Fig. 9 (e).

After the trunk has been recognised by the young draughtsman he is apt to show his want of respect for it by making it absurdly small in proportion to the head, as in Fig. 10. It assumes a variety of shapes, triangular, rectangular, and circular or ovoid, this last being, however, the most common.

At this stage there is no attempt to show the joining on of the head to the trunk by means of the neck. When this is added it is apt to take the exaggerated look of caricature, as in Fig. 11.

Fig. 10.

Fig. 11.

A curious feature which not infrequently appears in this first drawing of the trunk is the doubling of the corporeal ovoid, one being laid upon the other. As this appears when a neck is added it looks like a clumsy attempt to indicate the pinch at the waist—presumably the female waist (see Fig. 12).

The introduction of the arms is very uncertain. To the child, as also to the savage, the arms seem far less important than the legs, and are omitted in rather more than one case out of two. After all, the divine portion, the head, can be supported very well without their help.