MONUMENTS FOR ECCLESIASTICS.
As to monuments for the several degrees of churchmen, as bishops, abbots, priors, monks, &c. or of religious women, they are easily to be distinguished from other persons, but equally difficult to assign to their true owners. Among these, as among the before-mentioned monuments, for the most part the stone effigies are the oldest, with the mitre, crosier, and other proper insignia, and very often wider at the head than feet, having, indeed, been the cover to the stone coffins in which the body was deposited.
When brass plates came in fashion they were likewise much used by bishops, &c. many of whose grave stones remain at this day, very richly adorned, and in many, the indented marble shews that they have been so. In Salisbury cathedral, says Mr. Lethieullier, I found two very ancient stone figures of bishops, which were brought from Old Sarum, and are consequently older than the time of king Henry the third. In that church, likewise, the pompous marble which lies over Nicholas Longespee, bishop of that see, and son of the, Earl of Salisbury, who died in the year 1297, appears to have been richly plated, though the brass is now quite gone, and is one of the most early of that kind which has been met with. Frequently, where there are no effigies, crosiers or crosses denote an ecclesiastic. The latter have been met with, but with little difference in their form, for every order from a bishop to a parish priest.
THE SKELETON MONUMENT.
One sort of monument more may be mentioned, which is somewhat peculiar; this is the representation of a skeleton in a shroud, lying either under or upon, but generally under a table tomb. A monument of this kind is to be met with in almost all the cathedral and conventual churches throughout England, and scarcely ever more than one, but to what age the unknown ones are to be attributed, we have no clue to guide us, since there is one in York cathedral for Robert Claget, treasurer of that church, as ancient as 1241, and in Bristol cathedral, Paul Bush, the first bishop of that see, who died so late as 1558, is represented in the same manner, and some of these figures may be found in every age between.
These skeleton monuments represent the figure of a man emaciated by extreme sickness, or taken immediately after death; they are usually of ecclesiastics, and placed with another figure of the same prelate, as a contrast to his pride, in pontificals. The art of the sculptor is more apparent in the first mentioned, because much anatomical accuracy was required.
One of the earliest monuments of a warrior so contrasted is that of John de Arundel, slain in the French wars, under the Duke of Bedford. It remains in the sepulchral chapel of that noble family at Arundel, and is finely sculptured in white marble. The dead figure, is indeed a masterly performance, and has every appearance of having been originally modelled from nature.
In Exeter Cathedral there is an altar tomb, upon which lies the effigy of bishop Marshall, who died in 1203, dressed in his episcopal robes, with a mitre on his head, his right hand lying upon his breast, with the palm upwards, the fore finger, ring finger, and thumb extended, and the other fingers closed. Near this monument in a low niche, lies the figure of a skeleton, cut in free stone, with the following inscription over it:—“Ista figura docet nos omnes premeditari qualiter ipsa nocet mors quando venit dominari.”
The tomb of bishop Beckington in Wells Cathedral, who died in 1464, has his effigy in alabaster, habited in his episcopal robes; and underneath is a representation of his skeleton.
FINIS.