And blown with restless violence round about
The pendent world; or to be worse than worst
Of those that lawless and incertain thoughts
Imagine howling!—'tis too horrible!
The weariest and most loathed worldly life
That age, ache, penury, and imprisonment
Can lay on nature is a paradise
To what we fear of death."
There is no more to be said in that particular line of reflection; the speech is flawless in its gruesome power, and every piercing word seems to leap from a shuddering soul. The other utterance which is fit to be matched with Shakspere's was written by Charles Lamb. "Whatsoever thwarts or puts me out of my way brings death into my mind. All partial evils, like humours, run into that capital plague-sore. I have heard some profess an indifference to life. Such hail the end of their existence as a port of refuge, and speak of the grave as of some soft arms in which they may slumber as on a pillow. Some have wooed death—but 'Out upon thee,' I say, 'thou foul, ugly phantom! I detest, abhor, execrate thee, as in no instance to be excused or tolerated, but shunned as a universal viper, to be branded, proscribed, and spoken evil of! In no way can I be brought to digest thee, thou thin, melancholy Privation. Those antidotes prescribed against the fear of thee are altogether frigid and insulting, like thyself.'"
Poor Charles's wild humour flickers over this page like lambent flame; yet he was serious at heart without a doubt, and his whirling words rouse an echo in many a breast to this day. But both Shakspere and Lamb had their higher moments. Turn to "Cymbeline," and observe the glorious triumph of the dirge which rings like the magnificent exultation of Beethoven's Funeral March—