Let the far and the near all unite with a cheer
In defence of our Liberty-Tree.
YANKEE DOODLE:—THE AIR AND WORDS.
There are so many versions of the origin of this popular and now national air, as well as the words, that we offer the following to our readers without note or comment.
In Burgh’s Anecdotes of Music, vol. iii. p. 405, after speaking of Dr. Arne and John Frederick Lampe, the author proceeds:—“Besides Lampe and Arne, there were at this time [1731] other candidates for musical fame of the same description. Among these were Mr. John Christian Smith, who set two English operas for Lincoln’s Inn Fields,—Teraminta and Ulysses,—and Dr. Tresh, author of the oratorio of Judith.”
About the year 1797, after having become a tolerable proficient on the German flute, I took it into my head to learn the bassoon, and for this purpose procured an instrument and book of instructions from the late Mr. Joseph Carr, who had then recently opened a music-store in Baltimore City, being the first regular establishment of the kind in this country. In this book there was an “Air from Ulysses,” which was the identical air now called Yankee Doodle, with the exception of a few notes which time and fancy may have added.
Here is another version:—
In the simultaneous attacks that were made upon the French posts in America in 1755, that against Fort Du Quesne (the present site of Pittsburg) was conducted by General Braddock, and those against Niagara and Frontenac by Governor Shirley, of Massachusetts, and General Johnston, of New York. The following is an extract from Judge Martin’s History of North Carolina, giving an account of those expeditions:—
“The army of the latter (Shirley and Johnston), during the summer, lay on the eastern bank of the Hudson, a little south of the city of Albany. In the early part of June the troops of the Eastern provinces began to pour in, company after company; and such a motley assemblage of men never before thronged together on such an occasion, unless an example may be found in the ragged regiment of Sir John Falstaff. It would have relaxed the gravity of an anchorite to have seen the descendants of the Puritans, marching through the streets of that ancient city (Albany), take their situations on the left of the British army,—some with long coats, and others with no coats at all, with colors as various as the rainbow,—some with their hair cropped like the army of Cromwell, and others with wigs, the locks of which floated with grace around their shoulders. Their march, their accoutrements, and the whole arrangement of the troops, furnished matter of amusement to the rest of the British army. The music played the airs of two centuries ago; and the tout ensemble, upon the whole, exhibited a sight to the wondering strangers, to which they had been unaccustomed. Among the club of wits that belonged to the British army there was a Doctor Shackburg, attached to the staff, who combined with the science of surgeon the skill and talents of a musician. To please the new-comers, he composed a tune, and with much gravity recommended it to the officers as one of the most celebrated airs of martial music. The joke took, to the no small amusement of the British. Brother Jonathan exclaimed it was nation fine, and in a few days nothing was heard in the provincial camp but the air of Yankee Doodle. Little did the author in his composition then suppose that an air made for the purpose of levity and ridicule should ever be marked for such high destinies. In twenty years from that time the national march inspired the heroes of Bunker Hill, and in less than thirty years Lord Cornwallis and his army marched into the American lines to the tune of Yankee Doodle.”