"In woods, in waves, in wars, she wonts to dwell,
And will be found with peril and with pain,
Ne can the man that moulds in idle cell
Unto her happy mansiön attain;
Before her gate high God did Sweat ordain,
And wakeful watches ever to abide;
But easy is the way and passage plain
To pleasure's palace; it may soon be spied,
And day and night her doors to all stand open wide."[310]
Spenser's mind always demands this large elbow-room. His thoughts are never pithily expressed, but with a stately and sonorous proclamation, as if under the open sky, that seems to me very noble. For example,—
"The noble heart that harbors virtuous thought
And is with child of glorious-great intent
Can never rest until it forth have brought
The eternal brood of glory excellent."[311]
One's very soul seems to dilate with that last verse. And here is a passage which Milton had read and remembered:—
"And is there care in Heaven? and is there love
In heavenly spirits to these creatures base,
That may compassion of their evils move?
There is: else much more wretched were the case
Of men than beasts: but O, the exceeding grace
Of highest God, that loves his creatures so,
And all his works with mercy doth embrace,
That blessed angels he sends to and fro,
To serve to wicked man, to serve his wicked foe!
"How oft do they their silver bowers leave,
To come to succor us that succor want!
How oft do they with golden pinions cleave
The fleeting skies like flying pursuivant,
Against foul fiends to aid us militant!
They for us fight, they watch and duly ward,
And their bright squadrons round about us plant;
And all for love and nothing for reward;
O, why should heavenly God to men have such regard?"[312]
His natural tendency is to shun whatever is sharp and abrupt. He loves to prolong emotion, and lingers in his honeyed sensations like a bee in the translucent cup of a lily. So entirely are beauty and delight in it the native element of Spenser, that, whenever in the "Faery Queen" you come suddenly on the moral, it gives you a shock of unpleasant surprise, a kind of grit, as when one's teeth close on a bit of gravel in a dish of strawberries and cream. He is the most fluent of our poets. Sensation passing through emotion into revery is a prime quality of his manner. And to read him puts one in the condition of revery, a state of mind in which our thoughts and feelings float motionless, as one sees fish do in a gentle stream, with just enough vibration of their fins to keep themselves from going down with the current, while their bodies yield indolently to all its soothing curves. He chooses his language for its rich canorousness rather than for intensity of meaning. To characterize his style in a single word, I should call it costly. None but the daintiest and nicest phrases will serve him, and he allures us from one to the other with such cunning baits of alliteration, and such sweet lapses of verse, that never any word seems more eminent than the rest, nor detains the feeling to eddy around it, but you must go on to the end before you have time to stop and muse over the wealth that has been lavished on you. But he has characterized and exemplified his own style better than any description could do:—
"For round about the walls yclothed were
With goodly arras of great majesty,
Woven with gold and silk so close and near
That the rich metal lurked privily
As faining to be hid from envious eye;
Yet here and there and everywhere, unwares
It showed itself and shone unwillingly
Like to a discolored snake whose hidden snares
Through the green grass his long bright-burnished back declares."[313]
And of the lulling quality of his verse take this as a sample:—
"And, more to lull him in his slumber soft,
A trickling stream from high rock tumbling down
And ever drizzling rain upon the loft,
Mixt with the murmuring wind much like the soun
Of swarming bees did cast him in a swoon.
No other noise, nor peoples' troublous cries,
As still are wont to annoy the walled town,
Might there be heard: but careless quiet lies
Wrapt in eternal silence far from enemies."[314]