The country below has changed into a flat surface of varicoloured figures. Woods are irregular blocks of dark green, like daubs of ink spilled on a table; fields are geometrical designs of different shades of green and brown, forming in composite an ultra-cubist painting; roads are thin white lines, each with its distinctive windings and crossings--from which you determine your location. The higher you are the easier it is to read.
In about ten minutes you see the Meuse sparkling in the morning light, and on either side the long line of sausage-shaped observation balloons far below you. Red-roofed Verdun springs into view just beyond. There are spots in it where no red shows and you know what has happened there. In the green pasture land bordering the town, round flecks of brown indicate the shell holes. You cross the Meuse.
VERDUN, SEEN FROM THE SKY
Immediately east and north of Verdun there lies a broad, brown band. From the Woevre plain it runs westward to the "S" bend in the Meuse, and on the left bank of that famous stream continues on into the Argonne Forest. Peaceful fields and farms and villages adorned that landscape a few months ago--when there was no Battle of Verdun. Now there is only that sinister brown belt, a strip of murdered Nature. It seems to belong to another world. Every sign of humanity has been swept away. The woods and roads have vanished like chalk wiped from a blackboard; of the villages nothing remains but gray smears where stone walls have tumbled together. The great forts of Douaumont and Vaux are outlined faintly, like the tracings of a finger in wet sand. One cannot distinguish any one shell crater, as one can on the pockmarked fields on either side. On the brown band the indentations are so closely interlocked that they blend into a confused mass of troubled earth. Of the trenches only broken, half-obliterated links are visible.
Columns of muddy smoke spurt up continually as high explosives tear deeper into this ulcered area. During heavy bombardment and attacks I have seen shells falling like rain. The countless towers of smoke remind one of Gustave Doré's picture of the fiery tombs of the arch-heretics in Dante's "Hell." A smoky pall covers the sector under fire, rising so high that at a height of 1,000 feet one is enveloped in its mist-like fumes. Now and then monster projectiles hurtling through the air close by leave one's plane rocking violently in their wake. Airplanes have been cut in two by them.
THE ROAR OF BATTLE--UNHEARD
For us the battle passes in silence, the noise of one's motor deadening all other sounds. In the green patches behind the brown belt myriads of tiny flashes tell where the guns are hidden; and those flashes, and the smoke of bursting shells, are all we see of the fighting. It is a weird combination of stillness and havoc, the Verdun conflict viewed from the sky.
Far below us, the observation and range-finding planes circle over the trenches like gliding gulls. At a feeble altitude they follow the attacking infantrymen and flash back wireless reports of the engagement. Only through them can communication be maintained when, under the barrier fire, wires from the front lines are cut. Sometimes it falls to our lot to guard these machines from Germans eager to swoop down on their backs. Sailing about high above a busy flock of them makes one feel like an old mother hen protecting her chicks.
"NAVIGATING" IN A SEA OF CLOUDS
The pilot of an avion de chasse must not concern himself with the ground, which to him is useful only for learning his whereabouts. The earth is all-important to the men in the observation, artillery-regulating, and bombardment machines, but the fighting aviator has an entirely different sphere. His domain is the blue heavens, the glistening rolls of clouds below the fleecy banks towering above, the vague aërial horizon, and he must watch it as carefully as a navigator watches the storm-tossed sea.