In the course of this campaign Tod performed valuable services. At the beginning of the operations he supplied the British Staff with a rough map of the seat of war, and in other ways his local knowledge was utilized by the Generals in charge of the operations. In 1813 he had been promoted to the rank of Captain in command of the escort of the Resident, Mr. Richard Strachey, who nominated him to the post of his Second Assistant. In 1818 he was appointed Political Agent of Western Rājputāna, a post which he held till his retirement in June 1822. The work which he carried out in Rājputāna during this period is fully described in The Annals and in his “Personal Narrative.” Owing to Mahratta oppression and the ravages of the Pindāris, the condition of the country, political, social, and economical, was deplorable. To remedy this prevailing anarchy the States were gradually brought under British control, and their relations with the paramount power were embodied in a series of treaties. In this work of reform, reconstruction, and conciliation, Tod played an active part, and the confidence and respect with which he was regarded by the Princes, Chiefs, and peasantry enabled him to interfere with good effect in tribal quarrels, to rearrange the fiefs of the minor Chiefs, and to act as arbitrator between the Rāna of Mewār and his subjects.

Tod was convinced that the miserable state of the country was chiefly due to the hesitation of the Indian Government in interfering for the re-establishment of order; and on this ground he does not hesitate to condemn the cautious policy of Lord Cornwallis during his second term of office as Governor-General. Few people at the present day would be disposed to defend the policy of non-intervention. “This policy has been condemned by historians and commentators, as well as by statesmen, soldiers, and diplomatists; by Mill and his editor, H. H. Wilson, and by Thornton; by Lord Lake and Sir John Malcolm. The mischief was done and the loss of influence was not regained for a decade. It was not till the conclusion of an expensive and protracted campaign, that the Indian Government was replaced in the position where it had been left by Wellesley. The blame for this weak and unfortunate policy must be divided between Cornwallis and Barlow, between the Court of Directors and the Board of Control.” But it was carried out in pursuance of orders from the Home Government. “The Court of Directors for some time past had been alarmed at Lord Wellesley’s vigorous foreign policy. Castlereagh at the Board of Control had taken fright, and even Pitt was carried away and committed himself to a hasty opinion that the Governor-General had acted imprudently and illegally.”[[1]]

Tod tells us little of his relations with the Supreme Government during his four years’ service as Political Agent. He was notoriously a partisan of the Rājput princes, particularly those of Mewār and Mārwār; he is never tired of abusing the policy of the Emperor Aurangzeb, and, fortunately for the success of his work, Muhammadans form only a slight minority in the population of Rājputāna. This attitude naturally exposed him to criticism. Writing in 1824, Bishop Heber,[[2]] while he recognizes that he was held in affection and respect by “all the upper and middling classes of society,” goes on to say: “His misfortune was that, in consequence of his favouring the native princes so much, the Government of Calcutta were led to suspect him of corruption, and consequently to narrow his powers and associate other officers with him in his trust till he was disgusted and resigned his place. They are now, I believe, well satisfied that their suspicions were groundless. Captain Todd (sic) is strenuously vindicated from the charge by all the officers with whom I have conversed, and some of whom had abundant means of knowing what the natives themselves thought of him.” The Bishop’s widow, in a later issue of the Diary of her husband, adds that "she is anxious to remove any unfavourable impressions which may exist on the subject by stating, that she has now the authority of a gentleman, who at the time was a member of the Supreme Council, to say, that no such imputation was ever fixed on Colonel Todd´s (sic) character."

Whatever may have been the real reason for the premature termination of his official career at the age of forty, ill-health was put forward as the ostensible cause of his retirement. He had served for about twenty-four years in the Indian plains without any leave; he had long suffered from malaria; and, though he hardly suspected it at the time, an attempt had been made by one of his servants to poison him with Datura; he had met with a serious accident when, by chance or design, his elephant-driver dashed his howdah against the gate of Begūn fort in eastern Mewār. In spite of all this, he retained sufficient health to make, on the eve of his departure from India, the extensive tour recorded in his Travels in Western India. Neither on his retirement, nor at any subsequent period, were his services, official and literary, rewarded by any distinction.

During his seventeen years’ service in Central India and Rājputāna he showed indefatigable industry in the collection of the materials which were partially used in his great work. His taste for the study of history and antiquities, ethnology, popular religion, and superstitions was stimulated by the pioneer work of Sir W. Jones and other writers in the Asiatic Researches. He was not a trained philologist, and he gained much of his information from his Guru, the Jain Yati Gyānchandra, and the Brāhman Pandits whom he employed to make inquiries on his behalf. They, too, were not trained scholars in the modern sense of the term, and many of his mistakes are due to his rashness in following their guidance.

