to the council of Chalcedon in 451, from which date it was viewed as an unorthodox Church. One Timothy the Cat was the leader of the heretics, and he got this name from visiting the cells of the monks by night, and proclaiming himself an angel from heaven, and charging them to forsake the people whom he viewed as heretics, but whom we would call orthodox. The Timotheans murdered the arch-priest of the opposite party. Two rival sets of patriarchs headed these factions. The Copt who enters his church takes off his shoes, walks up to the curtain, kisses the hem, and prostrates himself before the sanctuary. Standing during the service is usual; hence all are supplied with crutches of a height to enable the worshippers to lean upon them. There are no organs, but musical accompaniments are made by cymbals, triangles, and small brass bells struck with a little rod. There are no images permitted, but paintings adorn the walls on every side, the principal of which is one of Christ blessing His Church.
SPIRES AND TOWERS OF CATHEDRALS AND CHURCHES.
The spire has for centuries been a frequent ornament of churches in all countries, though in England there were few spires in the earliest churches. The highest spires have been as follows: Old St. Paul’s, 527 feet; Cologne, 510 feet; Strasburg, 500 feet; Vienna, 441 feet; St. Peter’s dome, 434 feet; Amiens, 422 feet; Antwerp, 406 feet; Salisbury, 404 feet; Florence, 387 feet; Freiburg, 385 feet; Milan, 355 feet; Chartres, 353 feet; Segovia, 330 feet; St. Michael’s, Coventry, 320 feet; Norwich, 309 feet; Louth, 294 feet; Chichester, 271 feet; Glasgow, 225 feet; St. Patrick’s, Dublin, 223 feet. The towers of churches were also rare until the eleventh century. Owing to a faulty foundation or subsidence, some towers lean considerably out of the perpendicular, as St. Marian at Este, Pisa, and Bologna, Vienna, Delft, Saragossa, Weston (Lincolnshire), The Temple (Bristol), Wynunbury (Cheshire), and Surfleet. Galileo took advantage of the leaning tower at Pisa to make experiments on falling bodies. The following is the height of the highest towers: Bruges, 442 feet; Mechlin, 348 feet; Utrecht, 321 feet; Tournay, 320 feet; Ludlow, 294 feet; Grantham, 274 feet; Boston, 268 feet; Lincoln, 262 feet; Canterbury, 229 feet; Gloucester and Westminster, 225 feet; Durham, 216 feet; York, 198 feet.