"I do not set my life at a pin's fee,
And, for my soul, what can it do to that,
Being a thing immortal, as itself?"[101]
A superstition, as its name imports, is something that has been left to stand over, like unfinished business, from one session of the world's witenagemot to the next. The vulgar receive it implicitly on the principle of omne ignotum pro possibili, a theory acted on by a much larger number than is commonly supposed, and even the enlightened are too apt to consider it, if not proved, at least rendered probable by the hearsay evidence of popular experience. Particular superstitions are sometimes the embodiment by popular imagination of ideas that were at first mere poetic figments, but more commonly the degraded and distorted relics of religious beliefs. Dethroned gods, outlawed by the new dynasty, haunted the borders of their old dominions, lurking in forests and mountains, and venturing to show themselves only after nightfall. Grimm and others have detected old divinities skulking about in strange disguises, and living from hand to mouth on the charity of Gammer Grethel and Mère l'Oie. Cast out from Olympus and Asgard, they were thankful for the hospitality of the chimney-corner, and kept soul and body together by an illicit traffic between this world and the other. While Schiller was lamenting the Gods of Greece, some of them were nearer neighbors to him than he dreamed; and Heine had the wit to turn them to delightful account, showing himself, perhaps, the wiser of the two in saving what he could from the shipwreck of the past for present use on this prosaic Juan Fernandez of a scientific age, instead of sitting down to bewail it. To make the pagan divinities hateful, they were stigmatized as cacodaemons; and as the human mind finds a pleasure in analogy and system, an infernal hierarchy gradually shaped itself as the convenient antipodes and counterpoise of the celestial one. Perhaps at the bottom of it all there was a kind of unconscious manicheism, and Satan, as Prince of Darkness, or of the Powers of the Air, became at last a sovereign, with his great feudatories and countless vassals, capable of maintaining a not unequal contest with the King of Heaven. He was supposed to have a certain power of bestowing earthly prosperity, but he was really, after all, nothing better than a James II. at St. Germains, who could make Dukes of Perth and confer titular fiefs and garters as much as he liked, without the unpleasant necessity of providing any substance behind the shadow. That there should have been so much loyalty to him, under these disheartening circumstances, seems to me, on the whole, creditable to poor human nature. In this case it is due, at least in part, to that instinct of the poor among the races of the North, where there was a long winter, and too often a scanty harvest,—and the poor have been always and everywhere a majority,—which made a deity of Wish. The Acheronta-movebo impulse must have been pardonably strong in old women starving with cold and hunger, and fathers with large families and a small winter stock of provision. Especially in the transition period from the old religion to the new, the temptation must have been great to try one's luck with the discrowned dynasty, when the intruder was deaf and blind to claims that seemed just enough, so long as it was still believed that God personally interfered in the affairs of men. On his death-bed, says Piers Plowman,
"The poore dare plede and prove by reson
To have allowance of his lord; by the law he it claimeth;
* * * * *
Thanne may beggaris as beestes after boote waiten
That al hir lif han lyved in langour and in defaute
But God sente hem som tyme som manere joye,
Outher here or ellis where, kynde wolde it nevere."
He utters the common feeling when he says that it were against nature. But when a man has his choice between here and elsewhere, it may be feared that the other world will seem too desperately far away to be waited for when hungry ruin has him in the wind, and the chance on earth is so temptingly near. Hence the notion of a transfer of allegiance from God to Satan, sometimes by a written compact, sometimes with the ceremony by which homage is done to a feudal superior.
Most of the practices of witchcraft—such as the power to raise storms, to destroy cattle, to assume the shape of beasts by the use of certain ointments, to induce deadly maladies in men by waxen images, or love by means of charms and philtres—were inheritances from ancient paganism. But the theory of a compact was the product of later times, the result, no doubt, of the efforts of the clergy to inspire a horror of any lapse into heathenish rites by making devils of all the old gods. Christianity may be said to have invented the soul as an individual entity to be saved or lost; and thus grosser wits were led to conceive of it as a piece of property that could be transferred by deed of gift or sale, duly signed, sealed, and witnessed. The earliest legend of the kind is that of Theophilus, chancellor of the church of Adana in Cilicia some time during the sixth century. It is said to have been first written by Eutychianus, who had been a pupil of Theophilus, and who tells the story partly as an eyewitness, partly from the narration of his master. The nun Hroswitha first treated it dramatically in the latter half of the tenth century. Some four hundred years later Rutebeuf made it the theme of a French miracle-play. His treatment of it is not without a certain poetic merit. Theophilus has been deprived by his bishop of a lucrative office. In his despair he meets with Saladin, qui parloit au deable quant il voloit. Saladin tempts him to deny God and devote himself to the Devil, who, in return, will give him back all his old prosperity and more. He at last consents, signs and seals the contract required, and is restored to his old place by the bishop. But now remorse and terror come upon him; he calls on the Virgin, who, after some demur, compels Satan to bring back his deed from the infernal muniment-chest (which must have been fire-proof beyond any skill of our modern safe-makers), and the bishop having read it aloud to the awe-stricken congregation, Theophilus becomes his own man again. In this play, the theory of devilish compact is already complete in all its particulars. The paper must be signed with the blood of the grantor, who does feudal homage (or joing tes mains, et si devien mes hom), and engages to eschew good and do evil all the days of his life. The Devil, however, does not imprint any stigma upon his new vassal, as in the later stories of witch-compacts. The following passage from the opening speech of Theophilus will illustrate the conception to which I have alluded of God as a liege lord against whom one might seek revenge on sufficient provocation,—and the only revenge possible was to rob him of a subject by going over to the great Suzerain, his deadly foe:—
"N'est riens que por avoir ne face;
Ne pris riens Dieu et sa manace.