His life was prolonged for thirteen years after he left India. In 1824 he attained the rank of Major, and in 1826 that of Lieutenant-Colonel. Much of his time in England was spent in arranging his materials and compiling the works upon which his reputation depends: The Annals, published between 1829 and 1832; and his Travels in Western India, published after his death, in 1839. He was in close relations with the Royal Asiatic Society, of which he acted for a time as Librarian. In this fine collection of books and manuscripts he gained much of that discursive learning which appears in The Annals. He presented to the Society numerous manuscripts, inscriptions, and coins. The fine series of drawings made to illustrate his works by Captain P. T. Waugh and a native artist named Ghāsi, have recently been rearranged and catalogued in the Library of the Society. They well deserve inspection by any one interested in Indian art. He also made frequent tours on the Continent, and on one occasion visited the great soldier, Count Benoit de Boigne, who died in 1830, leaving a fortune of twenty millions of francs.

On November 16, 1826, Tod married Julia, daughter of Dr. Henry Clutterbuck, an eminent London surgeon, by whom he had two sons and a daughter. In 1835 he settled in a house in Regent’s Park, and on November 17 of the same year he died suddenly while transacting business at the office of his bankers, Messrs. Robarts of Lombard Street. The names of his descendants will appear from the pedigree appended to this Introduction.

The Annals of Rajasthan, the two volumes of which were, by permission, dedicated to Kings George IV. and William IV. respectively, was received with considerable favour. A contemporary critic deals with it in the following terms:[[3]] “Colonel Tod deserves the praise of a most delightful and industrious collector of materials for history, and his own narrative style in many places displays great freedom, vigour, and perspicuity. Though not always correct, and occasionally stiff and formal, it is not seldom highly animated and picturesque. The faults of his work are inseparable from its nature; it would have been almost impossible to mould up into one continuous history the distinct and separate annals of the various Rajput races. The patience of the reader is thus unavoidably put to a severe trial, in having to reascend to the origin, and again to trace downwards the parallel annals of some new tribe—sometimes interwoven with, sometimes entirely distinct from, those which have gone before. But, on the whole, as no one but Colonel Tod could have gathered the materials for such a work, there are not many who could have used them so well. No candid reader can arise from its perusal without a very high sense of the character of the Author—no scholar, more certainly, without respect for his attainments, and gratitude for the service which he has rendered to a branch of literature, if far from popular, by no means to be estimated, as to its real importance, by the extent to which it may command the favour of an age of duodecimos.”

In estimating the value of the local authorities on which the history is based, Tod reposed undue confidence in the epics and ballads composed by the poet Chānd and other tribal bards. It is believed that more than one of these poems have disappeared since his time, and these materials have been only in part edited and translated. The value to be placed on bardic literature is a question not free from difficulty. “On the faith of ancient songs, the uncertain but the only memorials of barbarism,” says Gibbon, “they [Cassiodorus and Jornandes] deduced the first origin of the Goths.”[[4]] The poet may occasionally record facts of value, but in his zeal for the honour of the tribe which he represents, he is tempted to exaggerate victories, to minimize defeats. This is a danger to which Indian poets are particularly exposed. Their trade is one of fulsome adulation, and in a state of society like that of the Rājputs, where tribal and personal rivalries flourish, the temptation to give a false colouring to history is great. In fact, bardic literature is often useful, not as evidence of occurrences in antiquity, but as an indication of the habits and beliefs current in the age of the writer. It exhibits the facts, not as they really occurred, but as the writer and his contemporaries supposed that they occurred. The mind of the poet, with all its prejudices, projects itself into the distant past. Good examples of the methods of the bards will appear in the attempt to connect the Rāthors with the dynasty of Kanauj, or to represent the Chauhāns as the founders of an empire in the Deccan.

Recent investigation has thrown much new light on the origin of the Rājputs. A wide gulf lies between the Vedic Kshatriya and the Rājput of medieval times which it is now impossible to bridge. Some clans, with the help of an accommodating bard, may be able to trace their lineage to the Kshatriyas of Buddhist times, who were recognized as one of the leading elements in Hindu society, and, in their own estimation, stood even higher than the Brāhmans.[[5]] But it is now certain that the origin of many clans dates from the Saka or Kushān invasion, which began about the middle of the second century B.C., or more certainly, from that of the White Huns who destroyed the Gupta empire about A.D. 480. The Gurjara tribe connected with the latter people adopted Hinduism, and their leaders formed the main stock from which the higher Rājput families sprang. When these new claimants to princely honours accepted the faith and institutions of Brahmanism, the attempt would naturally be made to affiliate themselves to the mythical heroes whose exploits are recorded in the Mahābhārata and Rāmāyana. Hence arose the body of legend recorded in The Annals by which a fabulous origin from the Sun or Moon is ascribed to two great Rājput branches, a genealogy claimed by other princely families, like the Incas of Peru or the Mikado of Japan. Or, as in the case of the Rāthors of Mārwār, an equally fabulous story was invented to link them with the royal house of Kanauj, one of the genuine old Hindu ruling families. The same feeling lies at the root of the Aeneid of Virgil, the court poet of the new empire. The clan of the emperor Augustus, the Iulii, a patrician family of Alban origin, was represented as the heirs of Iulus, the supposed son of Aeneas and founder of Alba Longa, thus linking the new Augustan house with the heroes of the Iliad.