order to produce decency in this Theatre to-night, and from my duty to the publick, I humbly hope it will be found to be a necessary one. I am sensible, that, by a certain set of people, this address to you will be deemed a very saucy step; and that their wishes and endeavours will be, that it may be attended with a very serious and fatal animadversion; but I hope and trust, that it will excite a very different effect in the minds of the candid and the just, when they shall have heard my motive for this proceeding; which, with your indulgence and protection, I will humbly lay before you."

This period was the touch-stone of opinion; the majority of the audience requested Macklin to proceed: one person exclaimed "No," but was silenced. The actor proceeded:

"Through the course of my theatrical life, I have constantly thought it the duty of an actor, and his best policy, to regulate his conduct in such a manner as to merit the credit and esteem of those who know him; so as to be able by moral justness to defy, and to be proof against all insinuations, aspersions, or open attacks upon his private character. This has been my constant doctrine; this my constant policy; and as a proof of my practice being conformable to these principles, I here appeal, not to hearsay, credulity, or party, but to all who know me: and I call upon every individual of the publick in this great

metropolis to produce, if they can, a single instance to the contrary."

A person observed at this instant, "That is a bold challenge, Mr. Macklin;" to which he replied, "Sir, I will abide by it; and I repeat it; I say a single instance ."

"From the first of my appearing upon the Stage, I have met with the indulgence, protection, and encouragement of a benevolent publick, until I attempted to act the part of Macbeth last Saturday: in that attempt I have not the least reason to complain of that awful and impartial tribunal, which, from my observation, and the experience of the oldest actors I have known, never yet condemned piece or actor that had merit: but the usage I have met with from news-writers is without example in the history of the Stage. I have here in my hand folios of paragraphs, epigrams, intelligences, and what are called criticisms, upon me : some even before I appeared in the character; such as do no great honour to the press, or to the genius, candour, or erudition, of the gentlemen who produced them. I will not give a name or a quality to these productions; the present publick and posterity, should they meet with them, will do it for me."

A voice from the gallery demanded an explanation, why he felt indignant at what had passed on the Saturday alluded to. Macklin affected to

be at a loss what the gentleman meant: an altercation then ensued between Mr. Sparks, the person who spoke, and another, which ended in a challenge to walk out, or to take the unknown's address. Quiet again took place.

"These criticks or partisans, not satisfied with their newspaper attacks upon my powers as a man and an actor, assembled in the gallery last Saturday night; and in two or three parties dispersed about the gallery, did by groans, laughs, hissing, and loud invectives, attack me in a violent manner. These parties were headed by two gentlemen, whom for the sake of truth and justice, with your permission, I will name.—The one was Mr. Reddish, a player belonging to Drury-lane Theatre; the other, one Mr. Sparks, a son of the late Luke Sparks, of worthy memory, an actor belonging to Covent-garden Theatre. This charge, I own, is a heavy one against Mr. Reddish in particular; as he is himself an actor: it is likewise heavy on Mr. Sparks, who intends to be one. Mr. Garrick, in his own defence, I am told, enquired into this matter in a formal manner behind the scenes; and upon the evidence produced by Mr. Reddish and Mr. Sparks, I am informed that Mr. Garrick did acquit Mr. Reddish of the charge; but I here pledge myself to give a positive proof of the fact of Mr. Reddish's hissing, which shall be supported by all the circumstances of probability and truth. I am afraid

I have taken up too much of your time; yet, with your permission, I have a few words more to offer on this disagreeable subject.