Irai me je noier ou pendre?
Ie ne m'en puis pas à Dieu prendre,
C'on ne puet à lui avenir.
* * * * *
Mès il s'est en si haut lieu mis,
Por eschiver ses anemis
C'on n'i puet trere ni lancier.
Se or pooie à lui tancier,
Et combattre et escrimir,
La char li feroie fremir.
Or est là sus en son solaz,
Laz! chetis! et je sui ès laz
De Povreté et de Soufrete."[102]
During the Middle Ages the story became a favorite topic with preachers, while carvings and painted windows tended still further to popularize it, and to render men's minds familiar with the idea which makes the nexus of its plot. The plastic hands of Calderon shaped it into a dramatic poem not surpassed, perhaps hardly equalled, in subtile imaginative quality by any other of modern times.
In proportion as a belief in the possibility of this damnable merchandising with hell became general, accusations of it grew more numerous. Among others, the memory of Pope Sylvester II, was blackened with the charge of having thus bargained away his soul. All learning fell under suspicion, till at length the very grammar itself (the last volume in the world, one would say, to conjure with) gave to English the word gramary (enchantment), and in French became a book of magic, under the alias of Grimoire. It is not at all unlikely that, in an age when the boundary between actual and possible was not very well defined, there were scholars who made experiments in this direction, and signed contracts, though they never had a chance to complete their bargain by an actual delivery. I do not recall any case of witchcraft in which such a document was produced in court as evidence against the accused. Such a one, it is true, was ascribed to Grandier, but was not brought forward at his trial. It should seem that Grandier had been shrewd enough to take a bond to secure the fulfilment of the contract on the other side; for we have the document in fac-simile, signed and sealed by Lucifer, Beelzebub, Satan, Elimi, Leviathan, and Astaroth, duly witnessed by Baalberith, Secretary of the Grand Council of Demons. Fancy the competition such a state paper as this would arouse at a sale of autographs! Commonly no security appears to have been given by the other party to these arrangements but the bare word of the Devil, which was considered, no doubt, every whit as good as his bond. In most cases, indeed, he was the loser, and showed a want of capacity for affairs equal to that of an average giant of romance. Never was comedy acted over and over with such sameness of repetition as "The Devil is an Ass." How often must he have exclaimed (laughing in his sleeve):—
"I to such blockheads set my wit, I damn such fools!—go, go, you're bit!"
In popular legend he is made the victim of some equivocation so gross that any court of equity would have ruled in his favor. On the other hand, if the story had been dressed up by some mediaeval Tract Society, the Virgin appears in person at the right moment ex machina, and compels him to give up the property he had honestly paid for. One is tempted to ask, Were there no attorneys, then, in the place he came from, of whom he might have taken advice beforehand? On the whole, he had rather hard measure, and it is a wonder he did not throw up the business in disgust. Sometimes, however, he was more lucky, as with the unhappy Dr. Faust; and even so lately as 1695, he came in the shape of a "tall fellow with black beard and periwig, respectable looking and well dressed," about two o'clock in the afternoon, to fly away with the Maréchal de Luxembourg, which, on the stroke of five, he punctually did as per contract, taking with him the window and its stone framing into the bargain. The clothes and wig of the involuntary aeronaut were, in the handsomest manner, left upon the bed, as not included in the bill of sale. In this case also we have a copy of the articles of agreement, twenty-eight in number, by the last of which the Maréchal renounces God and devotes himself to the enemy. This clause, sometimes the only one, always the most important in such compacts, seems to show that they first took shape in the imagination, while the struggle between Paganism and Christianity was still going on. As the converted heathen was made to renounce his false gods, none the less real for being false, so the renegade Christian must forswear the true Deity. It is very likely, however, that the whole thing may be more modern than the assumed date of Theophilus would imply, and if so, the idea of feudal allegiance gave the first hint, as it certainly modified the particulars, of the ceremonial.