It was a beautiful duet; first the small gentleman asked a question and then the tall lady answered it; then the small gentleman and the tall lady sang together most melodiously; then the small gentleman went through a little piece of vehemence by himself, and got very tenor indeed, in the excitement of his feelings, to which the tall lady responded in a similar manner; then the small gentleman had a shake or two, after which the tall lady had the same, and then they both merged imperceptibly into the original air.

Our author is quite impartial in his distribution of his voices. In P.P. we read of a boy of fourteen who was a tenor (not the fat boy), while the quality of the female voices is usually left to the imagination.

If Mrs. Plornish (L.D.) is to be believed, her father, Mr. John Edward Nandy, was a remarkable singer. He was

a poor little reedy piping old gentleman, like a worn-out bird, who had been in what he called the music-binding business.

But Mrs. P. was very proud of her father's talents, and in response to her invitation, ‘Sing us a song, father,’

Then would he give them Chloe, and if he were in pretty good spirits, Phyllis also—Strephon he had hardly been up to since he went into retirement—and then would Mrs. Plornish declare she did believe there never was such a singer as father, and wipe her eyes.

Old Nandy evidently favoured the eighteenth-century songs, in which the characters here referred to were constantly occurring. At a subsequent period of his history Nandy's vocal efforts surprised even his daughter.

‘You never heard father in such voice as he is at present,’ said Mrs. Plornish, her own voice quavering, she was so proud and pleased. ‘He gave us Strephon last night, to that degree that Plornish gets up and makes him this speech across the table, “John Edward Nandy,” says Plornish to father, “I never heard you come the warbles as I have heard you come the warbles this night.” Ain't it gratifying, Mr. Pancks, though; really.’

The Mr. Pancks here referred to did not mind taking his part in a bit of singing. He says, in reference to a ‘Harmony evening’ at the Marshalsea:

‘I am spending the evening with the rest of 'em,’ said Pancks. ‘I've been singing. I've been taking a part in “White Sand and Grey Sand.” I don't know anything about it. Never mind. I'll take part in anything, it's all the same, if you're loud enough.’