The whirl of the bat may be accelerated by wrist, fore-arm, and shoulder: let each joint bear its proper part.

Nuts for strong teeth.—All effective hits must be made with both hands and arms; and, in order that both arms may apply their force, the point at which the ball is struck should be opposite the middle of the body.

Take a bat in your hand, poise the body as for a half-volley hit forward, the line from shoulder to shoulder being parallel with the line of the ball. Now whirl the bat in the line of the ball, and you will find that it reaches that part of its circle where it is perpendicular to the ground,—midway between the shoulders; at that moment the bat attains its greatest velocity; so, then alone can the strongest hit be made. Moreover, a hit made at this moment will drive the ball parallel to and skimming the ground. And if, in such a hit, the lower six inches of the bat’s face strike the ball, the hit is properly called a “clean hit,” being free from all imperfections. The same may be said of a horizontal hit, or cut. The bat should meet the ball when opposite the body. I do not say that every hit should be made in this manner; I only say that a perfect hit can be made in no other, and that it should be the aim of the batsman to attain this position of the body as often as he can. Nor is this mere speculation on the scientific principle of batting; it arises from actual observation of the movements of the best batsmen. All good hitters make their hits just at the moment when the ball is opposite the middle of their body. Watch any fine Off-hitter. If he hits to Mid-wicket, his breast is turned to Mid-wicket; if he hits, I mean designedly, to Point, his breast is turned to Point. I do not say that his hits would always go to those parts of the field; because the speed and spin of the ball will always, to a greater or less degree, prevent its going in the precise direction of the hit; but I only say that the ball is always hit by the best batsmen when just opposite to them. Cutting forms no exception: the best cutters turn the body round on the basis of the feet till the breast fronts the ball,—having let the ball go almost as far as the bails,—and then the full power of the hitter is brought to bear with the least possible diminution of the original speed of the ball. This is the meaning of the observation,—that fine cutters appear to follow the ball, and at the latest moment cut the ball off the bails; for, if you do not follow the ball, by turning your breast to it at the moment you hit, you can have no power for a fine cut. It makes good “Chamber practice” to suspend a ball oscillating by a string: you will thus see wherein lies that peculiar power of cutting, which characterises Mr. Bradshaw, Mr. Felix, and Mr. C. Taylor; as of old, Searle, Saunders, and Robinson. Robinson cut so late that the ball often appeared past the wicket.

And these hints will suffice to awaken attention to the powers of the bat. Clean hitting is a thing to be carefully studied; the player who has never discovered his deficiency in it, had better examine and see whether there is not a secret he has yet to learn.

The Tice. Safest to block: apt to be missed, because a dropping ball; hard to get away, because on the ground. Drop the bat smartly on the ground, and it will make a run, but do not try too much of a hit. The Tice is almost a full pitch; the way to hit it, says Caldecourt, is to go in and make it a full pitch: I cannot advise this for beginners. Going in even to a Tice puts you out of form for the next ball, and creates a dangerous habit.

Ground balls, and all balls that touch the ground more than once between wickets, I have already hinted, are reckoned very easy, but they are always liable to prove very dangerous. Sometimes you have three hops, and the last like a good length ball: at each hop the ball may twist On or Off with the inequalities of the ground; also, if bowled with the least bias, there is much scope for that bias to produce effect. All these peculiarities account for a fact, strange but true, that the best batsmen are often out with the worst bowling. Bad bowling requires a game of its own, and a game of the greatest care, where too commonly we find the least; because “only underhand bowling,”—and “not by any means good lengths;” it requires, especially, playing at the ball itself, even to the last inch, and not by calculation of the pitch or rise.

Let me further remark that hitting, to be either free, quick, or clean, must be done by the arms and wrists, and not by the body; though the weight of the body appears to be thrown in by putting down the left leg; though, in reality, the leg comes down after the hit to restore the balance.

Can a man throw his body into a blow (at cricket)? About as much as he can hold up a horse with a bridle while sitting on the same horse’s back. Both are common expressions; both are at variance with the laws of nature. A man can only hit by whirling his bat in a circle. If he stands with both feet near together, he hits feebly because in a smaller circle; if he throws his left foot forward, he hits harder because in a wider circle. A pugilist cannot throw in his body with a round hit; and a cricketer cannot make anything else but round hits. Take it as a rule in hitting, that what is not elegant is not right; for the human frame is rarely inelegant in its movements when all the muscles act in their natural direction. Many men play with their shoulders up to their ears, and their sinews all in knots, and because they are conscious of desperate exertion, they forget that their force is going anywhere rather than into the ball. It is often remarked that hard hitting does not depend on strength. No. It depends not on the strength a man has, but on the strength he exerts, at the right time and in the right direction; and strength is exerted in hitting, as in throwing a ball, in exact proportion to the rapidity of the whirl or circle which the bat or hand describes. The point of the bat moves faster in the circle than any other part; and, therefore, did not the jar, resulting from the want of resistance, place the point of hitting, as experience shows, a little higher up, the nearer the end the harder would be the hit. The wrist, however slight its force, acting with a multiplying power, adds greatly to the speed of this whirl.

Hard hitting, then, depends, first, on the freedom with which the arm revolves from the shoulder, unimpeded by constrained efforts and contortions of the body; next, on the play of the arm at the elbow; thirdly, on the wrists. Observe any cramped clumsy hitter, and you will recognise these truths at once. His elbow seems glued to his side, his shoulder stiff at the joint, and the little speed of his bat depends on a twist and a wriggle of his whole body.

Keep your body as composed and easy as the requisite adjustment of the left leg will admit; let your arms do the hitting; and remember the wrists. The whiz that meets the ear will be a criterion of increasing power. Practise hard hitting,—that is, the full and timely application of your strength, not only for the value of the extra score, but because hard hitting and correct and clean hitting are one and the same thing. Mere stopping balls and poking about in the blockhole is not cricket, however successful; and I must admit, that one of the most awkward, poking, vexatious blockers that ever produced a counterfeit of cricket, defied Bayley and Cobbett at Oxford in 1836,—three hours, and made five and thirty runs. Another friend, a better player, addicted to the same teasing game, in a match at Exeter in 1845, blocked away till his party, the N. Devon, won the match, chiefly by byes and wide balls! Such men might have turned their powers to much better account.