Your obliged and grateful,

JAMES RUNCIMAN.

CONTENTS.

THE CHEQUERS.

INTRODUCTION.

It is risky to go home with some of the company from the Chequers, for good-fellowship is by no means fostered in the atmosphere of a public-house. The creatures who write about the cheerful glass, and the jovial evening, and the drink that mellows the heart, know nothing of the sad work that goes on in a boozing-place, while the persons who draw wild pictures of impossible horrors are worse than the hired men who write in publican's papers. It is the plain truth that is wanted, and one year of life in a public-house teaches a man more than all the strained lectures and colourless statistics. I am going to give a series of pictures that will set forth every phase of public-house life. It is useless to step casually into a bar, and then turn out a flashy article. If you want to know how Drink really acts on the inner life of this nation you must actually live among the forlorn folk who drink Circe's draught, and you must live as their equal, their friend, their confidant. I am a Loafer, and not one of the gang at The Chequers would ever dream of regarding me as anything but an equal. My friend Donkey Perkins, the fighting man, curses me with perfect affability and I am on easy terms with about one hundred costermongers. If a "gentleman" went among them he could learn nothing. Observe the hush that falls on the babble of a tap-room if any well-dressed person goes in; listen to the hum of warning, and then notice the laboured hypocrisy of the talk that goes on so long as the stranger is there. I have seen that odd change scores of times, and I know that nothing can be more curious than the contrast between the scrappy, harmless chat that goes on while the representative of respectability is there, and the stupid, frank brutalities which the advent of the visitor silenced.