Rightly? That's simply: 'tis to see
Some substance casts these shadows
Which we call Life and History,
That aimless seem to chase and flee
Like wind-gleams over meadows.
Simply? That's nobly: 'tis to know
That God may still be met with,
Nor groweth old, nor doth bestow
These senses fine, this brain aglow,
To grovel and forget with. 160
Beauty, Herr Doctor, trust in me,
No chemistry will win you;
Charis still rises from the sea:
If you can't find her, might it be
Because you seek within you?
A FAMILIAR EPISTLE TO A FRIEND
Alike I hate to be your debtor,
Or write a mere perfunctory letter;
For letters, so it seems to me,
Our careless quintessence should be,
Our real nature's truant play
When Consciousness looks t'other way;
Not drop by drop, with watchful skill,
Gathered in Art's deliberate still,
But life's insensible completeness
Got as the ripe grape gets its sweetness, 10
As if it had a way to fuse
The golden sunlight into juice.
Hopeless my mental pump I try,
The boxes hiss, the tube is dry;
As those petroleum wells that spout
Awhile like M.C.'s, then give out,
My spring, once full as Arethusa,
Is a mere bore as dry's Creusa;
And yet you ask me why I'm glum,
And why my graver Muse is dumb. 20
Ah me! I've reasons manifold
Condensed in one,—I'm getting old!
When life, once past its fortieth year,
Wheels up its evening hemisphere,
The mind's own shadow, which the boy
Saw onward point to hope and joy,
Shifts round, irrevocably set
Tow'rd morning's loss and vain regret,
And, argue with it as we will,
The clock is unconverted still. 30
'But count the gains,' I hear you say,
'Which far the seeming loss out-weigh;
Friendships built firm 'gainst flood and wind
On rock foundations of the mind;
Knowledge instead of scheming hope;
For wild adventure, settled scope;
Talents, from surface-ore profuse,
Tempered and edged to tools for use;
Judgment, for passion's headlong whirls;
Old sorrows crystalled into pearls; 40
Losses by patience turned to gains,
Possessions now, that once were pains;
Joy's blossom gone, as go it must,
To ripen seeds of faith and trust;
Why heed a snow-flake on the roof
If fire within keep Age aloof,
Though blundering north-winds push and strain
With palms benumbed against the pane?'
My dear old Friend, you're very wise;
We always are with others' eyes, 50
And see so clear! (our neighbor's deck on)
What reef the idiot's sure to wreck on;
Folks when they learn how life has quizzed 'em
Are fain to make a shift with Wisdom,
And, finding she nor breaks nor bends,
Give her a letter to their friends.
Draw passion's torrent whoso will
Through sluices smooth to turn a mill,
And, taking solid toll of grist,
Forget the rainbow in the mist, 60
The exulting leap, the aimless haste
Scattered in iridescent waste;
Prefer who likes the sure esteem
To cheated youth's midsummer dream,
When every friend was more than Damon,
Each quicksand safe to build a fame on;
Believe that prudence snug excels
Youth's gross of verdant spectacles,
Through which earth's withered stubble seen
Looks autumn-proof as painted green,— 70
I side with Moses 'gainst the masses,
Take you the drudge, give me the glasses!
And, for your talents shaped with practice,
Convince me first that such the fact is;
Let whoso likes be beat, poor fool,
On life's hard stithy to a tool,
Be whoso will a ploughshare made,
Let me remain a jolly blade!
What's Knowledge, with her stocks and lands,
To gay Conjecture's yellow strands? 80
What's watching her slow flock's increase
To ventures for the golden fleece?
What her deep ships, safe under lee,
To youth's light craft, that drinks the sea,
For Flying Islands making sail,
And failing where 'tis gain to fail?
Ah me! Experience (so we're told),
Time's crucible, turns lead to gold;
Yet what's experience won but dross,
Cloud-gold transmuted to our loss? 90
What but base coin the best event
To the untried experiment!
'Twas an old couple, says the poet,
That lodged the gods and did not know it;
Youth sees and knows them as they were
Before Olympus' top was bare;
From Swampscot's flats his eye divine
Sees Venus rocking on the brine,
With lucent limbs, that somehow scatter a
Charm that turns Doll to Cleopatra; 100
Bacchus (that now is scarce induced
To give Eld's lagging blood a boost),
With cymbals' clang and pards to draw him,
Divine as Ariadne saw him,
Storms through Youth's pulse with all his train
And wins new Indies in his brain;
Apollo (with the old a trope,
A sort of finer Mister Pope),
Apollo—but the Muse forbids:
At his approach cast down thy lids, 110
And think it joy enough to hear
Far off his arrows singing clear;
He knows enough who silent knows
The quiver chiming as he goes;
He tells too much who e'er betrays
The shining Archer's secret ways.