And yet there's the half of a truth in it,
And my Lord might his copyright sue;
For a thought's his who kindles new youth in it,
Or so puts it as makes it more true.
The birds but repeat without ending
The same old traditional notes,
Which some, by more happily blending,
Seem to make over new in their throats;
And we men through our old bit of song run,
Until one just improves on the rest,
And we call a thing his, in the long run,
Who utters it clearest and best.
AUSPEX
My heart, I cannot still it,
Nest that had song-birds in it;
And when the last shall go,
The dreary days, to fill it,
Instead of lark or linnet,
Shall whirl dead leaves and snow.
Had they been swallows only,
Without the passion stronger
That skyward longs and sings,—
Woe's me, I shall be lonely
When I can feel no longer
The impatience of their wings!
A moment, sweet delusion,
Like birds the brown leaves hover;
But it will not be long
Before their wild confusion
Fall wavering down to cover
The poet and his song.
THE PREGNANT COMMENT
Opening one day a book of mine,
I absent, Hester found a line
Praised with a pencil-mark, and this
She left transfigured with a kiss.
When next upon the page I chance,
Like Poussin's nymphs my pulses dance,
And whirl my fancy where it sees
Pan piping 'neath Arcadian trees,
Whose leaves no winter-scenes rehearse,
Still young and glad as Homer's verse.
'What mean,' I ask, 'these sudden joys?
This feeling fresher than a boy's?
What makes this line, familiar long,
New as the first bird's April song?
I could, with sense illumined thus,
Clear doubtful texts in Æeschylus!'