[4] Many Jews, indeed, who had once been inhabitants of Cyrene lived in Jerusalem—old people, probably, who had come to lay their bones in holy ground; for we learn from an incidental notice in the Acts that they had a synagogue of their own in the city; and Simon may have been one of these. But the other is the more likely case.

CHAPTER XI.

THE DAUGHTERS OF JERUSALEM

There are many legends clustering round this portion of our Lord's history.

It is narrated, for example, that, when the divine Sufferer, burdened with the cross, was creeping along feebly and slowly, He leaned against the door of a house which stood in the way, when the occupier, striking a blow, commanded Him to hurry on; to which the Lord, turning to His assailant, replied, "Thou shall go on and never stop till I come again;" and to this day, unable to find either rest or death, the miserable man still posts over the earth, and shall continue doing so until the Lord's return. This is the legend of the Wandering Jew, which assumed many forms in the lore of other days and still plays a somewhat prominent part in literature. It is, I suppose, a fantastic representation, in the person of an individual, of the tragic fate of the Jewish race, which, since the day when it laid violent hands on the Son of God, has had no rest for the sole of its foot.

To another story of the Via Dolorosa as distinguished a place has been given in art as to the legend of the Wandering Jew in literature. Veronica, a lady in Jerusalem, seeing Christ, as He passed by, sinking beneath His burden, came out of her house and with a towel washed away the blood and perspiration from His face. And lo! when she examined the napkin with which the charitable act had been performed, it bore a perfect likeness of the Man of Sorrows. Some of the greatest painters have reproduced this scene, and it may be understood as teaching the lesson that even the commonest things in life, when employed in acts of mercy, are stamped with the image and superscription of Christ.

In Roman Catholic churches there may generally be seen round the walls a series of about a dozen pictures, taken from this part of our Lord's life. They are denominated the Stations of the Cross, because the worshippers, going round, stop to look and meditate on the different scenes. In Catholic countries the same idea is sometimes carried out on a more imposing scale. On a knoll or hill in the neighbourhood of a town three lofty crosses stand; the road to them through the town is called Via Calvarii, and at intervals along the way the scenes of our Lord's sad journey are represented by large frescoes or bas-reliefs.

But we really know for certain of only two incidents of the Via Dolorosa—that in which our Lord was relieved of His cross by Simon the Cyrenian and that, which we are now to consider, of the sympathetic daughters of Jerusalem.

I.

The reader of the history of our Lord in its last stages is sated with horrors. In some of the scenes through which we have recently accompanied Him we have seemed to be among demons rather than men. The mind longs for something to relieve the monstrous spectacles of fanatic hate and cold-blooded cruelty. Hence this scene is most welcome, in which a blink of sunshine falls on the path of woe, and we are assured that we need not lose faith in the human heart.