Here are Ladies

by James Stephens

And now, as she lay helpless on the bed, she watched him. She was racked with pain, and he was mumbling that it would be all right again in a little time. "A week from now," said he, "and you will have forgotten all about it."

But she, looking at him with fearful eyes, traced this sentence at the back of his brain, "I hope that she will die," and the life within her which had been sown in happiness and love, and had grown great through misery and tears was now beating at the gates of entrance. . . . She might die: so many people die in labour, and she was not strong. With a new clairvoyant gaze she saw Death standing by the bed, hooded, cloaked and sombre; his eyes were fixed on her and they were peaceful and kindly eyes. Had there been nothing else to care for she would have gone gladly to the Dark One; but there remained her little son. What heart was he to rest on when she was gone? Whose arms could open so widely as the mother's when he fled from the terrible things which haunt Babyland?—it was an arrow in her heart.

She knew well that her husband would marry again. He was of those men who are inveterate husbands—and that new woman!—Who was she? What was she like? What would be her attitude towards a motherless child? towards her little one? She would be kindly at first, little doubt of that, but afterwards, when her own children came, what would become of the child of a husband's first wife? . . .

She stared down vistas of sorrow. She was a woman, and she knew women. She saw the other little ones, strangers to her, cared for and loved, all their childish troubles the centre of maternal interest and debate, while her boy slunk through a lonely, pathetic childhood, frightened, repressed, perhaps beaten, because he was not of the brood. . . .

She saw these things as she lay looking at her husband, and she believed they would come to pass if she died.

And in the night time, when the stars were hidden behind the window curtains, by the light of a lamp that fell on toiling, anxious people, in a hospital-like atmosphere of pain and clamour she did die.

II

It was believed long ago in the ancient kingdom of Erinn that it was death to be a poet, death to love a poet, and death to mock a poet. So the Gael said, and, in that distant time, the people of the Gael were a wise people, holding the ancient knowledge, and they honoured the poet and feared him, for his fostering was among the people of the Shee, and his curse was quickened with the authority of the gods. Even lately the people feared the poets and did them reverence, although the New Ignorance (known humorously as Education) was gradually strangling the life out of Wisdom, and was setting up a different and debased standard of mental values. There was a lady once and she scorned a poet, wittingly and with malice, and it was ill for her in the sequel, for the gods saw to it.

She was very beautiful—"The finest girl in three counties, sir," said her father: but he might have been prejudiced in favour of his own, and he had been known to speak of himself as "the finest man in Ireland, and you know what that means, sir." Further, his dog was "the greatest dog that ever ratted in the universe." Whatever he owned was not only good, it was great and unique, and whatever he did not own had, in his opinion, very little to recommend it.

But his daughter was beautiful. When the male eye encountered her it was in no haste to look away. When the female eye lit on her it was, and the owner of the female eye, having sniffed as was proper, went home and tried to do up her hair or her complexion in the like manner—as was also proper. A great many people believe (and who will quarrel with their verities) that beauty is largely a matter of craft and adjustment.—Such women are beautiful with a little difficulty—they pursue loveliness, run it to earth in a shop, obtain it with a certain amount of minted metal, and reincarnate themselves from a box.—They deserve all the success which they undoubtedly obtain. There are other women who are beautiful by accident—such as, the cunning disposition of a dimple, the abilities of a certain kind of smile, the possession of a charming voice—for, indeed, an ugly woman with a beautiful voice is a beautiful woman. But some women are beautiful through the spendthrift generosity of nature, and of this last was she. Whatever of colour, line, or motion goes to the construction of beauty that she was heiress to, and she knew it only too well.