It is said that in many of the farmhouses of the French peasantry may be seen hanging little colored prints representing the main professions. At the top of a stairway stands a king with the motto: "I rule you all," on a step below is a priest who says: "I pray for you all;" still farther down stands the soldier who says: "I defend you all;" but at the bottom of the stairway is the peasant whose motto is: "I feed you all." The French peasant seemed to take this for granted and never imagined that while doing it he might have advantages and pleasures that would help to make life worth living.
Of course, there are great industries and industrial centers in France. The city of Lille was, before the war, the Pittsburg of France. This city was not only the center of the textile industry, but had scores and hundreds of factories and machine shops of all kinds. While the city itself was not totally destroyed, the factories were almost completely ruined. In some cases railroad tracks were laid into the buildings and whole trainloads of costly machinery were shipped out of the country. I saw the inside of many of these buildings where high explosives were used and all that was left was the shell of the building, the inside being one mass of twisted iron girders and broken concrete.
Of course, the idea of the enemy was to make it impossible for French factories to ever again compete with their own so they attempted to destroy all they left. They especially looked after all patterns and plans and thought they were making a clean sweep. In one case a great factory that covered sixty acres of ground was destroyed. But the owners had a branch factory in southern France and immediately began manufacturing duplicate machinery so that when the war closed all that was needed was the transportation facilities to get the machinery to Lille.
In the great coal fields about Lens the works and machinery were so completely destroyed that one could hardly tell there were coal mines in the district at all. The writer went over these ruins after the war closed and it is simply beyond the imagination to picture the actual conditions at that time. The course of small rivers and streams were changed so that the water could be run into these mines.
One quite remarkable distinction is noticeable to a stranger going through France and that is that an occasional factory seems to be located in the midst of an agricultural district. The land may be farmed on all sides up to the factory buildings. The men often work in these factories while the women and children and old men do the work on the farms.
Portions of southern France are noted for the beautiful vineyards. Bordeaux and other brands of wine are famous the world around. Some of our boys are laughing yet about the French methods of making wine. The grapes are gathered and piled into a great vat. When this receptacle is filled, men, women and children take off their shoes and most all of their clothes and climb in. Here they walk and jump and tramp until the whole thing is a mass of pulp. In the meantime, the wine is continually draining out and being cared for by others.
After they have tramped out all the juice possible by this method the remains are put into a great press something like a cider press. After all the wine has been extracted by these various methods, they use the pulp in the manufacture of a powerful intoxicant, but this is not generally used as a beverage. Of course, all understand that in many places they have modern machinery and make wine along scientific lines, but in many cases they use these old methods to this day.
The courage of the French people is sublime. Even in the darkest days their faith never wavered and they firmly believed they would be victorious. As a monument of this faith there is in Paris today the most wonderful painting perhaps that was ever put upon canvas. It is called the "Pantheon de Guerre" and is a marvelous cycloramic painting of the war. It was opened up to the public soon after the armistice was signed and the writer saw it while attending the Peace Conference.
Many remember the wonderful representation of the Battle of Gettysburg which used to be in Chicago. This Paris cyclorama is along the same line, but ten times more wonderful. It is three hundred and seventy-four feet in circumference and forty-five high. The actual preparation of this began in October, 1914, and while the army of the invaders was within thirty miles of Paris and the big guns were shaking the city, more than twenty artists were working on the marvelous production.